© the artists. (source)
Jos Devriendt: Day & Night / Pierre Marie Giraud, Bruxelles
January 17 - February 1, 2014
"Since 20 years I have been working on the archetype of the mushroom. It has been a search for a form that could be a sculpture with two different lives. A mushroom during daytime with an obvious and colourful expression capturing the light, and at night an abstract form giving light.
Living Glass / Musée de design et d’arts appliqués contemporains, Lausanne, Switzerland
Recent acquisitions by the Glass Art Collection
December 11, 2013 - November 16, 2014
Mudac’s latest contemporary glass art exhibition, Living Glass, presents a broad selection of works and installations by today’s glass creators of many nationalities—Swiss, European, American and Asian. Bearing witness to the very idea of glass art, pieces ranging from sculpture to edition design all translate the museum conservation team’s open and ongoing approach, as assisted and supported by the Collection’s patron.
By Degrees ceramics exhibition / L5-23 Unit Gallery, Jockey Club Creative Arts Centre, Hong Kong
January 11-26, 2014
Ceramics has come a long way since its’ humble beginnings as crude decorations and simple pottery wares thousands of years ago. It has evolved to become an important medium within the world of the Fine and Decorative Arts whereby its’ previous boundaries are constantly being pushed and our perceptions challenged.
In learning how to make ceramics there are no short cuts however and the techniques and skills still have to be mastered step by step, and by degrees. This exhibition brings together the six students of The Hong Kong Art School after completing the first year of their BA in Fine Art (Ceramics).
The path of my work can be brought together in thematic series which are constantly reshaped. These can be defined as: Social Satire, Saga of Discovery, Automata, Contemporary Bestiaries, Dwarfs, Self-referential work, Uselessly Decorative Objects, Project South (work in progress) and The Collector.
Project South is a “work in progress” in which I use images transferred from Simulcop booklets (Argentinean schoolbooks used to help drawing during the 60s and the 80s) to propose a journey through South America and Argentina.
The drawings of political, hydrographical and climate maps as well as maps showing our flora and fauna, different parts of important cities and ports, and the most important American products show the ideal representation of our continent’s recent past. Project South is a commitment to the future of our region, a work anchored in the ironic game of our memory.
The Home Series, which is part of Project South, expresses and affirms a place of belonging. A region, Latin America, a continent South America, a country, Argentina, a city, a house, a home. Modest, almost collapsing houses are a regular sight in the cultural landscape of both, South and Latin America. The ironic word “Home” entails a trick, almost a funny one, in this poverty context. The simplicity of the dwelling, made up of printed cardboard shows the sad reality we have been facing for years now. There are roofless houses, houses on the verge of catastrophe, houses falling apart and self- sustaining houses. This is a series in permanent construction and its metaphorical development manifests itself as a symbol of resistance.
Graciela Olio Ceramics: Proyecto Sur, Serie Home (Project South, Home Series), 2011, Porcelain sheet (Keraflex) print with laser decal on raw sheet before handbuilding, all 30x20x0,8 cm.
Graciela Olio Ceramics: Proyecto Sur, Serie Home (Project South, Home Series), 2010, Porcelain sheet (Keraflex) print with photoceramic (gum bichromate process), Printing directly on raw sheet before handbuilding, 15x10x12 cm. Photo by Hernán Cédola.
Graciela Olio: Proyecto Sur, Serie Home (Project South, Home Series), 2011, Porcelain sheet (Keraflex) print with photoceramic (gum bichromate process), Printing directly on raw sheet before handbuilding, both 15x10x12 cm.
Alexis Rago: Chaos Contained / Crafts Study Centre, Farnham, UK
January 7 - March 1, 2014
The National Centre for Craft & Design confirms that Alexis Rago: Chaos Contained will begin its life as a touring show in Farnham. Originally curated by Laura Mabbutt for the NCCD, the exhibition opens at the Crafts Study Centre on 7 January 2014 continuing until 1 March. Touring Manager, Liz Cooper says “During its 70 day run at NCCD, over 4,600 people of all ages viewed Chaos Contained, making it one of the most successful exhibitions we have held in our Roof Gallery. We hope to repeat that success in Farnham.”
Body and Soul: New International Ceramics / MAD Museum, New York
September 24, 2013 - March 2, 2014
In recent years, the human figure has returned to center stage in the work of artists around the world. Body & Soul: New International Ceramics underscores the power of the figure to convey strong emotions, and also to the accessibility of the ceramic medium. Through clay the figure becomes the catalyst for addressing the emotional impact of contemporary pressures that confront our society today. Each work, inspired by a personal incident or symbolic tale, expresses a deep emotional identity, contrasting societal, political, and personal views on themes such as anxiety, bias, mortality and memory.
Fired Earth, Woven Bamboo: Contemporary Japanese Ceramics and Bamboo Art / Museum of Fine Arts, Boston
November 12, 2013 - September 8, 2014
The Museum of Fine Arts, Boston (MFA), presents Fired Earth, Woven Bamboo: Contemporary Japanese Ceramics and Bamboo Art, an exhibition that highlights the meticulous craftsmanship and highly creative sculptural forms of Japanese decorative arts. Among the first exhibitions to present contemporary ceramics alongside baskets, Fired Earth, Woven Bamboo offers an in-depth look at 60 objects created by dozens of leading artists based in Japan.
Betty Woodman: CONTRO VERSIES CONTRO VERSIA / Gallery Diet, Miami
an inaccurate history of painting and ceramics
December 2, 2013 - January 1, 2014
Gallery Diet is delighted to announce a solo exhibition of new works by Betty Woodman: CONTRO VERSIES CONTRO VERSIA an inaccurate history of painting and ceramics. The exhibition, which opens December 2nd, 2013, gathers a body of 2D and 3D works produced over the past two years that continue Woodman’s evolving relationship with painting, the vase, and the history of ceramics. Over the past several years, the resurgence in ceramics, craft aesthetic, and abstraction has led audiences to earlier generations of practitioners. Often credited as the “godmother of American ceramics,” Woodman is considered one of the pioneers in bringing the vase out of the craft world and into the realm of high art. As Peter Schjeldahl wrote of Woodman’s solo exhibition at The Metropolitan Museum of Art, “she is beyond original, all the way to sui generis. She has been well known in art circles since the 1970s, when her work was associated (incorrectly but advantageously, given the art world’s chronic disdain for anything that smacks of ‘craft’) with a briefly fashionable movement called Pattern and Decoration.”
Graciela Olio: Proyecto Sur, Serie Home (Project South, Home Series), 2010, Porcelain sheet (Keraflex) print with photoceramic (gum bichromate process), Printing directly on raw sheet before handbuilding, 15x15x15 cm. Photo by Hernán Cédola.
Graciela Olio: Proyecto Sur, Serie Home (Project South, Home Series), 2011, Porcelain sheet (Keraflex) print with laser decal on raw sheet before handbuilding, Acrylic box with led light, 50x25x20 cm. Photos by Martín García Olivares.
Graciela Olio: Proyecto Sur, Serie Home (Project South, Home Series), 2010, Porcelain sheet (Keraflex) print with photoceramic (gum bichromate process), Printing directly on raw sheet before handbuilding, 10x10x12 cm. Photo by Hernán Cédola.