Ceramic artists list
> Ceramic artists list 100. Tim Rowan 99. Graciela Olio 98. Michal Fargo 97. Ryan Blackwell 96. Ellen Schön 95. Francesco Ardini 94. David Gallagher 93. Elizabeth Shriver 92. Jason Hackett 91. Patricia Sannit 90. Bente Skjøttgaard 89. Steve Belz 88. Ruth Power 87. Jenni Ward 86. Liliana Folta 85. Kira O'Brien 84. Annie Woodford 83. Kwok-Pong Bobby Tso 82. Bogdan Teodorescu 81. Kimberly Cook 80. Paula Bellacera 79. Debra Fleury 78. Cindy Billingsley 77. David Gilbaugh 76. Teresa & Helena Jané 75. Marianne McGrath 74. Suzanne Stumpf 73. Deborah Britt 72. Kathy Pallie 71. Els Wenselaers 70. Kjersti Lunde 69. Brian Kakas 68. Marie T. Hermann 67. Mark Goudy 66. Susan Meyer 65. Simcha Even-Chen 64. Barbara Fehrs 63. Shamai Gibsh 62. Natalia Dias 61. Bethany Krull 60. Amanda Simmons 59. Arthur Gonzalez 58. Chris Riccardo 57. Akiko Hirai W 56. Johannes Nagel 55. Rika Herbst 54. Liza Riddle 53. Chang Hyun Bang 52. Virginie Besengez 51. Jasmin Rowlandson 50. Chris Wight 49. Wim Borst 48. Rafael Peréz 47. Guðný Hafsteinsdóttir 46. Cathy Coëz 45. Merete Rasmussen 44. Carol Gouthro 43. JoAnn Axford 42. David Carlsson 41. Margrieta Jeltema 40. David Roberts 39. Patrick Colhoun 38. Abigail Simpson 37. Signe Schjøth 36. Katharine Morling 35. Dryden Wells 34. Antonella Cimatti 33. Cynthia Lahti 32. Carole Epp 31. Blaine Avery 30. Ian Shelly 29. Jim Kraft 28. Wesley Anderegg 27. Connie Norman 26. Arlene Shechet 25. Young Mi Kim 24. Jason Walker 23. Peter Meanley 22. Shane Porter 21. Jennifer McCurdy 20. Yoichiro Kamei 19. Debbie Quick 18. Ian F Thomas 17. John Shirley 16. Grayson Perry 15. Vivika & Otto Heino 14. Georges Jeanclos 13. Daniel Kavanagh 12. Nagae Shigekazu 11. Matthew Chambers 10. Tim Andrews 9. Claire Muckian 8. Adam Frew 7. Maciej Kasperski 6. Roxanne Jackson 5. Keith Schneider 4. Celeste Bouvier 3. Tim Scull 2. Kim Westad 1. Sara Paloma

San Francisco

Dual Natures in Ceramics: Eight Contemporary Artists from Korea / SFO Museum, San Francisco

Dual Natures in Ceramics: Eight Contemporary Artists from Korea / SFO Museum, San Francisco
May 17, 2014 - February 22, 2015

“In modern art, as everyone knows, the beauty of deformity is very often emphasized, insisted upon. But how different is Korean deformity. The former is produced deliberately, the latter naturally. Korean work is merely the natural result of the artisan’s state of mind, which is free from dualistic man-made rules.”
—Bernard Leach (1887–1979)

Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions.

During the twentieth century, Korean artists and theorists grappled with the interplay of modernization and tradition. Some artists looked to the genuine, fresh, and fundamental qualities of Korean potters from the past as inspiration to create more appealing modern concepts. Through Korean ceramics, they have explored a dialogue between the traditional and the contemporary as well as East and West.

The eight artists in this exhibition revive and reinterpret aspects of traditional Korean ceramics in various ways. Yoon Kwang-cho and Lee Kang Hyo discover artistic freedom in Joseon dynasty (1392–1910) buncheong (white-slipped stoneware) ceramics and apply white slip in playful and innovative ways. Buncheong is a distinctive type of Korean ceramic that flourished during the fifteenth and sixteenth centuries. Both artists’ ceramics have the whimsical, rustic, and audacious characteristics of buncheong in addition to contemporary elements. Joseon dynasty whiteware was the main foundation for Kim Yik-yung and Park Young Sook. Park has experimented on the uniquely Korean globular jar, the so-called ‘moon jar,’ while simultaneously exploring other Korean porcelains including a blue-white ware shown in this exhibition. Embracing whitewares’ core traditions, Kim Yik-yung complements innovative surface treatments and explores new types of glaze.

Techniques used in traditional Korean ceramics are another matter for the artists in this exhibition. Roe Kyung Jo is known for his marbled-ware technique (yeollimun). The technique was traditionally used for celadon wares, but Roe applies it to other wares. Onggi, a form of earthenware that predates porcelain production, served various purposes in Korean households. Lee Inchin started his works based on onggi wares but expands the technique using new kinds of glazes and experimenting with their applications.

Koo Bohnchang and Yeesookyung go further in interpreting traditional Korean ceramics. Through photographs and video art (newly created for this exhibition), Koo reveals the organic qualities of Korean ceramics that have been overlooked or disregarded by our bare eyes. Yee utilizes and renders the superfluous aspect in ceramic production. Using abandoned ceramic shards, she translates the original concepts of ceramics into more innovative sculptural works that sometimes puzzle the viewers about the concept of ceramics as art in the twenty-first century.

Although their techniques, methodologies, and approaches are different from each other, these eight artists playfully add complex layers onto the history of Korean ceramics through their own interpretations and expressions. Dual Natures brings fresh perspectives to traditional Korean ceramics and suggests new paths of expression for a new century.

This exhibition is co-organized by the Asian Art Museum and SFO Museum and is curated by Hyonjeong Kim Han, Associate Curator of Korean Art, with assistance from Silvia Hari Chang, and Chihyun Lee at the Asian Art Museum.

Dual Natures in Ceramics is located in Terminal 3, Boarding Area F. The exhibition is located post-security and is only accessible to passengers ticketed for travel through Terminal 3. There is no charge to view the exhibition.

Read More

  • Nathan Lynch: Another High / Rena Bransten Gallery, San Francisco

    Nathan Lynch: Another High at Rena Bransten Gallery, San Francisco

    Nathan Lynch: Another High / Rena Bransten Gallery, San Francisco
    May 13 - July 3, 2014

    Brunch reception: Saturday, May 17, 11 am - 1 pm.

    Inaugurating our new space at 1639 Market Street, Nathan Lynch will present a series of ceramic work which, like the gallery itself, recalls the past while grappling with an unsure future.

    Motivated at first as homage to his late teacher Ken Price, Nathan Lynch’s abstract ceramic and wood sculptures make physical the difference between what we want and what we get. The work consists of abstract “blobjects” that appear to slump, sag, burst, drip, and ooze off of their platforms. Like a 4-day old helium balloon that is neither all the way up nor completely down, the forms hover in the layered emotions between elation, confusion, and disaster, suggesting the potential futility in even our best efforts. As Nathan describes; “In all levels of our life, we are in constant pursuit of the best solutions, from personal fitness and desktop applications to the national political debate. By remodeling this idealism, my work questions our value systems, revealing ironic, contradictory, and embarrassing culture narratives.”

    Nathan Lynch was raised in Pasco, WA, an agricultural community in the shadow of Hanford Nuclear Power Plant. This environmental contradiction gave Lynch an acute sense of location and deep appreciation for irony. In the five formative years after graduation Lynch worked as the prop master for a local community theatre, the effects of which are still being realized in his current body of work. His concerns for political conflict and environmental upheaval are filtered through notions of absurdity, hand fabrication, and the dramatic devices of storytelling.

    As a sculptor and performance artist, Lynch has made collaboration and experimentation major components of his practice. Recent projects include a residency at the Exploratorium, habitat restoration design for Ashy Storm Petrels on the Channel Islands, and a reinterpretation of David Ireland’s Dumballs for Southern Exposure’s 39th anniversary show, The Long Conversation. He is currently included in YBCA’s Bay Area Now 7 in San Francisco. At the University of Southern California Lynch studied with Ken Price, and later earned an MFA at Mills College with Ron Nagle. Lynch is an Assistant Professor and Chair of the Ceramics Program at California College of the Arts.

    Read More

  • All work is copyright of respective owner, otherwise © 2014 Ceramics Now. Website powered by Tumblr.