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Chinese ceramics

Kwok-Pong Bobby Tso - Spotlight, October 2012

SPOTLIGHT, October 2012: Kwok-Pong Bobby Tso

Kwok-Pong Bobby Tso - Spotlight on Ceramics Now Magazine

Interview by Ileana Surducan for Ceramics Now Magazine - Issue Two

Your work evokes artificial landscapes and strange architectural agglomerations. What is your source of inspiration?

Most of my work inspired by man-made objects; something like a view of building blocks from the sky, transformer boxes out in the field, and strange formations on the roof. Recently I started to add more abstracted objects, like the connection parts of an exhaust fan, pipe or even inside a lock. I am inspired by something that is recognizable but has an uncertain function.

[] Read the full interview in Ceramics Now - Issue Two

What technique do you use in order to achieve the monolithic, geometrical volumes that compose your work? Take us through the process of creating your work.

For most of my work I combine hand building, slip casting, and wheel thrown techniques. In terms of surface, I achieve an ultra-smooth finish by using a range of sandpaper from 200-600 grit. I then use a marble polisher to sand the surface till it is as smooth as butter. For my industrial landscape series, “The View From Above,” I leave the clay surface as it is this emphasizes the unique qualities found within a raw clay body. For my “Industrial landscape series”; I apply glazes, sometimes paint or enamel to achieve the old sanded look.

The Industrial Landscape series are exploring the mysterious relationship between how one object fits unexpectedly into another and becomes a whole new composition. Tell us more about this relationship.

The mysterious relationship between space and curiosity has always influenced my work. I think those space redefine objects and give those objects meaning. For example, when you have a simple form like a cup, the space created by the handle defines the shape of the cup, when you added a saucer to this cup, the composition has changed. It redefines the function of this cup not only by adding more meaning to it, but also increasing the tension. I believe that one object needs another object and the space in between are the main reason why I am interested in this relationship, it is also what peaks my curiosity and motivates my work.

Kwok-Pong Bobby Tso Contemporary Ceramics
Kwok-Pong Bobby Tso, Zeta, Industrial landscape Series, 2011, Porcelain, paint, wood, hobby paper and metal, H 13 1/4” x W 14” x D 6”
View Kwok-Pong Bobby Tso’s works

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  • Kwok-Pong ‘Bobby’ Tso: The View From Above Series No.2, Industrial landscape, 2012, White earthenware, cone 04 oxidation, sanded surface, plastic, metal, and wood, H 8, W 24, D 16

  • Kwok-Pong ‘Bobby’ Tso: Qoppa, Industrial landscape Series, 2011, White earthenware, wood, hobby paper, latex paint, H 18, W 20, D 15

  • Kwok-Pong ‘Bobby’ Tso: Delta, detail, Industrial landscape Series, 2010

  • Kwok-Pong ‘Bobby’ Tso: Delta, Industrial landscape Series, 2010, Earthenware, underglazes, wood, hobby paper, plastic, metal, latex paint, enamel, H 12 1/4, W 15, D 13 ½

  • Kwok-Pong ‘Bobby’ Tso: Zeta, Industrial landscape Series, 2011, Porcelain, paint, wood, hobby paper and metal, H 13 1/4” x W 14” x D 6”

  • Kwok-Pong ‘Bobby’ Tso: From the ground up, Industrial landscape Series, 2011, White earthenware, cone 4 oxidation, sanded surface, additional details from wood, hobby paper and sand, Metal hanging system, H 8, W 28, D 11

  • Kwok-Pong ‘Bobby’ Tso: We Alter, We Change and We call it our own, Industrial landscape Series, 2011, White earthenware, cone 4 oxidation, sanded surface, additional detail created by wood, hobby paper and sand, Metal hanging system, H 8, W 18, D 15

  • Kwok-Pong ‘Bobby’ Tso: Industrial landscape: The View From Above Series No.2, 2012, White earthenware, cone 04 oxidation, sanded surface, additional detail created by plastic, metal, and wood, H 8, W 24, D 16

  • Dryden Wells: Tile-F

  • Dryden Wells: Stack #2

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