Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, Variable dimensions. Photos by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, fired models technique, fired to cone 6 electric (Bronze Winner of the China Kaolin Prize 2013, part of Jingdezhen’s Ceramic Museum’s Collection), 23x18 cm. Photo by Mel Bergman.

Interview with Els Wenselaers, Belgian ceramic artist

Interview with Els Wenselaers / Spotlight
By Ileana Surducan
Published in Ceramics Now Magazine Issue 2

What made you choose ceramics as a way of expressing yourself?

Clay is as good as any other medium, it is a material with lots of possibilities but it doesn’t influence my personal perception of art. Sometimes because of its limitations in format, in height, due to the measures of my kiln I have to find other solutions than I used before, but that are technical issues. I have also used other materials like papier maché before but the outcome of my figurines would be the same.

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Ceramics/Glass / Ukrainian Institute of Modern Art, Chicago

Ceramics/Glass exhibition, Ukrainian Institute of Modern Art Chicago

Ceramics/Glass / Ukrainian Institute of Modern Art, Chicago
December 6, 2013 - February 2, 2014

Ukrainian Institute of Modern Art in Chicago (UIMA) presents the exhibition Ceramics / Glass. This exhibit focuses on the medium of ceramic or glass in contemporary art – mediums that require high temperatures, special tools, kilns and specialized studios. UIMA has selected some distinctive personal styles from numerous glass / ceramics studios in Chicago and from artists working in national and international cities.

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Susanne Silvertant / Terra Delft Gallery, Delft, the Netherlands

Susanne Silvertant exhibition, Terra Delft Gallery

Susanne Silvertant / Terra Delft Gallery, Delft, the Netherlands
November 30 - December 31, 2013

Connection is one of the most important themes of Susanne Silvertant’s work. Art is a language for her. With her art she tries to communicate and show who she is. This vision is enhanced by scratching signs in some of her pieces. Signs refer to language that cannot be understood instantly. This is the most intense way of expressing herself.

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Keisho-Ha - A New Materialism and the Yufuku Aesthetic / Yufuku Gallery, Tokyo

Keisho-Ha, A New Materialism and the Yufuku Aesthetic at Yufuku Gallery, Tokyo

Keisho-Ha - A New Materialism and the Yufuku Aesthetic / Yufuku Gallery, Tokyo
December 5-21, 2013

Contemporary Japanese art in the 21st century is heading in a new and unique direction. Artists are using traditional techniques to create not craft, but objects of self-expression that are very much a type of sculpture that can change space itself. Such artists are pushing the boundaries of their respective mediums to new heights, using new techniques and materials that have not been used before.

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Kerry Jameson: Unbounded / Marsden Woo Gallery, London

Kerry Jameson: Unbounded exhibition, Marsden Woo Gallery London

Kerry Jameson: Unbounded / Marsden Woo Gallery, London
November 7 - December 21, 2013

Kerry Jameson’s new sculptures have an emotional charge that is presented through a mix of narrative set pieces, tableaux and individual figures. Subjects include historical events and the exploits of folkloric and storybook characters. She derives inspiration from an equally eclectic range of sources, which include portrait paintings, the figures of British myth such as the Burryman and Wicker Man, the work of animator Ray Harryhausen, a fascination with the polychrome religious sculptures of 17th century Spain and the toy collections of the Bethnal Green Museum of Childhood. She explains: ‘A work starts with a thought or feeling, an undigested experience that needs to be worked through.’

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Ken Mihara: Serenity in Clay / Liverpool Street Gallery, Sydney

Ken Mihara: Serenity in Clay, Liverpool Street Gallery, Sydney

Ken Mihara: Serenity in Clay / Liverpool Street Gallery, Sydney
November 16 - December 12, 2013

Ken Mihara’s ceramics are a visual ode to his native land, Izumo, Shimane Prefecture, known as the capital of the gods; a land steeped in ancient Japanese myths and legends. The vessels are a culmination of elegant shapes, soft delicate curves, and ancient forms inspired by the surrounding land. Mihara’s striking palette of blues and dark greys intersperses with bursts of beige, gold and orange hues.

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Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, Variable dimensions. Photos by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, fired mold technique, fired to cone 6 electric, 20x7 cm. Photos by Mel Bergman.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, 28x15 cm. Photo by Mathew Stanton.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, 28x15 cm. Photo by Mathew Stanton.

Michal Fargo: Else, 2012, Porcelain, fired models technique, fired to cone 6 electric, 30x18 cm. (white right), 24x21 cm. (white middle), 26x16 cm. (blue). Photo by Sasha Flit.

Michal Fargo: Else, 2012, Porcelain, fired models technique, fired to cone 6 electric, 30x18 cm. (white right), 24x21 cm. (white middle), 26x16 cm. (blue). Photo by Sasha Flit.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, 12x11 cm. Photo by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, metal ring, fired models technique, fired to cone 6 electric, 11x7 and 13x8 cm. Photo by Mel Bergman. The second work is sold to the collection of Holon’s Design Museum.