Patricia Sannit - Artist of the month, October 2012

ARTIST OF THE MONTH, October 2012: Patricia Sannit

Patricia Sannit - Artist of the month on Ceramics Now Magazine

Interview by Ileana Surducan for Ceramics Now Magazine - Issue Two

How did your experience in working on archeological sites in Jordan and Ethiopia influenced your work?

My work in Jordan and Ethiopia profoundly changed my work. I went to Jordan between my undergraduate degree and my graduate degree. At that point, I was already serious about clay, and although my early training had a functional emphasis (the well known American potter Warren Mackenzie was a teacher and influence), I had become more interested in sculpture. But my work had little focus and I was frustrated by what I saw as the triviality of my work. It didn’t seem to have a core or substance.

Before University, I had been an exchange student in Norway and had learned a lot about history, arts and culture there, but had not put it to any good use. However, when I went to Jordan, two things happened. I traveled all over the region - into Syria and Israel, and throughout Jordan, notable the amazing Petra. I was deeply impressed by the ancient culture and the design of the buildings and tombs and the handmade objects resonated with me. I understood finally that there was a connection between people and cultures and it was in a way manifested through the visual vocabulary around me. It related to the textiles of Scandinavia and the work that I had done as a kid. The desire to create some order, through geometry, on the natural world, and on roughly hewn stone and constructions seemed universal.

My other experience there that had a huge and lasting impact on me was the excavation itself. At Ain Ghazal, working in a “square” (archeological sites are frequently divided into precise squares so as to map out the location of a find onto three points in space) and seeing how the layers of the earth marked time and culture, hiding, or harboring, the evidence of past people was exciting to me. I recognized and felt awed by all of the people who had come before me. Ain Ghazal was first settled about 7250 B.C., during the so-called Pre-Pottery Neolithic B (PPNB) period. The result of our excavation was the discovery of a diverse assemblage of symbols including tokens of many shapes, animal and human figurines, modeled human skulls, “monumental” statues and mural and floor paintings. My square had a beautiful floor painting of iron oxide on plaster. During the final days of the field season, I worked to uncover the floor. As a ceramic artist, discovering a plaster floor painted with iron oxide, the same Iron oxide that I used so often in my work, was a thrill. But more significantly, as I knelt, sweeping the dust from the floor, I felt a profound sense of connection to the women who had lived there 9000 plus years before. I knew that we had shared many of the same feelings and concerns; I felt connected and understood that there was a huge chain of humanity of which I was a part. I still get goose bumps thinking of it. And that sense of our common humanity is what still informs my work today.

My subsequent adventure was in Ethiopia. I am very fortunate to have married a man who works at what is called the “Lucy” site in the Afar region of Ethiopia. Lucy is an Australopithicus afarensis, and her species populated that part of Africa between 3 and 4 million years ago. She is pat of our species ancestry. As one scans the ground for fossils, walking in the same rough wadis where our earliest ancestors walked, the sense of our history coming to surface is very powerful. It’s a beautiful place, though drier now than it was when Lucy lived there. It is very quiet and empty, and potent with history.

Patricia Sannit Ceramics - Artist of the month on Ceramics Now Magazine
Patricia Sannit, Cradle, 2010, hand-built, carved and incised reclaimed clays, slip and stain, 21”x32”x12” - View Patricia’s works

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Patricia Sannit

Patricia Sannit Contemporary Ceramics featured on Ceramics Now Magazine

Patricia Sannit's profile on Ceramics Now Magazine - View her works

“The impulse to decorate is strong. The push to create a border or impose a structured order on the already beautiful order of the (chaotic) natural world is compelling. Humans have always done so.

My work draws from and responds to visual idioms found throughout human history. Visual languages flow from culture to culture and through time; I explore how the changes of motifs and technologies show development and transformation in societies. I draw from our species’ long and intimate relationship with our surroundings, both natural and man-made. To that end, I use a variety of mostly found and repurposed clays to refer to both the contributions of previous makers in our collective art history and the stratigraphy of the Earth. My work is influenced by archaeology, geology, industry and the commonality of human experience through time and across culture.” Patricia Sannit

Born in Cleveland, Ohio, Patricia Sannit received her BA in ceramics, Art History and Norwegian from the University of Minnesota and her MFA from the California College of Arts. She now lives in Phoenix, Arizona. Sannit’s work is influenced by her experiences excavating in the Near East and Ethiopia. Sannit’s most recent project is a large-scale ceramic installation, Citadel, based on an archeological site in Iraq. “I am interested in the story of the earth, our species, and pots. History is manifest in the scarred and worn surface of our planet and in a pot well made and well used.”

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Patricia Sannit: Eroded Poles, 2012, 12”x9”x11”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Eroded Poles, 2012, 12”x9”x11”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Ely glacier, 2012, 6”x12”x11”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Ely glacier, 2012, 6”x12”x11”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Double Crater 212, 2012, 6”x13”x7”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Double Crater 212, 2012, 6”x13”x7”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Apollo column, 2011, 30”x12”x12”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Apollo column, 2011, 30”x12”x12”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Atom Model 61311, 2011, 6”x11”x11”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Atom Model 61311, 2011, 6”x11”x11”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Earth Orbit, 2010, 10”x9”x11”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Earth Orbit, 2010, 10”x9”x11”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Double Cylinder, 2011, 6”x7”x6”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Double Cylinder, 2011, 6”x7”x6”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Cradle, 2010, 21”x32”x12”, hand-built, carved and incised reclaimed clays, slip and stain

Patricia Sannit: Cradle, 2010, 21”x32”x12”, hand-built, carved and incised reclaimed clays, slip and stain

Patricia Sannit: Cone Guard, 2010, 7”x11”x7”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Cone Guard, 2010, 7”x11”x7”, cast, carved and incised found and reclaimed clays, slip and stain

Patricia Sannit: Bottle: Infinity, 2009 , 22”x7”x4”, hand-built, carved and incised stoneware, slip and stain

Patricia Sannit: Bottle: Infinity, 2009 , 22”x7”x4”, hand-built, carved and incised stoneware, slip and stain