Ceramic artists list
> Ceramic artists list 100. Tim Rowan 99. Graciela Olio 98. Michal Fargo 97. Ryan Blackwell 96. Ellen Schön 95. Francesco Ardini 94. David Gallagher 93. Elizabeth Shriver 92. Jason Hackett 91. Patricia Sannit 90. Bente Skjøttgaard 89. Steve Belz 88. Ruth Power 87. Jenni Ward 86. Liliana Folta 85. Kira O'Brien 84. Annie Woodford 83. Kwok-Pong Bobby Tso 82. Bogdan Teodorescu 81. Kimberly Cook 80. Paula Bellacera 79. Debra Fleury 78. Cindy Billingsley 77. David Gilbaugh 76. Teresa & Helena Jané 75. Marianne McGrath 74. Suzanne Stumpf 73. Deborah Britt 72. Kathy Pallie 71. Els Wenselaers 70. Kjersti Lunde 69. Brian Kakas 68. Marie T. Hermann 67. Mark Goudy 66. Susan Meyer 65. Simcha Even-Chen 64. Barbara Fehrs 63. Shamai Gibsh 62. Natalia Dias 61. Bethany Krull 60. Amanda Simmons 59. Arthur Gonzalez 58. Chris Riccardo 57. Akiko Hirai W 56. Johannes Nagel 55. Rika Herbst 54. Liza Riddle 53. Chang Hyun Bang 52. Virginie Besengez 51. Jasmin Rowlandson 50. Chris Wight 49. Wim Borst 48. Rafael Peréz 47. Guðný Hafsteinsdóttir 46. Cathy Coëz 45. Merete Rasmussen 44. Carol Gouthro 43. JoAnn Axford 42. David Carlsson 41. Margrieta Jeltema 40. David Roberts 39. Patrick Colhoun 38. Abigail Simpson 37. Signe Schjøth 36. Katharine Morling 35. Dryden Wells 34. Antonella Cimatti 33. Cynthia Lahti 32. Carole Epp 31. Blaine Avery 30. Ian Shelly 29. Jim Kraft 28. Wesley Anderegg 27. Connie Norman 26. Arlene Shechet 25. Young Mi Kim 24. Jason Walker 23. Peter Meanley 22. Shane Porter 21. Jennifer McCurdy 20. Yoichiro Kamei 19. Debbie Quick 18. Ian F Thomas 17. John Shirley 16. Grayson Perry 15. Vivika & Otto Heino 14. Georges Jeanclos 13. Daniel Kavanagh 12. Nagae Shigekazu 11. Matthew Chambers 10. Tim Andrews 9. Claire Muckian 8. Adam Frew 7. Maciej Kasperski 6. Roxanne Jackson 5. Keith Schneider 4. Celeste Bouvier 3. Tim Scull 2. Kim Westad 1. Sara Paloma

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  • Bogdan Teodorescu

    Bogdan Teodorescu Romanian Ceramics

    Bogdan Teodorescu's profile on Ceramics Now Magazine - View his works

    “It seems like I’m always trapped in a style beyond a heterogeneous appearance of my work. It isn’t bad advertising, but if you really want to feel a connection with my works, you need to be patient and to look closely to more than twenty images. And perhaps contrary to my statement, my style wouldn’t be so difficult understand. Everywhere there is a sort of a struggle between fantasy and at least one kind of realism. I also admit that the manner is as important as the idea itself. Some say that the substance of a style is nowadays just a literary, philosophical concern - mostly when it has something to do with the more popular social involvement. I think that someone’s style doesn’t have to be interconnected with anything social and one can always choose to seek for inspiration in its inner self.

    As far as I can say at this moment, my experience with ceramics has two aspects (or constraints). First is the period of apprenticeship, which numbers the last year of my high-school and the years in the University of Arts and Design in Cluj. The other one is my collaboration with Wagner Porcelains. If high-school was rather a period of independence - ceramics was a very late decision. The academic years were a continuous fight with a conservatory approach and, sometimes more frustrating, with the lack of technical possibilities. With Wagner, the limitations went only in the commercial direction. Despite all of this, I totally agree with (some) constraints, which can provide a wide range of surprising solutions.

    My porcelain works have a high decorative touch, more in the sense of fashion with all its aspects. Collages and technical varieties are also present in my work, replacing the limitation of the material. With Wagner I only work with white porcelain, though adding my pictures. I am not trying to follow any precise trend, nor Romanian or International; I am only constantly paying attention to everything interesting and meaningful around me.” Bogdan Teodorescu

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  • Bogdan Teodorescu: Folkloric Hypnosis, 2011, decal and painted porcelain, diam c. 20 cm

  • Bogdan Teodorescu: Pizza François, 2011, alternative view

  • Bogdan Teodorescu: Plate, 2010, detail

  • Bogdan Teodorescu: Plate, 2011, detail

  • Bogdan Teodorescu: Plate, 2010, detail

  • Kimberly Cook

    Kimberly Cook Contemporary Ceramics on Ceramics Now Magazine

    Kimberly Cook's profile on Ceramics Now Magazine - View her works

    “Awkward primitive animal instincts lie unconsciously in our genetic make-up.  Dominance, survival, reproduction, and group instinct feed our propensity to digress into our egos; cruelty, alpha status, fight or flight, sexual exploits, and pack mentality.  In my body of work I create imagery that embodies tension and anxiety, while also reflecting animalistic traits and certain elements of human ritualistic thought and control that intrigue me.  Using clay as my primary sculptural material allows me to explore these thoughts and questions using techniques that actually originated in human ritualistic practices.  Figures, deities, and fetishes were modeled into both animal and human form for magical or religious practices long before clay was used for utilitarian ware.  This harnessing of imagery deemed as powerful has survived for centuries, allowing humans to access manifestations of supernatural forces believed to improve their daily struggles in life. 

    Personally and intuitively driven, my work with imagery of animals is grounded in the exploration of the universal human condition, focusing on aspects of the ceremonial; serving as embodiments for the physical, spiritual, and psychological being. My preoccupation with human existence, alienation, fear and apathy, is what motivates me to express elements of autobiography, ritual, and the significance of life’s struggles.  Working between narrative and abstract, revealing both the perception of power and powerlessness, the figures and symbols that I create are often purposely rendered disfigured and dysfunctional.” Kimberly Cook

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  • Kimberly Cook: Divided Kingdom, variable, porcelain, copper, electrical wire, 2011

  • Kimberly Cook: Divided Kingdom, detail

  • Kimberly Cook: Superstition of Security, 33.5” x 23” x 16”, stoneware, glaze, mason stain, gold luster, 2011

  • Kimberly Cook: Rabbit Test PSI=120, 14” x 7” x 4”, ceramic, glaze, mason stain, gold luster, 2011

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