Ewen Henderson / Erskine, Hall & Coe, London

Ewen Henderson ceramics exhibition at Erskine Hall and Coe

Ewen Henderson / Erskine, Hall & Coe, London
May 6 - June 5, 2014

"I fell in love with both the material and the vessel as a magical form; but it was a long time before I realised how I wanted to use it… I was seduced by the alchemy of change where you take a material…and it is transmogrified into something else."

Born in Staffordshire in 1934, Henderson became interested in painting and sculpture while working for a timber company in Cardiff and started attending evening classes at the local art school. In 1964 Henderson began a foundation course at Goldsmiths College in London where he first encountered clay. Later he would study ceramics under, among others, Hans Coper and Lucie Rie, at the Camberwell School of Art. But he always made time to draw and paint. He graduated in 1968 and continued his studies at Edinburgh College of Art before returning to London.

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James Tower / Erskine, Hall & Coe, London

James Tower ceramics exhibition, Erskine Hall Coe London

James Tower / Erskine, Hall & Coe Gallery, London
February 5-28, 2014

Erskine, Hall & Coe is pleased to present an exhibition of the work of James Tower in February. This will be Tower’s first solo show in London since 1986.

James Tower is one of the most distinguished ceramic artists of the 20th century. His ceramics are unique for their visual effects which suggest that he responded to nature and his environment. He became an established artist in the 1950’s and exhibited alongside such artists as Barbara Hepworth and William Scott.

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Matthew Harris & Tim Rowan / Erskine, Hall & Coe, London

Tim Rowan and Matthew Harris exhibition at Erskine Hall Coe Gallery London

Matthew Harris & Tim Rowan exhibition / Erskine, Hall & Coe, London
February 20 - March 20, 2013

An exhibition of works on paper by Matthew Harris and ceramics by Tim Rowan.

Matthew Harris’ work on paper has been shown in many group and solo exhibitions throughout the U.K, Europe, Japan and the U.S. As drawings they are made to be seen in their own right but also to act as starting points or ‘cartoons’ for larger works that are made using dyed and painted cloth.
Working primarily from things seen, the drawings recall, interpret and explore imagery, improvising around a given theme. Matthew Harris lives and works in Stroud, Gloucestershire.

Tim Rowan was born in New York City and grew up in Connecticut along the shore of Long Island Sound.  His art education began during college, receiving a BFA from The State University of New York at New Paltz before journeying to Japan for 2 years to apprentice with ceramic artist Ryuichi Kakurezaki. Upon his return he worked briefly in studios in Massachusetts and New York before receiving his MFA from The Pennsylvania State University.  In 2000 he established his kiln and studio deep in the woods of the Hudson Valley.

"The works in this exhibition have all been completed over the past two years. They are made, primarily, from native clay. This is direct from the earth and unprocessed as opposed to industrially manufactured clay bodies. The forms are slowly constructed from layers, built up over days and weeks then carved. They are fired for seven days and nights in a wood fuelled kiln. No glaze is applied; the surface textures and colours are the result of the interaction of the clay, fly-ash, coals and fire.

I am constantly building on previous work – just as individual pieces evolve in the process of making, the body of work as a whole does as well. Most of my work develops from the process of making, firing, and arranging. While I may have images in my head of some specific things I have seen, for instance the remnants of an old quarry derrick abandoned in the woods near my home, once I start making, new forms emerge. There is a search and discovery.

I am particularly drawn to objects in various states of decay – either through use over time such as tools or the effects of the “elements”. Everything is in a constant state of flux. These are merely markers of a particular time and place.

It is only when I am fully engaged in the making – that the forms present themselves. There is an intuitive process of discovery – of wondering, of noticing, of physically or intellectually feeling the forms. I work on many pieces at once to enable me to become lost in the process - freely moving from one form to another. There is a complete acceptance in the process. Faith. That is the guide. We work together, informing and reacting to each other.

There are four distinct series in this body of work. The sculptures are the most ambiguous and poetic for me. Drawn from a multitude of sources, industrial detritus, tools and abstracting the fragments of a vessel. The vessels are rooted in more of a pottery vernacular. They are there to nourish. We are comforted. We have a sense of place. The cups are individual intimate moments. Each one is a separate story. Held. Caressed. Nourishment. Life-affirming. The boxes may be urns. Shelters. Forced to touch in order to experience the inside. Containment. Security. Protect me. What is revealed?

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Summer Exhibition 2012 / Erskine Hall & Coe Gallery, London

Summer exhibition 2012 at Erskine Hall & Coe Gallery, London

Summer Exhibition 2012 / Erskine Hall & Coe Gallery, London, UK
25 July - 30 August, 2012

Artists: Sebastian Blackie, Claudi Casanovas, Peter Collingwood, Tanya Gomez, Matthew Harris, Deirdre Hawthorne, Steven Heinemann, Shozo Michikawa, Gustavo Pérez, Tim Rowan, Anna Vannotti

Erskine, Hall & Coe specialise in 20th Century and Contemporary ceramics. The gallery is in central Mayfair, off Bond Street, at 15 Royal Arcade.

The gallery carries an extensive stock of ceramics, often including works by, Lucie Rie and Hans Coper, Jennifer Lee, Gwyn Hanssen Pigott, Shozo Michikawa and Sara Flynn. Its ten annual exhibitions feature the work of British and international artists, in some cases exploring the interplay between ceramics, sculptures and paintings.

Gallery Hours: Monday - Friday: 10 am - 6 pm, Saturday: 10 am - 6 pm (during exhibitions only).

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