Ceramic artists list
> Ceramic artists list 100. Tim Rowan 99. Graciela Olio 98. Michal Fargo 97. Ryan Blackwell 96. Ellen Schön 95. Francesco Ardini 94. David Gallagher 93. Elizabeth Shriver 92. Jason Hackett 91. Patricia Sannit 90. Bente Skjøttgaard 89. Steve Belz 88. Ruth Power 87. Jenni Ward 86. Liliana Folta 85. Kira O'Brien 84. Annie Woodford 83. Kwok-Pong Bobby Tso 82. Bogdan Teodorescu 81. Kimberly Cook 80. Paula Bellacera 79. Debra Fleury 78. Cindy Billingsley 77. David Gilbaugh 76. Teresa & Helena Jané 75. Marianne McGrath 74. Suzanne Stumpf 73. Deborah Britt 72. Kathy Pallie 71. Els Wenselaers 70. Kjersti Lunde 69. Brian Kakas 68. Marie T. Hermann 67. Mark Goudy 66. Susan Meyer 65. Simcha Even-Chen 64. Barbara Fehrs 63. Shamai Gibsh 62. Natalia Dias 61. Bethany Krull 60. Amanda Simmons 59. Arthur Gonzalez 58. Chris Riccardo 57. Akiko Hirai W 56. Johannes Nagel 55. Rika Herbst 54. Liza Riddle 53. Chang Hyun Bang 52. Virginie Besengez 51. Jasmin Rowlandson 50. Chris Wight 49. Wim Borst 48. Rafael Peréz 47. Guðný Hafsteinsdóttir 46. Cathy Coëz 45. Merete Rasmussen 44. Carol Gouthro 43. JoAnn Axford 42. David Carlsson 41. Margrieta Jeltema 40. David Roberts 39. Patrick Colhoun 38. Abigail Simpson 37. Signe Schjøth 36. Katharine Morling 35. Dryden Wells 34. Antonella Cimatti 33. Cynthia Lahti 32. Carole Epp 31. Blaine Avery 30. Ian Shelly 29. Jim Kraft 28. Wesley Anderegg 27. Connie Norman 26. Arlene Shechet 25. Young Mi Kim 24. Jason Walker 23. Peter Meanley 22. Shane Porter 21. Jennifer McCurdy 20. Yoichiro Kamei 19. Debbie Quick 18. Ian F Thomas 17. John Shirley 16. Grayson Perry 15. Vivika & Otto Heino 14. Georges Jeanclos 13. Daniel Kavanagh 12. Nagae Shigekazu 11. Matthew Chambers 10. Tim Andrews 9. Claire Muckian 8. Adam Frew 7. Maciej Kasperski 6. Roxanne Jackson 5. Keith Schneider 4. Celeste Bouvier 3. Tim Scull 2. Kim Westad 1. Sara Paloma

Erskine Hall Coe Gallery

Ewen Henderson / Erskine, Hall & Coe, London

Ewen Henderson ceramics exhibition at Erskine Hall and Coe

Ewen Henderson / Erskine, Hall & Coe, London
May 6 - June 5, 2014

"I fell in love with both the material and the vessel as a magical form; but it was a long time before I realised how I wanted to use it… I was seduced by the alchemy of change where you take a material…and it is transmogrified into something else."

Born in Staffordshire in 1934, Henderson became interested in painting and sculpture while working for a timber company in Cardiff and started attending evening classes at the local art school. In 1964 Henderson began a foundation course at Goldsmiths College in London where he first encountered clay. Later he would study ceramics under, among others, Hans Coper and Lucie Rie, at the Camberwell School of Art.  But he always made time to draw and paint. He graduated in 1968 and continued his studies at Edinburgh College of Art before returning to London.

Hendereson very soon left the wheel behind and moved to the freedom of hand-building. Throughout his career he explored clay as a medium in its own right, and said of his work that:

"It explores the significance of what is broken, torn or cut, the ability of single or multiple forms to speak of either compression or expansion, flatness or fullness. It is a kind of drawing in three dimensions. I start with fragments - familiar, found, improvised - and then build up to complex structures that invite the observer to complete the circuit, so to speak, by considering such matters as memory, invention and metaphor."

In parallel with ceramics his passion for painting continued throughout his career, with watercolours, gouaches and collages becoming increasingly inseparable from his ceramics.

Ancient cultures, geological forms and landscapes were persistent influences during his career - Avebury, Eden Valley in Cumbria, the Rollright Stones in north Oxfordshire, Orkney, and Manorbier in Pembrokeshire where he had a home for the last year of his life.

Read More

  • James Tower / Erskine, Hall & Coe, London

    James Tower ceramics exhibition, Erskine Hall Coe London

    James Tower / Erskine, Hall & Coe Gallery, London
    February 5-28, 2014

    Erskine, Hall & Coe is pleased to present an exhibition of the work of James Tower in February. This will be Tower’s first solo show in London since 1986.

    James Tower is one of the most distinguished ceramic artists of the 20th century. His ceramics are unique for their visual effects which suggest that he responded to nature and his environment. He became an established artist in the 1950’s and exhibited alongside such artists as Barbara Hepworth and William Scott. A goal of Tower’s was to achieve a quality in his work that ‘is perhaps best defined as a sense of completion. A longing for a serene harmonious whole which contains dynamism and vitality, satisfying our intellectual and spiritual needs.’ —James Tower

    Tower’s work was reminiscent of the world around him. He worked to develop an abstracted style of the natural environment:
    There is a sense of water running between rocks, patterns on a butterfly’s wings, spots on a fish’s skin, clouds on a wintery day, stripes on a zebra’s back, ribs of a human chest and the multiple leaves of a compressed succulent in the myriad forms of James’s work. His genius was to synthesise and make of these inspirations in which he delighted things in themselves (excerpt from Anthony Gormley’s introduction in Timothy Wilcox’s book, ‘The Ceramic Art of James Tower’).

    Born in Kent in 1919, Tower studied at the Royal Academy, and then at the Slade School of Art, where he discovered an interest in English slipware and became fascinated with ceramics. During the 1960’s and 70’s, he was Head of Pottery at the Bath Academy of Art in Corsham, and Head of Sculpture at Brighton Polytechnic.

    Tower’s artwork is owned by many public collections throughout the UK and the United States, including the Victoria & Albert Museum in London and The Art Institute of Chicago.

    The exhibition at Erskine, Hall & Coe will comprise of twenty-five vessels, plates and sculptures, and is fully illustrated on our website. The gallery has worked very closely with James Tower’s family and with Timothy Wilcox, author of the book ‘The Ceramic Art of James Tower,’ to put this exhibition together. Wilcox’s book will be available for purchase at the exhibition.

    Read More

  • Matthew Harris & Tim Rowan / Erskine, Hall & Coe, London

    Tim Rowan and Matthew Harris exhibition at Erskine Hall Coe Gallery London

    Matthew Harris & Tim Rowan exhibition / Erskine, Hall & Coe, London
    February 20 - March 20, 2013

    An exhibition of works on paper by Matthew Harris and ceramics by Tim Rowan.

    Matthew Harris’ work on paper has been shown in many group and solo exhibitions throughout the U.K, Europe, Japan and the U.S. As drawings they are made to be seen in their own right but also to act as starting points or ‘cartoons’ for larger works that are made using dyed and painted cloth.
    Working primarily from things seen, the drawings recall, interpret and explore imagery, improvising around a given theme. Matthew Harris lives and works in Stroud, Gloucestershire.

    Tim Rowan was born in New York City and grew up in Connecticut along the shore of Long Island Sound.  His art education began during college, receiving a BFA from The State University of New York at New Paltz before journeying to Japan for 2 years to apprentice with ceramic artist Ryuichi Kakurezaki. Upon his return he worked briefly in studios in Massachusetts and New York before receiving his MFA from The Pennsylvania State University.  In 2000 he established his kiln and studio deep in the woods of the Hudson Valley.

    "The works in this exhibition have all been completed over the past two years. They are made, primarily, from native clay. This is direct from the earth and unprocessed as opposed to industrially manufactured clay bodies. The forms are slowly constructed from layers, built up over days and weeks then carved. They are fired for seven days and nights in a wood fuelled kiln. No glaze is applied; the surface textures and colours are the result of the interaction of the clay, fly-ash, coals and fire.

    I am constantly building on previous work – just as individual pieces evolve in the process of making, the body of work as a whole does as well. Most of my work develops from the process of making, firing, and arranging. While I may have images in my head of some specific things I have seen, for instance the remnants of an old quarry derrick abandoned in the woods near my home, once I start making, new forms emerge. There is a search and discovery.

    I am particularly drawn to objects in various states of decay – either through use over time such as tools or the effects of the “elements”. Everything is in a constant state of flux. These are merely markers of a particular time and place.

    It is only when I am fully engaged in the making – that the forms present themselves. There is an intuitive process of discovery – of wondering, of noticing, of physically or intellectually feeling the forms. I work on many pieces at once to enable me to become lost in the process - freely moving from one form to another. There is a complete acceptance in the process. Faith. That is the guide. We work together, informing and reacting to each other.

    There are four distinct series in this body of work. The sculptures are the most ambiguous and poetic for me. Drawn from a multitude of sources, industrial detritus, tools and abstracting the fragments of a vessel. The vessels are rooted in more of a pottery vernacular. They are there to nourish. We are comforted. We have a sense of place. The cups are individual intimate moments. Each one is a separate story. Held. Caressed. Nourishment. Life-affirming. The boxes may be urns. Shelters. Forced to touch in order to experience the inside. Containment. Security. Protect me. What is revealed?

    Read More

  • Summer Exhibition 2012 / Erskine Hall & Coe Gallery, London

    Summer exhibition 2012 at Erskine Hall & Coe Gallery, London

    Summer Exhibition 2012 / Erskine Hall & Coe Gallery, London, UK
    25 July - 30 August, 2012

    Artists: Sebastian Blackie, Claudi Casanovas, Peter Collingwood, Tanya Gomez, Matthew Harris, Deirdre Hawthorne, Steven Heinemann, Shozo Michikawa, Gustavo Pérez, Tim Rowan, Anna Vannotti

    Erskine, Hall & Coe specialise in 20th Century and Contemporary ceramics. The gallery is in central Mayfair, off Bond Street, at 15 Royal Arcade.

    The gallery carries an extensive stock of ceramics, often including works by, Lucie Rie and Hans Coper, Jennifer Lee, Gwyn Hanssen Pigott, Shozo Michikawa and Sara Flynn. Its ten annual exhibitions feature the work of British and international artists, in some cases exploring the interplay between ceramics, sculptures and paintings.

    Gallery Hours: Monday - Friday: 10 am - 6 pm, Saturday: 10 am - 6 pm (during exhibitions only).

    Read More

  • All work is copyright of respective owner, otherwise © 2014 Ceramics Now. Website powered by Tumblr.