Images © Arnaud Conne, Marie Humair – atelier de numérisation de la Ville de Lausanne.
Living Glass / Musée de design et d’arts appliqués contemporains, Lausanne, Switzerland
Recent acquisitions by the Glass Art Collection
December 11, 2013 - November 16, 2014
Mudac’s latest contemporary glass art exhibition, Living Glass, presents a broad selection of works and installations by today’s glass creators of many nationalities—Swiss, European, American and Asian. Bearing witness to the very idea of glass art, pieces ranging from sculpture to edition design all translate the museum conservation team’s open and ongoing approach, as assisted and supported by the Collection’s patron.
The ensuing major canvassing program has brought to light the incredible diversity and dynamism of the contemporary scene with respect to such a singular and demanding material. This new set of works represents a very far-spreading, overall view of contemporary glass art production in Switzerland and around the world. Today, joining those regions and countries that first launched the major groundbreaking trends reinstating glass internationally, there are countless initiatives by artists and designers who have forgone any formal education in the mastery of this material. Designers and artists are linking up with master glass artists to work together. As a result, on the one hand, today’s glass art features spectacularly intricate and beautifully mastered pieces with an undeniably aesthetic impact and, most importantly, encompassing the tradition and know-how of the famous major centers of the second half of the 20th century. These now exist side-by-side with more experimental pieces that can even be highly conceptual, and are often very singular in shape or statement. In their fascination with the very particular world of glass art production, the latest generation of artists and designers now test, experiment and question the practices such production entails, but always—and necessarily—in tandem with today’s master glass artists. The many pathways being travelled by creators stemming from at times very distant horizons attest to the liveliness of the contemporary glass art scene. Mudac is happy to put its acquisitions policy at the service of that scene’s plurality and dynamism.
Published jointly by La Bibliothèque des Arts and mudac, a trilingual publication, Le verre vivant [Living Glass] accompanies this exhibition. This richly illustrated volume featuring some fifty of mudac’s recent acquisitions, encompasses contributions by art dealers and promoters, and by designers, artists and curators from many European countries. It promises pleasurable reading for both the general public and confirmed specialists.
September-October: Tuesday to Sunday, 11.00 - 18.00
July-August: Monday to Sunday, 11.00-18.00
Open on official holidays, including Mondays.
Danaé Panchaud (Public Relations), firstname.lastname@example.org
General information, email@example.com
Tel. +41 315 25 30
mudac – musée de design et d’arts appliqués contemporains
Place de la Cathédrale 6
Above: formafantasma (Andrea Trimarchi et Simone Farresin), Jug, 2011, Verre soufflé et os. Image © Arnaud Conne – atelier de numérisation de la Ville de Lausanne
> More exhibitions / View the list of ceramic art exhibitions
ACGA National Clay & Glass Exhibition: Call for entry
Entry Deadline: October 31, 2012
Dates: January 26 - March 1, 2013
The ACGA National Clay & Glass Exhibition will take place January 26 – March 1, 2013 near Los Angeles at the City of Brea Art Gallery. The exhibition will showcase a wide range of handmade ceramic and glass artwork from across the United States.
The juror is Carol Sauvion, Executive Director of Craft in America, Inc., a non-profit organization dedicated to presenting the history, practitioners and techniques of craft in the United States, and their impact on our nation’s cultural heritage. The centerpiece of the Craft in America effort is its production of a nationally broadcast documentary series celebrating American craft and the artists who bring it to life. The Peabody Award winning Craft in America series airs nationwide on PBS.
The competition is open to all forms of handmade clay and glass: functional, decorative and sculptural. The deadline for submission is October 31th. The entry fee is $30 for three pieces of artwork. Awards will be given. The online entry form is available at www.acga.net.
The Association of Clay and Glass Artists of California (ACGA) is a non-profit membership organization begun in 1945. It is dedicated to establishing and maintaining high standards of craftsmanship and design in clay and glass.
This competition is open to artists residing in the United States, 18 years or older. Artwork must be composed of at least 75% clay, glass, or a combination of the two, and may be functional or sculptural. All entries must be original and executed by the artist within the past two years. Works may not have been previously shown at the City of Brea Art Gallery.
Baldwin / Guggisberg, Beyond Glass and 20th Century Venetian Glass - Exhibitions at Ariana Museum, Geneva
Baldwin / Guggisberg, Beyond Glass Exhibition - Ariana Museum, Geneva
13 October 2011 - 25 March 2012
The internationally-renowned master glassmakers, Philip Baldwin and Monica Guggisberg have the techniques of glass to develop a fascinating aesthetic of forms and colors sublimated by a mastered articulation of light. The Musee Ariana is devoting a major exhibition to this artistic duo that explires their recent as well as earlier work in order to acknowledge a highly personal poetic universe combining two visions of an inner world.
20th Century Venetian Glass - a private Genevan collection
13 October 2011 - 8 April 2012
This Genevan collection brings together an ensemble of vases, bowls and dishes from the 1920s to the 1990s that illustrated the diversity and the quality of the Venetian glassmaking industry in the 20th century. The majority of the models presented were produces in their hundreds by the Murano glassblowers for companies such as Venini, Cappelin, Barovier, Martinuzzi, Seguso and Barbini. This multiplicity should not disguise the fact that all these pieces are unique.
And a gift from the Friends of the Musée Ariana:
an 18th century Nymphenburg porcelain rocaille pot-pouri vase
Musée Ariana - Musée suisse de la céramique et du verre
Avenue de la Paix 10
CH-1202 Geneva, Switzerland
Tel. +41(0)22 418 54 50
Fax. +41(0)22 418 54 51
Amanda Simmons makes kiln formed and cameo engraved glass vessels - tall, sculptural, thin walled columns - from her studio in Corsock. She is fascinated in the forms created by gravity within the kiln, the vessels becoming more complex as she perfects the slumping method. She has worked with glass for the past 9 years, studying at Central St Martin’s School of Art & Design in London, before re-locating to Dumfries & Galloway in 2005.
She combines these techniques with her interest in making marks in glass with diamond point engraving and a diamond wheel lathe. Her work involves many processes of firing, coldworking (working with diamond tools to shape and smooth) and sandblasting. She recently exhibited at the Crafts Council show for contemporary applied arts, COLLECT with Craftscotland and has since become a member of Contemporary Applied Arts in London. A winner of the Gold Award for Innovation, Creativity and potential to export at Origin 2010, she has just returned from a research trip to investigate the applied arts market on the East and West coast of USA funded by the Crafts Council and Uk Trade & Investment.
A keen supporter of the contemporary craft scene, she has just been selected to become the Creative Business Advisor (for Crafts) by Dumfries & Galloway Council, to stimulate, strengthen and support the creative industries sector across the region.
Amanda Simmons: Summer blues
Amanda Simmons: Toxic tea party
Amanda Simmons: Turquoise vase
Amanda Simmons: Labyrinth of love #3
Amanda Simmons: Nested collective
Amanda Simmons: Mini drop vessels
Amanda Simmons: Labyrinths (detail)