Alexandra Lerman: Immediate Release / Tina Kim Gallery, New York May 1 - June 28, 2014
Tina Kim Gallery is pleased to present Alexandra Lerman’s first solo exhibition, Immediate Release.
A coincidence of the calendar becomes a critical frame. The first of May commemorates May Day, an ancient folk festival meant to awaken the wintering body through conviviality, dance, and song, also, International Workers’ Day, the 20th century’s concession to the solidarity of laboring bodies in almost every country of the world. The 1st of May saw the opening of Immediate Release, the new exhibition of multi-media artist Alexandra Lerman.
Transformation 9: Contemporary Works in Ceramics / Contemporary Craft, Pittsburgh April 25 - November 1, 2014
The Transformation series, one of the Society for Contemporary Craft’s signature programs, was established in 1997 as a biennial juried exhibition focusing on traditional craft media–glass, wood, metal, clay, and found materials–in rotation. The exhibition seeks out an international selection of artists redefining their medium to create work that is challenging and thought provoking; inviting us all to reconsider our notion of “craft.”
This year’s focus is on clay. Clay has been used, decorated, coveted, and collected for thousands of years, yet in the hands of contemporary artists this irresistible medium continues to surprise through innovative techniques, forms, and functions. Visitors are invited to see what happens when makers push the boundaries of time-honored craft materials—right before our eyes, something old is new again.
In conjunction with each Transformation exhibition, the jurors award the participating artist whose work best displays the tenets of excellence and innovation the Elizabeth R. Raphael Founder’s Prize. Named in honor of SCC’s founder, the award is accompanied by a $5000 cash prize.
Dual Natures in Ceramics: Eight Contemporary Artists from Korea / SFO Museum, San Francisco May 17, 2014 - February 22, 2015
“In modern art, as everyone knows, the beauty of deformity is very often emphasized, insisted upon. But how different is Korean deformity. The former is produced deliberately, the latter naturally. Korean work is merely the natural result of the artisan’s state of mind, which is free from dualistic man-made rules.” —Bernard Leach (1887–1979)
Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions.
Jun Kaneko: A Stage for a Shared Dream / Locks Gallery, Philadelphia May 2-31, 2014
Locks Gallery is pleased to present an exhibition of ceramic works by the artist Jun Kaneko, alongside video excerpts of the artist’s opera design for Wolfgang Amadeus Mozart’s The Magic Flute.
Stemming from his ongoing concerns regarding spatial relationships and installation, Kaneko has fluidly moved between his sculpture and theater practice. The exhibition highlights the imaginative color palettes along with the bold and organic patterns that have become a creative signature for Kaneko’s interdisciplinary aesthetic. Discussing his glazing process, the artist remarked that, “I start thinking about orchestration of the colors around the work as a whole… sort of like a symphony. Everything has to make an interesting harmony to become one, to be there as one statement.”
Emma Woffenden continues to explore the figure and the fragmented body in her latest sculpture series, ‘Falling Hard’.
Using a variety of mixed materials including glass, jesmonite, polystyrene, clay and metal, Woffenden creates a discourse around the interconnectivity of the body as a physical and psychological site and the impact of what the body – whole or fragmentary – expresses. The influences of social structures and the dynamics of power relations on the individual imbue her sculpture with a palpable sense of internal conflict.
Cross MacKenzie Gallery is pleased to present “SCORES” an exhibition of new ceramic sculpture and photographs by three artists whose work is based on repeating dozens or “scores” of elements to create something greater than the sum of their individual parts. Each artist’s work is full of repetitions, multiples, and variations of a seemingly simple form, built up to a greater whole, creating order out of disorder. Together, the pieces are in conversation with one another.
Edmund de Waal: Atmosphere / Turner Contemporary, Margate, Kent March 29, 2014 - February 8, 2015
Edmund de Waal: Atmosphere presents a new installation by the renowned ceramic artist and author. De Waal, who grew up in Canterbury and is best known for his large installations of porcelain vessels and the international bestselling book Hare with the Amber Eyes, showcases a major new commission for Turner Contemporary’s Sunley Gallery. This is the third commission produced for the Sunley Gallery following those by Maria Nepomuceno in 2012 and Daniel Buren in 2011.
Anna Maria Maiolino. Between Senses / Hauser & Wirth, New York May 7 – June 21, 2014
Anna Maria Maiolino is one of the most significant artists working in Brazil today. In a career spanning five decades and a diversity of disciplines and mediums, ranging from drawing, sculpture, and artist books to video and performance, she expresses through her art a bottomless concern with creative and destructive processes and, above all, the never-ending search for identity. Maiolino’s multidisciplinary practice has consistently explored the viscerality of embodied experience – often obliquely through fragmentation and abstraction – and engaged the human body’s processes as analogs for both the making of art and the making of modernity. As an immigrant coming of age in politically unstable Brazil, Maiolino has perfected a dialogue between opposite yet complementary categories in a practice that dissolves dichotomies of inner and outer, self and other. Hers is an art in search of a new language for the liminal realm of daily human existence.
Alison Jacques is proud to present its fourth solo exhibition of the late American artist Hannah Wilke (1940 – 1993). For this show, the focus is on Wilke’s sculpture from her early terracotta works of the ‘60s through to the more richly coloured installations of the ‘80s. The show also encompasses the theme of her body as sculpture seen in performative photographs as well as drawings from the ‘60s and ‘70s which either refer to her sculptures or demonstrate a visceral physicality that feels completely in dialogue with her sculptural practice.
Almine Rech Gallery is pleased to announce ‘The Lovers’, the first solo exhibition by William J. O’Brien in France.
Prior to a major survey exhibition of the young American artist at the Museum of Contemporary Art in Chicago, this exhibition brings together a series of ceramic sculptures made between 2008 and 2013, and a series of new works on paper. This exhibition reflects the diversity of mediums and themes found in O’Brien’s work for almost ten years.
Born in Lake Charles, Louisiana in 1941, Lynda Benglis moved to New York City in the late 60s. Her early, ground-breaking work – landscape-like, sculptural installations of poured polyurethane foam and latex – confronted the then-current, male-dominated tropes of Minimalism with brightly-colored, biomorphic forms which embraced themes of ambiguity, femininity, nature and transformation. Their formal ambiguity resisted easy definition: Benglis has long critiqued the art world’s attempt at classifications and hierarchies, as well as societal boundaries of sexuality and gender. Simultaneously seductive and grotesque, Benglis’s work has always been the result of a fluid and organic working process, in which difficult-to-control materials help determine the final outcome. Her ceramic sculptures, though more intimate in scale, are also constructed with deference to the medium’s inherent characteristics. While the clay works accentuate issues she has addressed throughout her career – the blurring of distinctions between pliable and rigid, accidental and intentional, form and shapelessness – they also expand the scope of her artistic methods, engaging notions of craft, functionality, and primeval history.
Anne Wenzel: The Opaque Palace / TENT Rotterdam February 6 - May 5, 2014
Opening reception: Thursday, February 6th, from 8 pm.
The Opaque Palace transforms the exhibition spaces of TENT into an installation in which the monumental sculptures of Anne Wenzel (DE, lives and works in Rotterdam) provide a coherent representation of the major themes in her work – power, destruction, heroism, history – and a new series of sculptures are introduced. Daria de Beauvais, from Palais de Tokyo, Paris, has curated the exhibition. With Anne Wenzel’s solo exhibition, her largest yet, TENT celebrates the re-opening of its newly renovated building.