Jason Jacques Gallery is pleased to announce its second contemporary exhibition with contemporary ceramic master Michael Geertsen. Following a ceramic installation at the Victoria and Albert Museum in London and a show at Puls Ceramics in his native Denmark, Michael Geertsen has come back to show in New York. Geertsen is known for sleek ceramic works with alien-like sculptural bodies, and stacked sculptures of utilitarian objects like plates and cups. His whimsical and animated forms are executed with machine-like precision, thanks to his background in industrial ceramics. Michael claims American streamline design and Italian Futurism as his primary influences.
Tommaso Corvi-Mora is pleased to present a solo exhibition of work Simon Carroll. Born in 1964, Simon Carroll died in 2009 at the age of 45. He was one of the most talented and inventive potters of his generation.
After the clean slate brought about by the generation of postmodern potters of the 70s and 80s (Alison Britton, Elizabeth Fritsch, Walter Keeler, Jacqui Poncelet), whose work developed also in reaction to Bernard Leach’s lasting influence, potters working in Britain divided themselves into two separate camps: those who could be called the “apollonians” (Julian Stair, Edmund de Waal, Ken Eastman), who privilege clean lines, muted colours, an interest in modes of display and an approach to ceramics influenced primarily by minimal and conceptual art, and those who could be identified as the “dionysians” (Gareth Mason, Ashley Howard), more focused on the object presented individually and on an approach closer to “art informel” and abstract expressionism. Simon Carroll’s work places itself firmly in the latter group; however the exuberance and eruptive force of his forms is always tempered by a thoughtful and affectionate reverence for the tradition and history of pottery, especially for 17th- and 18th Century slip-decorated Staffordshire wares.
Alexandra Lerman: Immediate Release / Tina Kim Gallery, New York May 1 - June 28, 2014
Tina Kim Gallery is pleased to present Alexandra Lerman’s first solo exhibition, Immediate Release.
A coincidence of the calendar becomes a critical frame. The first of May commemorates May Day, an ancient folk festival meant to awaken the wintering body through conviviality, dance, and song, also, International Workers’ Day, the 20th century’s concession to the solidarity of laboring bodies in almost every country of the world. The 1st of May saw the opening of Immediate Release, the new exhibition of multi-media artist Alexandra Lerman.
Dual Natures in Ceramics: Eight Contemporary Artists from Korea / SFO Museum, San Francisco May 17, 2014 - February 22, 2015
“In modern art, as everyone knows, the beauty of deformity is very often emphasized, insisted upon. But how different is Korean deformity. The former is produced deliberately, the latter naturally. Korean work is merely the natural result of the artisan’s state of mind, which is free from dualistic man-made rules.” —Bernard Leach (1887–1979)
Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions.
Inaugurating our new space at 1639 Market Street, Nathan Lynch will present a series of ceramic work which, like the gallery itself, recalls the past while grappling with an unsure future.
Motivated at first as homage to his late teacher Ken Price, Nathan Lynch’s abstract ceramic and wood sculptures make physical the difference between what we want and what we get. The work consists of abstract “blobjects” that appear to slump, sag, burst, drip, and ooze off of their platforms. Like a 4-day old helium balloon that is neither all the way up nor completely down, the forms hover in the layered emotions between elation, confusion, and disaster, suggesting the potential futility in even our best efforts.
Cross MacKenzie Gallery is pleased to present “SCORES” an exhibition of new ceramic sculpture and photographs by three artists whose work is based on repeating dozens or “scores” of elements to create something greater than the sum of their individual parts. Each artist’s work is full of repetitions, multiples, and variations of a seemingly simple form, built up to a greater whole, creating order out of disorder. Together, the pieces are in conversation with one another.
"I fell in love with both the material and the vessel as a magical form; but it was a long time before I realised how I wanted to use it… I was seduced by the alchemy of change where you take a material…and it is transmogrified into something else."
Born in Staffordshire in 1934, Henderson became interested in painting and sculpture while working for a timber company in Cardiff and started attending evening classes at the local art school. In 1964 Henderson began a foundation course at Goldsmiths College in London where he first encountered clay. Later he would study ceramics under, among others, Hans Coper and Lucie Rie, at the Camberwell School of Art. But he always made time to draw and paint. He graduated in 1968 and continued his studies at Edinburgh College of Art before returning to London.
Edmund de Waal: Atmosphere / Turner Contemporary, Margate, Kent March 29, 2014 - February 8, 2015
Edmund de Waal: Atmosphere presents a new installation by the renowned ceramic artist and author. De Waal, who grew up in Canterbury and is best known for his large installations of porcelain vessels and the international bestselling book Hare with the Amber Eyes, showcases a major new commission for Turner Contemporary’s Sunley Gallery. This is the third commission produced for the Sunley Gallery following those by Maria Nepomuceno in 2012 and Daniel Buren in 2011.
State of Flux / An Talla Solais, Ullapool, Scotland April 17 - June 1, 2014
Featuring work by: Edina Andrási, Artúr van Balen, Fiona Byrne Sutton, Melanie Davies, Sinéad Dunn, Morgane Deffense, Tilly Gifford, Nicola Henderson, Kevin Morris, Emma Pratt, Ester Svensson. Curated by Kevin Morris and Fergus Stewart.
Anna Maria Maiolino. Between Senses / Hauser & Wirth, New York May 7 – June 21, 2014
Anna Maria Maiolino is one of the most significant artists working in Brazil today. In a career spanning five decades and a diversity of disciplines and mediums, ranging from drawing, sculpture, and artist books to video and performance, she expresses through her art a bottomless concern with creative and destructive processes and, above all, the never-ending search for identity. Maiolino’s multidisciplinary practice has consistently explored the viscerality of embodied experience – often obliquely through fragmentation and abstraction – and engaged the human body’s processes as analogs for both the making of art and the making of modernity. As an immigrant coming of age in politically unstable Brazil, Maiolino has perfected a dialogue between opposite yet complementary categories in a practice that dissolves dichotomies of inner and outer, self and other. Hers is an art in search of a new language for the liminal realm of daily human existence.
Annabeth Rosen / Ventana244, Brooklyn May 2 – June 14, 2014
Ventana 244 is pleased to present new work by Annabeth Rosen, who will be showing a group of pieces developed over the last few years - lumpen forms with rich, densely packed and cracked molten surfaces. The shapes and surfaces seem to have emerged from the natural world and are described in her words as “…reduced in scale into concentrated simple forms… Heaps or hives or nests, sometimes with a human interference, formed by an intensive, focused energy. Against the weight and the impervious nature of fired ceramics, they seem to be in flux, slowly heaving and settling. Unsure if the works are found or formed… they infer yielding and resistance, thoughtfulness and recklessness…”
Beverly Mayeri is a studio artist living in the Bay Area with over 30 years experience as an established ceramic sculptor. She earned a BA from the University of California, Berkeley, and an MA in sculpture at San Francisco State University.
Mayeri works with refined and elegant heads and figures often using meticulously patterned details that allude to the inner life of emotions, thoughts and human frailties. The pieces are painted in washes of acrylic paint. Mayeri’s figures “evoke a richly complicated human presence,”and often “bridge the psychological, the political and the sensuous within one hybrid form.”