Annie Woodford: Pointed Binder, 2009, Porcelain, nylon monofilament, 35x20x8 cm.
Annie Woodford: Encapsulator, 2009, Porcelain, nylon monofilament, 46x12x12cm.
Annie Woodford: Splinter 1, 2009, Porcelain, copper, stainless steel, 30x30x24cm.
“The concept of my recent work is about form, and it grows from my curiosity about space; it investigates the relationship between two objects and it questions how we should make the landscape to react to man-made object. In my work I aim to explore that joyful, interesting, and mysterious relationship between objects and to create compositions with complex configurations though simple and unexpected components.
It is my intention to trigger the viewer to look closer and rediscover the ordinary, yet unfamiliar relationships that exists everywhere within all objects and human beings. Through sensations, communication and exploration, both objects and humans are able to obtain appropriate space and attention. I hope my work is able to look into this perception of the relationships, but more importantly - to enrich this relationship and establish a sense of place.” Kwok-Pong Tso
Kwok-Pong ‘Bobby’ Tso: Kappa, Industrial landscape Series, 2010, White earthenware, underglazes, wood, hobby paper, metal, latex paint, enamel, H 12 1/4, W 15, D 13 1/2
Kwok-Pong ‘Bobby’ Tso: The View From Above Series No.2, Industrial landscape, 2012, White earthenware, cone 04 oxidation, sanded surface, plastic, metal, and wood, H 8, W 24, D 16
Kwok-Pong ‘Bobby’ Tso: Qoppa, Industrial landscape Series, 2011, White earthenware, wood, hobby paper, latex paint, H 18, W 20, D 15
Kwok-Pong ‘Bobby’ Tso: Delta, Industrial landscape Series, 2010, Earthenware, underglazes, wood, hobby paper, plastic, metal, latex paint, enamel, H 12 1/4, W 15, D 13 ½
Kwok-Pong ‘Bobby’ Tso: We Alter, We Change and We call it our own, Industrial landscape Series, 2011, White earthenware, cone 4 oxidation, sanded surface, additional detail created by wood, hobby paper and sand, Metal hanging system, H 8, W 18, D 15
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Also, please welcome Ileana Surducan , our new member of the team! Ileana holds a Master’s Degree in Ceramics and is currently a freelance illustration artist interested in the fields of children’s book illustration, comics, character design, and also ceramics.
“It seems like I’m always trapped in a style beyond a heterogeneous appearance of my work. It isn’t bad advertising, but if you really want to feel a connection with my works, you need to be patient and to look closely to more than twenty images. And perhaps contrary to my statement, my style wouldn’t be so difficult understand. Everywhere there is a sort of a struggle between fantasy and at least one kind of realism. I also admit that the manner is as important as the idea itself. Some say that the substance of a style is nowadays just a literary, philosophical concern - mostly when it has something to do with the more popular social involvement. I think that someone’s style doesn’t have to be interconnected with anything social and one can always choose to seek for inspiration in its inner self.
As far as I can say at this moment, my experience with ceramics has two aspects (or constraints). First is the period of apprenticeship, which numbers the last year of my high-school and the years in the University of Arts and Design in Cluj. The other one is my collaboration with Wagner Porcelains. If high-school was rather a period of independence - ceramics was a very late decision. The academic years were a continuous fight with a conservatory approach and, sometimes more frustrating, with the lack of technical possibilities. With Wagner, the limitations went only in the commercial direction. Despite all of this, I totally agree with (some) constraints, which can provide a wide range of surprising solutions.
My porcelain works have a high decorative touch, more in the sense of fashion with all its aspects. Collages and technical varieties are also present in my work, replacing the limitation of the material. With Wagner I only work with white porcelain, though adding my pictures. I am not trying to follow any precise trend, nor Romanian or International; I am only constantly paying attention to everything interesting and meaningful around me.” Bogdan Teodorescu