Ceramic artists list
> Ceramic artists list 100. Tim Rowan 99. Graciela Olio 98. Michal Fargo 97. Ryan Blackwell 96. Ellen Schön 95. Francesco Ardini 94. David Gallagher 93. Elizabeth Shriver 92. Jason Hackett 91. Patricia Sannit 90. Bente Skjøttgaard 89. Steve Belz 88. Ruth Power 87. Jenni Ward 86. Liliana Folta 85. Kira O'Brien 84. Annie Woodford 83. Kwok-Pong Bobby Tso 82. Bogdan Teodorescu 81. Kimberly Cook 80. Paula Bellacera 79. Debra Fleury 78. Cindy Billingsley 77. David Gilbaugh 76. Teresa & Helena Jané 75. Marianne McGrath 74. Suzanne Stumpf 73. Deborah Britt 72. Kathy Pallie 71. Els Wenselaers 70. Kjersti Lunde 69. Brian Kakas 68. Marie T. Hermann 67. Mark Goudy 66. Susan Meyer 65. Simcha Even-Chen 64. Barbara Fehrs 63. Shamai Gibsh 62. Natalia Dias 61. Bethany Krull 60. Amanda Simmons 59. Arthur Gonzalez 58. Chris Riccardo 57. Akiko Hirai W 56. Johannes Nagel 55. Rika Herbst 54. Liza Riddle 53. Chang Hyun Bang 52. Virginie Besengez 51. Jasmin Rowlandson 50. Chris Wight 49. Wim Borst 48. Rafael Peréz 47. Guðný Hafsteinsdóttir 46. Cathy Coëz 45. Merete Rasmussen 44. Carol Gouthro 43. JoAnn Axford 42. David Carlsson 41. Margrieta Jeltema 40. David Roberts 39. Patrick Colhoun 38. Abigail Simpson 37. Signe Schjøth 36. Katharine Morling 35. Dryden Wells 34. Antonella Cimatti 33. Cynthia Lahti 32. Carole Epp 31. Blaine Avery 30. Ian Shelly 29. Jim Kraft 28. Wesley Anderegg 27. Connie Norman 26. Arlene Shechet 25. Young Mi Kim 24. Jason Walker 23. Peter Meanley 22. Shane Porter 21. Jennifer McCurdy 20. Yoichiro Kamei 19. Debbie Quick 18. Ian F Thomas 17. John Shirley 16. Grayson Perry 15. Vivika & Otto Heino 14. Georges Jeanclos 13. Daniel Kavanagh 12. Nagae Shigekazu 11. Matthew Chambers 10. Tim Andrews 9. Claire Muckian 8. Adam Frew 7. Maciej Kasperski 6. Roxanne Jackson 5. Keith Schneider 4. Celeste Bouvier 3. Tim Scull 2. Kim Westad 1. Sara Paloma

Art


Constance McBride: The Lonely Girls, 2013

In this series, works depicting physical aging and a gendered issue surrounding dementia are engaged from a female point of view. Questions surrounding social responsibility are visited through an intimate look at a mother’s dilemma. My focus shifted to my mother after a few years of observing and caring for her while she navigated her days living with Alzheimer’s disease. My mother’s countenance emerges in the work through clay figures over a period of time and through multiplicity. By investigating concrete representations and creating situations that the viewer will identify with, I hope to engage the viewer in a deeper way.


  • Rose Cabat at 100: A Retrospective Exhibition of Ceramics at Tucson Museum of Art, Arizona
    February 1 - September 14, 2014

    Collection of the artist. Photos by Carissa Castillo and Rachel Shand.

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  • Month in Review: June 2014

    June 2014 at Ceramics Now - Contemporary ceramics magazine

    Hello friends. Welcome to Month in Review, a summary of the last month of activity here at Ceramics Now.
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    Featured artists
    Jamie Bates Slone: Phenotypes, 2014
    Susan Phillips: Untitled, 2013
    Sarah Purvey: Landscape Series, 2010-2014
    Kevork Cholakian: Artist’s Studio Chairs, 2012-2013
    Eszter Imre: Must-produced, 2012
    Tristan Stamm: Collections, 2014
    Lucy Gresley: Vessels, 2014
    Güliz Korkmaz Tirkeş: Flow Series, 2010-2013
    Brett Freund: Bliss Point, 2013-2014
    Michael Boroniec: Spatial Spirals, 2013
    Seth Czaplewski: Onsite Sculpture, 2013-2014

    Article
    The Dance of Infinity, by Hagai Segev

    Exhibition galleries
    Lucia Pizzani: The Worshipper of the Image at Beers Contemporary, London
    Alexandra Lerman: Immediate Release at Tina Kim Gallery, New York
    Michael Geertsen: Still Life, Still Lives at Jason Jacques Gallery, New York

    Exhibitions
    Sakiyama Takayuki and Fukumoto Fuku / Joan B Mirviss, New York
    Matthew Szösz: Complications / Zane Bennett Gallery, Sante Fe
    Watt’s Up? Ceramics and Light / Bernardaud Foundation, Limoges, France
    Simcha Even-Chen: Balance in Motion / Benyamini Contemporary Ceramics Center, Tel Aviv
    Territorios Conmovidos / Museo de Arte Contemporáneo Latinoamericano MACLA, La Plata, Argentina

    Ceramics Now
    Announcing a new guideline for submissions


  • Lucia Pizzani: The Worshipper of the Image at Beers Contemporary, London
    June 6 - July 26, 2014

    Artist talk with Lucia Pizzani and Lorena Muñoz-Alonso: Thursday, July 3, from 7 pm.

    Courtesy the artist and Beers Contemporary, London.

    More exhibition galleries / List of ceramic art exhibitions

  • Matthew Szösz: Complications / Zane Bennett Gallery, Sante Fe

    Matthew Szosz Glass exhibition at Zane Bennett Galery

    Matthew Szösz: Complications / Zane Bennett Gallery, Sante Fe
    June 27 - July 19, 2014

    Zane Bennett Contemporary Art is pleased to announce Complications, an exhibition of works in glass by Matthew Szösz. The opening is Friday, June 27, at the gallery, from 5-7 pm as part of the Railyard Arts District Last Friday Artwalk.

    Matthew Szösz, born in Providence Rhode Island, resides and practices in northern California. He holds a Bachelor’s of Fine Arts, a Bachelor’s of Industrial Design and a Master of Fine Arts in Glass all from Rhode Island School of Design (RISD), and has been awarded grants by prestigious institutions in his field such as the L.C. Tiffany Foundation. Szösz has held numerous artist residencies all over the world including the Danish Royal Academy. Szösz has an extremely impressive resume for an artist of such a young age.

    Szösz’s creative process involves investigation of his chosen materials, resulting in a dance or a dialogue between artist and material. His interest lies in the moment of transformation which is what fuels his impulse to create.

    Szösz’s interest is focused on what glass can do and will do when exposed to a variety of conditions inflicted by the artist, resulting in a state of controlled chaos. Of this, Szösz states "The work produced is left deliberately unmodified as much as possible after the shaping so that the connection of the finished form to the process is emphasized to the viewer, as this relationship illustrates the central thrust of the work, that form is the result of physics, rather than the artist, and that the work itself is creator of its own identity." The invention of new techniques and processes not only keep Szösz interested in his medium, the results inform him and push his process further.

    Matthew Szösz’s latest works consist of several separate bodies of work including Inflatables, Expandables, and Rigging pieces. The Rigging pieces appear as delicate strands of rope fused together into different shapes. The viewer does not, at first realize the works in this series are glass. The minute detail in each of the Rigging works are a wonder to behold. With the Inflatables compressed air is added to fused pieces of glass while still hot, creating forms that are full and at times pillow-like.

    The Expandables are created by pulling glass apart. Inflatables and Expandables compliment each other in their opposition to each other, one feeling more solid while the other appears almost stretched and pulled to its limit, showing strength in its delicate construction. These works clearly prove Szösz’s statement: "Much of my work is an effort to achieve a synergy between opposites- order and chaos, craft and experimentation, the deliberate and the accidental, allowing two opposites to come together and complement and enhance each other."

    Matthew Szosz’s work incorporates science and art. Both the process and the outcome are equally intriguing. His work embodies, as American physician and NASA astronaut, Mae Carol Jemison so eloquently stated: "The difference between science and the arts is not that they are different sides of the same coin, or even different parts of the same continuum, but rather, they are manifestations of the same thing. The arts and sciences are avatars of human creativity."

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  • Jamie Bates Slone: Phenotypes, 2014

    I have developed a process utilizing my knowledge of various casting methods and glaze, chemistry to create forms made entirely glaze. The color and texture is appealing and repulsive at the same time. When viewed through a magnifying glass the surface resembles Scanning Electron Micrographs of cancer cells. The fragile and fleeting appearance of these pieces symbolizes the transient nature of human life. This series of glaze, casted hands represent the genetic passing of disease from generation to generation. It is my fear that my family’s history with cancer is somehow genetic.


  • Susan Phillips: Untitled, 2013
    Porcelain

  • Watt’s Up? Ceramics and Light / Bernardaud Foundation, Limoges, France

    Watt’s Up? Ceramics and Light / Bernardaud Foundation, Limoges, France
    June 13 - November 29, 2014

    Watt’s Up? explores the relationship between ceramics and light by presenting some thirty works of art from all over the world, all created in recent years. Oddly enough, this relationship seems to inspire artists more than designers, trained to create objects such as lamps. Perhaps that’s because light transcends objects and gives us a whole new take on the world. Light affects our vision by modifying our perception of space and movement. In addition, there is a symbolic, poetic and mysterious element to it. As the French author Jean Giono once put it, very clever mysteries hide in the light. If light and ceramics go hand in hand, it’s mainly courtesy of porcelain’s unique properties of translucency, which can give light – produced by a candle or a tungsten filament – a soft, poetic aura and elicit a feeling of wonder. Ceramics offers a broad palette of sensations to play with. Faience is heavy, glossy and sensual in its interaction with light. Pottery absorbs lux units and asserts its own material plasticity to counter the intangible nature of light. Porcelain is lightweight and translucent, and the matte aspect of unglazed biscuit forms a striking contrast with the gloss of the glaze. Watt’s Up? is an unprecedented investigation of the latest innovations and know-how, both sensorial and intellectual in scope. As the topic was complex and broke new ground, it took nearly two years of research to bring these thirty or so works together. These works are by fifteen artists exhibiting for the first time in France. They are the result of technical prowess – manual and technical – as well as fresh creative thinking. None of them represent any particular school of thought, creative trend or artistic movement. Each work is an explosion of creativity, born of the artist’s reflections and inspiring a sense of wonder. This exhibition sheds new light on the art of ceramics.

    Curated by Cédric Morisset
    A double major in art history and cultural management, Cédric Morisset started out in contemporary art and gravitated towards design. He then moved into curating art shows, starting in 2003 at the invitation of the international design biennial in Lisbon and continuing in this line of work for several exhibitions presented in France and other countries, including French Reference (Shanghai and Canton, 2008), Icons of Design (Sao Paulo, 2009) and Nouvelle Vague (Milan, 2011 and 2013). Cédric Morisset contributes articles on design to AD magazine and the daily newspaper Le Figaro on a regular basis. From 2010 to 2012, he served as head curator for the annual AD Interieurs exhibition held by AD magazine. Since 2013, Cédric Morisset has headed the design department at the PIASA auction house in Paris.

    Exhibiting artists

    Frances and Dominic Bromley Ceramics

    Frances & Dominic Bromley, Shoal 1672, 2008, Natural unglazed English fine bone china © Mark Wood Photography

    Frances & Dominic Bromley
    Since Frances & Dominic Bromley started their design studio Scabetti in 1999, their work in ceramics has earned considerable critical acclaim in the UK and across the world. Their designs are light, precise and elegant, and realised in fine bone china in their studio in Leek, North Staffordshire. Their first venture into light sculpture in 2004, was inspired by moths being attracted to candle light. Drawn to the Light, was composed of sculpted curved elements made out of bone china which appeared to be floating around the central light source. During London’s Design Festival in 2007, the couple presented Shoal, a suspended light sculpture suggesting a school of fish with more than 1500 bone china elements. These pieces paved the way for a series of bespoke commissions, which are now a Scabetti specialty. One commission for the International Maritime Organisation had 3,434 stylised bone china anchors arranged in a 5m tall sculpture and is on permanent display at their London Headquarters. Frances & Dominic Bromley have created Ascension especially for the Watt’s Up exhibition and their imagination has reached new heights. This new installation, made of English fine bone china, features hundreds of human forms that seem to be rising through the air towards the light. The creative talent of this design duo has added poetry to technical expertise.

    Frances Bromley (b. 1969) and Dominic Bromley (b. 1971) majored in Industrial Design at Brunel University, London. They live and work in Leek, near Stoke-on-Trent, England.

    Jeremy Cole Ceramics

    Jeremy Cole, Cymbidium chandelier, 2012, Porcelain © Lindsay Keats

    Jeremy Cole
    The master artisan from New Zealand has been highly sought-after by the luxury sector since 2005. His remarkable porcelain lighting fixtures are inspired by the plant kingdom (e.g. flax, aloe vera, a chyrsalis or orchids). In his studio on the other side of the world, he creates beautifully crafted masterpieces that end up in Bulgari or Harry Winston show windows or at Four Seasons hotels. His unique lamps feature spectacular, poetic forms that imitate Nature; his magical lighting can make them look stylish, disturbing or amusing. And the porcelain orchids in his hanging lamp Cymbidium Orchid actually look dead until the light is turned on, making them come vibrantly alive.

    Born in 1973 Jeremy Cole is a self-taught artists. He lives and works in Wellington, New Zealand.

    Coup de foudre: Goedel Vermandere and Jan Arickx Ceramics

    Coup de foudre: Goedel Vermandere & Jan Arickx, La Vierge, 2010, Porcelain © Peter Verplancke

    Coup de foudre: Goedel Vermandere & Jan Arickx
    Goedel Vermandere used to teach school but became a ceramic artist in the mid 2000s. In 2004, she met an event planner named Jan and it was love at first sight… including at the professional level. As a design team, they went on to create light sculptures from cast porcelain that were remarkable for their sensuous quality and their harmony. The pair also works in steel, copper, stainless steel, paper and tree bark. They are always experimenting with new techniques to illuminate porcelain’s transparence more effectively, express a feeling of warmth and fulfillment, and open up new horizons.” Their creations – whether a hanging lamp forming a horizontal line in space, a standing lamp like a totem pole or a suspended lamp as round as a full moon – are striking for their simplicity and originality. One reason is that each of their pieces, which are fired gradually, starting at a low temperature and building up to 1260°C, is fashioned from hundreds of translucent porcelain petals and gives off a soft, romantic light. This talented twosome knows how to use technical skill to create poetry.

    Goedel Vermandere (b. 1969) is a school teacher trained in ceramics at Syntra-West, Bruges. Jan Arickx (b. 1959) is an event planner. They live and work in Courtrai, Belgium.

    Pucci de Rossi Ceramics

    Pucci de Rossi, Cartona, 2007, Porcelain © Made

    Pucci de Rossi
    Born in Verona, Italy, the artist and designer Pucci de Rossi moved to Paris in 1979. In step with the Memphis Art Movement, launched in Italy in 1981, he influenced the European art and design scene of the 1980s and 1990s. Throughout his career, he developed the wildly poetic side of his nature, not to mention his unbridled imagination. Constantly seeking to reinvent and reinterpret, he liked to use ordinary materials like lead or cardboard to create elegant, highly imaginative objects, and to turn preconceived ideas upside down. Poking fun at the “art or design” controversy, which is still raging, the artist gave everyday objects an ironic narrative treatment that rendered them precious. In the last decade, De Rossi exhibited at art galleries in Paris, such as Catberro, Downtown (François Laffanour) and Anne de Villepoix. Not only did his work impress collectors, but creations bearing his signature made their way into the collections of the Musée des Arts Décoratifs in Paris. His designs were produced by the editor Made who suggested In 2001 to release limited editions of his one-off objects. Among the latter were Dondola (rocking chair with book shelf, 2004) and his Cartona lamp (2005), which is presented in this exhibition and pays tribute – whether intentionally or not – to Arte Povera. Using fine porcelain to imitate humble cardboard, this creation flirts with contrasts and brings a little whimsy to everyday life.

    Pucci de Rossi, 1947-2013

    Bernadette Doolan Ceramics

    Bernadette Doolan, Nostalgia, 2008, Porcelain © Rory Nolan

    Bernadette Doolan
    For more than fifteen years, the Irish artist Bernadette Doolan has been creating works marked by their intimacy. She sets out to capture and express emotions in porcelain and bronze as well as in her paintings. “My work focuses on life, from the cradle to the grave and everything in between… on our dreams, desires and fears” she explains. The work presented in this show is an assemblage of illuminated box panels using engraved porcelain, which looks different depending on whether the lights are on or off. The artist is interested in our memories and in the motifs, landscapes and impressions stored in our subconscious. “I use objects that are meaningful in a personal way, such as the lace from a First Communion dress, to print on the porcelain surface,” comments Bernadette Doolan. “Sometimes, I even use plastic bubble-wrap, because I love the sound that the bubbles make when they pop!” When the panels are illuminated, the pattern communicates the emotions inherent in the private experience to the viewer.

    Born in 1973 Bernadette Doolan is a self-taught artist. She lives and works in Wexford, Ireland.

    Volker Haug Ceramics

    Volker Haug, Rudolf, 2012, Porcelain © Paul Allister

    Volker Haug
    Based in Melbourne, Australia, the German-born designer Volker Haug designs one-off artisanal lighting creations. He got the idea for his clever Rudolf pendant from the double adaptors to be found on plastic lights in Berlin. The designer amused himself dreaming up all sorts of combinations. After a trip to Milan and a conversation with Ingo Maurer, a master of lighting design, Volker Haug returned to Australia determined to use porcelain for his Antler line. Rudolf revisits traditional chandelier design by assembling porcelain modules in every direction, combining industrial style with porcelain craftsmanship; modularity with unity.

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  • Alexandra Lerman: Immediate Release at Tina Kim Gallery, New York
    May 1 - June 28, 2014

    Courtesy artist and Tina Kim Gallery

    > More exhibitions (gallery) / View the list of ceramic exhibitions


  • Michael Geertsen: Still Life, Still Lives at Jason Jacques Gallery, New York
    May 21 - June 21, 2014

    Courtesy the artist and Jason Jacques Inc.

    > More exhibitions (gallery) / View the ceramic exhibitions list


  • Kevork Cholakian: Artist’s Studio Chairs, 2012-2013

    Chairs are an essential part for our every day existence,they virtually go unnoticed. Yet how we use them tells us something about the person who uses them. By creating this series of artist’s chairs in clay I transform something otherwise mundane and challenge our preconception of the use of materials and prompt a closer look at the seemingly ordinary.


  • Eszter Imre: Must-produced, 2012

    Series of porcelain sculptures made of factory waste as interpretations of my opinion on perfection. Imperfection can be so tempting and beautiful that it feels complete and exquisite.

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