By Vasi Hîrdo
You have been working at the University of South Carolina’s McKissick Museum for over ten years. What are the main responsibilities and attributes of being the Chief Curator of Collections & Research?
As Chief Curator of Collections and Research, my responsibilities include overseeing the research and care for the permanent collections. The permanent collections include natural science collections (rocks, minerals, fossils, meteorites and shells) and material culture collections which include fine art, furniture, textiles (clothing, quilts, other domestic textiles, baskets, shoes, accessories), ceramics, glass, metal objects, political materials, silver and objects relating to the history of the University of South Carolina. I guide and implement the collecting activities of the museum in terms of new acquisitions and research, identify long-term care needs of the collections in terms of conservation and storage, and work with my colleagues on various exhibition projects. My research focus is on Southern pottery but I’m knowledgeable about traditional basket traditions of the South, South Carolina history and politics, and University history. In a mid-size institution like McKissick Museum, and particularly at a University, it is important to constantly learn about the various types of museum collections.
Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen / University of South Carolina McKissick Museum, Columbia, SC, USA
May 26 – July 27, 2012
Some of the most imaginative and beautiful ceramics of the 20th century will be on display in an exhibition of Walter B. Stephen’s pottery May 26 – July 27 at the University of South Carolina’s McKissick Museum.
Titled “Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen,” the exhibition will feature 76 rare examples of Stephen’s works, from the first pots that he fired near Nonconnah Creek in Tennessee to crystalline vessels produced at Pisgah Forest near Asheville.
Stephen, born in 1876 in Clinton, Iowa, was heavily influenced by his mother, but he soon began exploring and developing his own creative talents. In 1904, he established the Nonconnah Pottery in Tennessee, where he and his mother produced “paste on paste” cameo wares similar to Wedgwood’s Jasperwares. In 1913, he moved to the Asheville area, where he produced a variety of pottery until his death in1961.
The early Nonconnah pieces are dominated by matte-green glazes with floral designs. The later works made at the Pisgah Forest Pottery range from small, brightly glazed teapots and cups to monumental baptismal fonts. Cameo depictions of the American West include covered wagons, Indians hunting Buffalo and portraits of Bill Cody. Stephen also used imagery of the South such as mountain cabins, fiddlers and Gen. Robert E. Lee. His forms and glazes, particularly the crystalline glaze, were inspired by Asian ceramics.
Two events are planned in connection with the exhibition:
On June 21, from 5:30-7:30 p.m. the museum will host a reception, a gallery talk and a book signing featuring Rodney Leftwich, author of “Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen.”
From 10 a.m. - 4 p.m. Friday, June 22, McKissick will host a symposium, “The Art of Collecting Southern Pottery.” Leftwich, Karen Swager of Brunk Auctions, crystalline potter Frank Neef, Winton Eugene and Rosa Eugene of Pottery by Eugene, and Barbara S. Perry, who writes about American ceramics, will participate.
The symposium is $40 for museum members and $50 for non-members.
Museum Hours: Monday-Friday: 8:30 am - 5 pm. Saturday: 11 am - 3 pm. Closed Sundays and all University and State holidays.
Open to the public free of charge.