Anders Ruhwald: Almost Everything / Harrison Gallery
Danish-born artist Anders Ruhwald makes art that is “a meditation on utility, the history of ceramics and object-hood”. Almost Everything was created in 2009 and has been exhibited at galleries in five European countries before making its United States debut at The Clay Studio.
Yeesookyung: The Meaning of Time / Locks Gallery, Philadelphia February 7 - March 15, 2014
Locks Gallery is pleased to present The Meaning of Time, the first solo exhibition in the United States by the Korean artist Yeesookyung, on view February 7 through March 15, 2014. This exhibition is intended to be a contemporary perspective in dialogue with the nationally touring exhibition of Korean Joseon Dynasty artifacts that will be on view at the Philadelphia Museum of Art on March 2, 2014.
Simon Fujiwara’s Rebekkah was recently purchased for Leeds Art Gallery through the Contemporary Art Society Collections Committee. Established in 2012, the committee selects and buys works by early and mid-career artists to gift to regional museums across the UK.
Rebekkah is inspired by a 16 year old girl from Hackney, Rebekkah, who was one of the protagonists of the 2011 London Riots. Rebekkah was asked by Fujiwara to travel to China to take part in a unique social experiment, where her access to social media was restricted and she visited factories manufacturing the objects she aspired to own and took for granted (fashion clothing, mobile phones, flat-screen TVs). The trip culminated with a viewing of the Terracotta Army, after which Rebekkah was taken to a factory where casts were made of her body to be assembled into modern day versions of the warriors.
Clara Garesio: Desired lands / Linee Contemporanee, Salerno, Italy January 24 - February 15, 2014
"Giving a definition of the work by Clara Garesio is fortunately impossible, since it moves beyond stereotypes or fashions. Indulges in an impulse, driven by the need to communicate their feelings, here and now , it relies on the uncertainty of the fire, as in a trance track marks in a game of bold geometric shapes and colors of scanned drunkenness explosive , eagerly awaiting the result and awe , because – as the artist says - every piece is the battle between my mind and the material that I use , and sometimes losing is just as wonderful."
Earthen Bodies: Ceramics as Sculptural Form / Slocumb Galleries, Johnson City, Tennessee January 21 - February 14, 2014
The ETSU Department of Art & Design and Slocumb Galleries in partnershp with the Urban Redevelopment Alliance present “Earthen Bodies: Ceramics as Sculptural Form” from January 21 to February 14, at the Tipton Gallery.
Most often, ceramics is associated with vessels and utilitarian objects, and has provided an excellent array of functional forms overshadowing its aspect as equally remarkable medium for other sculptural configurations.
Being Here & Being Thus. Sculpture, Object & Stage / Frankfurter Kunstverein, Frankfurt January 23 - April 13, 2014
Opening reception: Thursday, January 23, 2014, from 8 pm.
The world of things seems to be dissolving. Due to digitalization, our living environment is rapidly becoming more and more immaterial—despite the unlimited amount of consumer items that we encounter on a daily basis. At the same time, it is possible to observe a growing interest in the lost and changing materiality of the world around us. Recently the cultural and social sciences announced a “material turn.” One is discovering the material aspects of knowledge production and social practices as well as the material aspects of communication processes and aesthetic production.
In the first U.S. exhibition of her one-of-a-kind Meissen sculptures, Arlene Shechet presents works she produced during a recent artist residency at the world-renowned German porcelain manufacturer. Arlene Shechet: Meissen Recast is a two-part exhibition on view at the RISD Museum from January 17 to July 6, 2014.