Mikael Jackson and Sophus Ejler Jepsen: For miles … & tanton / Copenhagen Ceramics

Mikael Jackson and Sophus Ejler Jepsen exhibition at Copenhagen Ceramics

Mikael Jackson and Sophus Ejler Jepsen: For miles … & tanton / Copenhagen Ceramics
September 25 – October 18, 2014

Materiality and balance – and a young man’s search for his lost shadow in the concrete-jungle of Chamisso. Two very different artists meet in Copenhagen Ceramics’s current exhibition.

At Copenhagen Ceramics ceramicist Mikael Jackson is showing a new series of works that explore the physical conditions for balance with the architecture of the gallery-space itself as the starting point. The ceramic works consist of juxtaposed geometrical elements, whose meaning as both freestanding and supporting elements is scrutinized.

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Jun Kaneko: A Stage for a Shared Dream / Locks Gallery, Philadelphia

Jun Kaneko contemporary ceramics exhibition at Locks Gallery

Jun Kaneko: A Stage for a Shared Dream / Locks Gallery, Philadelphia
May 2-31, 2014

Locks Gallery is pleased to present an exhibition of ceramic works by the artist Jun Kaneko, alongside video excerpts of the artist’s opera design for Wolfgang Amadeus Mozart’s The Magic Flute.

Stemming from his ongoing concerns regarding spatial relationships and installation, Kaneko has fluidly moved between his sculpture and theater practice. The exhibition highlights the imaginative color palettes along with the bold and organic patterns that have become a creative signature for Kaneko’s interdisciplinary aesthetic. Discussing his glazing process, the artist remarked that, “I start thinking about orchestration of the colors around the work as a whole… sort of like a symphony. Everything has to make an interesting harmony to become one, to be there as one statement.”

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Annabeth Rosen / Ventana244, Brooklyn

Annabeth Rosen exhibition at Ventana244, Brooklyn

Annabeth Rosen / Ventana244, Brooklyn
May 2 – June 14, 2014

Ventana 244 is pleased to present new work by Annabeth Rosen, who will be showing a group of pieces developed over the last few years - lumpen forms with rich, densely packed and cracked molten surfaces. The shapes and surfaces seem to have emerged from the natural world and are described in her words as “…reduced in scale into concentrated simple forms… Heaps or hives or nests, sometimes with a human interference, formed by an intensive, focused energy. Against the weight and the impervious nature of fired ceramics, they seem to be in flux, slowly heaving and settling. Unsure if the works are found or formed… they infer yielding and resistance, thoughtfulness and recklessness…”

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Gail Nichols: Atmosphere / Narek Galleries, Tanja, Australia

Gail Nichols: Atmosphere exhibition Nerek Galleries Tanja

Gail Nichols: Atmosphere / Narek Galleries, Tanja, NSW, Australia
January 10 - February 24, 2014

Earth, air, fire and water are the essential elements in Gail Nichols’ vessels, both figuratively and metaphorically. The infinite landscape surrounding her home and studio at the base of Mt. Budawang near Braidwood not only inspires her strong, wheel thrown forms, it also provides the atmosphere that affects the soda vapour glaze firings. Moist air and damp earth will create a different firing result to days of low humidity.

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Mud and Water exhibition / Rokeby Gallery, London

Mud and Water exhibition, Rokeby Gallery London

Mud and Water exhibition / Rokeby Gallery, London
December 16, 2013 - March 7, 2014

ROKEBY‘s inaugural exhibition in its new gallery space looks to the history of British studio ceramics and the Modernist rhetoric used by figures associated with the movement. Including work by a selection of British Studio Potters alongside contemporary artists working across media, the exhibition investigates a current interest in process, materiality and truthfulness to medium.

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Ken Mihara: Serenity in Clay / Liverpool Street Gallery, Sydney

Ken Mihara: Serenity in Clay, Liverpool Street Gallery, Sydney

Ken Mihara: Serenity in Clay / Liverpool Street Gallery, Sydney
November 16 - December 12, 2013

Ken Mihara’s ceramics are a visual ode to his native land, Izumo, Shimane Prefecture, known as the capital of the gods; a land steeped in ancient Japanese myths and legends. The vessels are a culmination of elegant shapes, soft delicate curves, and ancient forms inspired by the surrounding land. Mihara’s striking palette of blues and dark greys intersperses with bursts of beige, gold and orange hues.

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