CLASS OF 2013 / The National Centre for Craft and Design, Sleaford, UK
November 22, 2013 - January 19, 2014
Each year,The National Centre for Craft and Design in Sleaford, Lincolnshire, UK selects work by the very best of the current year’s graduates from art colleges and universities all over the UK, and gives them the opportunity of exhibitingat the NCCD.
This year’s show explores the theme of function in objects. A range of high quality, visually striking artworks created by 18 specially selected graduates are on display. They demonstrate a diverse range of skills from fashion and jewellery to ceramics and automata.
Class of 2013 will be open to the public until Sunday 19 January 2014 everyday excluding Christmas Day, Boxing Day and New Years Day from 10am to 5pm (3pm Christmas Eve).
Ceramicists exhibiting in Class of 2013:
Luke Bishop, Rongorongo: Forgotten Function 5, 2013, Porcelain and stoneware with latex additions, maximum H46 mm. Photo by Scott Murray.
HE Diploma in Fine and Applied Arts in Ceramics
CityLit / London Metropolitan University
Rongorongo; Forgotten Function is an exploration rooted in the language of function where both memory and meaning are lost. False lids, multiple spouts (some obstructed, some fixed, others detachable), curiously and illogically-placed holes and tubes intentionally disturb the recognized and accepted grammar and syntax of function, causing the viewer and potential user to experience a disruption in the affordance towards the object.
In much the same way that an object excavated from the archaeological record only reveals to us a portion of its story, the meaning and uses of these vessels can never be completely recovered and known. Because the link between craft and everyday use has been permitted to slowly slip away from our collective experience, we are left with what we can only interpret but never fully explain. Function is forgotten.
Luke’s work seeks to invite the viewer to wonder at these curious vessels, and to provoke us to awaken to the process of cultural richness being lost. Its creative corollary, however, is that such richness can endure when care is taken to preserve meaning, ritual, skill and knowledge?
Zoe Clare, Invading Forms #4, #5, #6, #7, 2013, Porcelain, 56x61 / 34x48 / 17x30 / 30x60 cm. Photo by Scott Murray.
BA (Hons) Ceramic Design
Central Saint Martins - University of Arts London
Zoe is an artist who works predominantly with ceramic. She creates sculptures that are visually absorbing, rich in layers, texture and integral repetitive patterns.
Zoe is influenced by the natural world around her and the discoveries made during her travels. The natural world, often overlooked, provides her with rich visual resources, which she then interprets and uses as a vessel to convey commentary and observations.
The ‘Invading Forms’ series explores the effects and conservational issues of invasive, non-native plants and their effects on the bio diversity of South Africa’s endangered environment. The sculptures are a metaphor for the conservational issues and endangered biodiversity we are facing today.
The sculptures, created in porcelain, take on the aggressive character of the invasive plants and become an invading form, growing organically and intrusively, absorbing anything and everything that is in its path.
These structural forms are concerned with internal and external spaces and holds remnants of the extinct plants it has devoured inside for spectators to see. Sections of the invading forms are open, allowing the insides to be examined. Within are surprising textures and glazes depicting the exotic nature of the diminishing South African fauna and flora.
Jade Crompton, Bubble vases, Ceramics, slip cast, semi porcelain, Pieces between 23x24 cm. Photo by John James Clare.
BA (Hons) Design
Liverpool Hope University
Combining traditional plaster mould making techniques with the modern techniques of 3D design, Jade uses prototypes and digital model making to create unique moulds for slip casting.
Jade enjoys taking natural forms and applying structure and pattern using digital software, giving an organic and manmade appearance to her work. Overall her work is intended to be both aesthetically pleasing and functional.
Her current work focuses on casting plaster moulds from 3D printed models and layering laser cut pieces of perspex, this process allows Jade to produce more detailed and precise designs. The works are inspired by the layers found in natural formations such as lava, rock and ice.
Instead of using glazes or coloured slips which Jade finds too unpredictable, she uses airbrushed layers of under glaze which leaves a even matte coverage. She also adds a layer of clear glaze to the inside of her pieces which renders them waterproof.
Ruth Harrison (Porcelain, 2013, Photos by Scott Murray)
Green Gradiant Strip / Red Gradiant Strip, 200x95 mm.
Blue Disk with Orange Inlay / Yellow Disk with Blue Inlay / Green Disk with Red Inlay, 130x95 mm.
BA (Hons) Ceramics
Plymouth College of Arts
Ruth Harrison uses porcelain to create sculptural forms using repeated elements. She is interested in symmetry and the idea of taking one shape and multiplying it many times over or around a cylinder. Her work evokes the childhood memory of running a hand or stick along a fence.
Ruth chooses to use porcelain due to its white body when fired to 1260°c. Porcelain also works very well with coloured stain which she uses for some of her collections.
Ruth draws the attention of the viewer to a section or strip of the finished piece using colour, texture or pattern which is added to the piece as it is being made. Each disk is hand cut using a cookie cutter from 3mm thick slabs of porcelain which are then cut in half, sponged, scored, slipped and attached to a slip-cast cylinder.