Hello friends. Welcome to Month in Review, a summary of the last month of activity here at Ceramics Now.
Kevork Cholakian: Artist’s Studio Chairs, 2012-2013
Chairs are an essential part for our every day existence,they virtually go unnoticed. Yet how we use them tells us something about the person who uses them. By creating this series of artist’s chairs in clay I transform something otherwise mundane and challenge our preconception of the use of materials and prompt a closer look at the seemingly ordinary.
Rose Cabat is considered an artistic treasure in Arizona and an important American studio ceramicist of the Mid-century Modern movement. Born Rose Katz in the Bronx, New York, in 1914, she first worked with clay as a child at the Henry Street Settlement House. In 1936, she married childhood friend Erni Cabat, who became her artistic mentor and biggest supporter. In the late 1930s, Erni studied under Vally Wieselthier, a well-known Wiener Werkstatte potter and ceramic sculptor who had immigrated to the United States from Austria. In 1938, when Erni brought home a lump of clay to use for one of his own projects, Rose fashioned it into several coiled figures and other objects. Noticing Rose’s talent, Erni bought her a membership at Greenwich House Pottery in Greenwich Village. There she taught herself to create wheel-thrown pots in earthenware and to develop her own glazes. The Cabats moved to Tucson, Arizona, in 1942, when their first child developed asthma. The family grew, and Rose worked as a riveter at Davis-Monthan Air Force Base. In Arizona, Rose first worked with clay from the local brickyard, and threw pots on a wheel made from a converted washing machine. Eventually, Rose worked with stoneware and porcelain clays on a professional Randall wheel, which she still uses to create her celebrated forms. In the mid-1950s, Rose exhibited her work nationally, including at the Tucson Art Center, later to become the Tucson Museum of Art.