“I work process-oriented with the examination of form, which in its presence appears in organic shapes and in rhythmic lines in motion. The starting point was the idea of a flower as a radiant energy and elegance both remarkable and luxuriant, a testament to the existence of everyday miracles. The creation of an aesthetic, sensuous, material object has always been the essence of my work, but the objects have since 2002 become more abstract. At the moment I am asking myself: Is it possible by combining or colliding senses to reach a more complex form? That is my ambition.
All my works are hand-built. To achieve a sense of elegance and fragility the shapes are made thin in comparison to their size. Furthermore I have put a lot of effort into achieving a harmonic surface and a defined access of lines to intensify the character of each object.
The surfaces maintain a texture which reflects the depth and sensuous presence of forms found in nature. Together these accentuate the overall tactile quality of the works.” Signe Schjøth
Born in Copenhagen in 1974, Signe Schjøth was trained at the Ceramic School of Bornholm (1999 – 2002) and since then she has been selected for several international exhibitions.