Radu Comsa / Things as they are, SABOT, Cluj-Napoca
Radu Comşa / Things as they are, SABOT, Cluj-Napoca, Romania 20 January - 18 February 2012
When Giorgio Vasari wrote the “Life of Artists”, the notion of the authorship was finally acknowledged in the field of visual art. It was being used for quite some time previously, but never before had it been so clearly defined.
Since then, authorship has become more and more connected to branding and marketing, and the trend is going towards a point when they will have become indistinguishable. I don’t mean to demonize these concepts. Yet, we would be blind if we ignored the fact that nowadays artists are compelled to build their own brand, that above everything else they need to nest into a style, which is something familiar, repeated and recognizable. In other words, they have to brand themselves.
The whole notion of the “death of the author” didn’t really damage this status quo. On the contrary, it added strength to the idea of authorship. The artists have thus survived their own artistic death. Still, it is clear that they have simultaneously turned themselves into products of the capitalist society, much like Coca-Cola or the one dollar bill.
Everyday, Radu Comşa is fighting his way out of the aforementioned scenario. His work – or rather his modus operandi, his life style – is continuously contradicting the situation I just described. The fact that he has been working in the city of Cluj - with its cozy little coterie where everybody peeks at each other’s work - didn’t help much.
“One of my interests is in making multi-component, interactive sculptures. Most of these works have innumerable permutations for viewing. Perhaps partially influenced from my background as a professional musician, these flexible sculptures allow for creating variations in the artwork such as might be experienced in the live performance of a musical composition from concert to concert. Some of the works may appear to be “games,” but generally there are no rules for arranging the components.
I work primarily in porcelain because this claybody receives and juxtaposes textures so articulately. Glazes are employed minimally; some works make use only of slips, underglazes, and oxide washes. My building combines altered wheelthrown as well pure handbuilding techniques.” Suzanne Stumpf
“My work mainly consists of salt-fired Porcelain and Stoneware. The salt-firing process is unique in that salt is introduced into the kiln when it reaches the proper temperature (2345 degrees F for my work). Inside the kiln, the salt vaporizes and settles onto the pieces, forming its own glaze over the clay body. I also use various slips and glazes to further decorate the pots.
In my functional work, my goal is to make the pieces “special”. I hope that everyday users will appreciate being “in the moment” as they sip from their hand-made cup or enjoy soup from their favorite bowl.
My sculptural pieces all have specific meaning for me, but sometimes are just fun! I don’t wish to impose my views of the work upon others, but would rather viewers lend their own interpretation to the pieces within their own contexts and ideas. Most importantly, I hope the sculptures will inspire viewers to pause and consider how the piece relates to their lives.” Deborah Britt
The exhibition presents different approaches of contemporary ceramic art through the works of 15 artists from USA, Canada, United Kingdom, Italy, South Korea, Israel and Poland, and celebrates the launch of Ceramics Now Magazine’s first printed issue. The artists are also featured in the issue.
EXHIBITING ARTISTS: Chang Hyun Bang (SK), Antonella Cimatti (IT), Patrick Colhoun (UK), Carole Epp (CA), Simcha Even-Chen (IL), Shamai Gibsh (IL), Mark Goudy (US), Roxanne Jackson (US), Margrieta Jeltema (IT), Maciej Kasperski (PL), Jim Kraft (US), Cynthia Lahti (US), Claire Muckian (UK), Connie Norman (US), Liza Riddle (US).
EXHIBITION SPACE: The Paintbrush Factory (third floor) Henri Barbusse nr. 59-61 Cluj-Napoca, Romania
"As a commercial artist designing products for retail store windows and interior displays, trade show booths and special events, I worked with many different materials to create three-dimensional objects. When I retired and started working with clay, I realized that clay was an exciting and wonderfully tactile material which I had to explore in depth.
I’m intrigued with the concept that the artist’s hand can manipulate clay into a work of art which expresses an emotion, tells a story, can be functional or is purely visually appealing. At times, the clay seems to have a life of its own as it leads me, morphing from one form and concept to another. On other occasions, I can envision the completed piece before even touching the clay.
Inspired by Nature, my work reflects the unlimited variety of textures, patterns, and energy I find in my natural surroundings. Texture and the tactile sense have always been an important part of my work. I hand build with clay slabs, coils, and extruded shapes and use various clay bodies, firing processes, glazes and cold finishes for making different forms and surface textures.
I enjoy creating artworks which not only express my love of Nature, but which also allow me to bring the essence of the outdoors into interior spaces.” Kathy Pallie