contemporary

David Claerbout. the time that remains / Parasol unit, London

David Claerbout. the time that remains exhibition Parasol unit foundation for contemporary art, London

David Claerbout. the time that remains / Parasol unit foundation for contemporary art, London
May 30 – August 10, 2012

Preview: 30 May 2012, 6.30 – 9 pm.

On 30 May 2012, Parasol unit foundation for contemporary art will preview a solo exhibition dedicated to the filmic works of the Belgian artist David Claerbout. The exhibition features works spanning Claerbout’s practice from 2000 to the present. The time that remains will be the artist’s first solo exhibition in a London public gallery.

Claerbout situates his striking work between the complex worlds of digital photography and film, investigating this intermediate area in concise and thought-provoking installations. Claerbout’s films often depict everyday activities or events, which once digitally manipulated negate the linear passage of time. His work questions the viewer’s conventional ideas of time and narrative processes.

Filmed in a house designed by contemporary architect Rem Koolhaas and using the same episode shot at ten-minute intervals from 5:30 a.m. to 10 p.m., Bordeaux Piece, 2004, lasts nearly fourteen hours. Three actors repeat flat dialogue and use dramatic gestures. They seem to be the protagonists of the work, but as time goes by the narrative slowly collapses into the movement of the sun and the changing light of day. A different sense of time is created and the protagonist is now the natural world. This work contains Claerbout’s first use of dialogue.

The Algiers’ Sections of a Happy Moment, 2008, is set on a small soccer pitch on a roof of the Algiers casbah. Young men, surrounded by a group of elderly people, pause in their game as one of the players feeds a flock of eager seagulls. The succession of images in this ‘happy moment’ provides a reflection on what Claerbout terms ‘the suspicious gaze’. The artist uses the passage of time as a tool for moderating that suspicious gaze, and more generally as a means of reconsidering what we see.

Set within the rigorous architecture of Skywood House, near Denham in the UK, Sunrise, 2009, takes the viewer into near-total darkness. The film depicts a nocturnal scene inside the villa, where a maid goes about her usual routine while the inhabitants sleep. The camera follows her through the course of her work and finally films her as she cycles home along a country road under the rising sun, accompanied by an imposing piece of music by Rachmaninov.

European Travellers: Art from Cluj Today / Kunsthalle, Budapest

European Travellers: Art from Cluj Today / Kunsthalle (Műcsarnok), Budapest, Hungary

European Travellers: Art from Cluj Today / Kunsthalle (Műcsarnok), Budapest, Hungary
April 19 - July 01, 2012

Cluj’s contemporary art has for years been the subject of special international attention. The term Cluj School in reference to new figurative painting – which appeared in the mid 2000s and has been the topic of debate ever since – and the Paintbrush Factory – which houses studios and independent cultural institutions – quickly became widely known in Europe. Of the Cluj artists, many have exhibited in such prestigious international venues as the Stedelijk Museum in Amsterdam, MoMA in New York, the Kunsthaus of Zurich, and the Neuer Berliner Kunstverein. Their works have been discussed in internationally significant publications and they have collaborated with distinguished galleries. The art institutions of Cluj have notable networks of international connections and continuously host prominent foreign experts.

Artists:
Marius Bercea, Zsolt Berszán, István Betuker, Mihuţ Boşcu, Răzvan Botiş, Mircea Cantor, Radu Comşa, Csaba Csiki, Duo van der Mixt, Oana Fărcaş, Adrian Ghenie, Simon Cantemir Hausi, Mihai Iepure Gorski, István László, Victor Man & Anna-Bella Papp, Szilárd Miklós, Dénes Miklósi, Alex Mirutziu, Nita Mocanu, Ciprian Mureşan, Cristian Opris, Cristi Pogacean, Victor Răcătău, Cristian Rusu, Şerban Savu, Leonardo Silaghi, Mircea Suciu, Péter Szabó, Sergiu Toma, Gabriela Vanga, Szabolcs Veres.

Curator: Judit Angel

The success story of Cluj is no overnight “miracle” however, as it is a continuously growing, multi-layered phenomenon. Its development and evolution have not only required exceptional artistic talent, inspiration and perhaps a bit of luck, but in the background, are also the result of mostly private initiatives, as well as an immense amount of work, an open attitude, persistence and conscious self-positioning on the part of independent art institutions.

The Műcsarnok exhibition aims to offer an authentic representation of the “Cluj phenomenon.” As a special point of interest, in addition to the artworks, the show also familiarizes viewers with the most important institutions of the local art scene, which are of many different types. These include centres that house contemporary art exhibitions and accommodate theatrical and dance productions, studios that experiment with digital media, publishing projects, as well as community and activist platforms. The University of Art and Design Cluj, with its strong emphasis on building international connections, also makes its appearance. The more than thirty artists and seventeen art groups and institutions that are featured in the exhibition have been selected with a focus on the – internationally also significant – developments in Cluj within the past decade.

Patricia Sannit: Aquaduct, 2010, 9”x22”x4”, cast found and reclaimed clays, slip and stain

Patricia Sannit: Aquaduct, 2010, 9”x22”x4”, cast found and reclaimed clays, slip and stain

Bente Skjøttgaard: The stones are put down at the ancient road Hærvejen, close to the village of Bække in Central Jutland, November 2010

Bente Skjøttgaard: The stones are put down at the ancient road Hærvejen, close to the village of Bække in Central Jutland, November 2010

Steve Belz: Emerging Tension, 2010, Low fire ceramic, slips, glazes, rubber cords and copper wires, 5H x 8W x 5D inches

Steve Belz: Emerging Tension, 2010, Low fire ceramic, slips, glazes, rubber cords and copper wires, 5H x 8W x 5D inches

Ruth Power: Bound breast (Cephalophilia), 2011, 43cm wide x 37cm long x 14cm deep; porcelain, LED light, cord, plug, wooden box with black paint and flocked interior.

Ruth Power: Bound breast (Cephalophilia), 2011, 43cm wide x 37cm long x 14cm deep; porcelain, LED light, cord, plug, wooden box with black paint and flocked interior.

Ruth Power: Masks (Cephalophilia), 2011, porcelain, wooden box with black paint and flocked interior.

Ruth Power: Masks (Cephalophilia), 2011, porcelain, wooden box with black paint and flocked interior.

Jenni Ward: Branch Series (installation), 2011, ceramic & high temperature, wire, variable dimensions

Jenni Ward: Branch Series (installation), 2011, ceramic & high temperature, wire, variable dimensions

Jenni Ward: Nest Series I, 2010, ceramic, 10” x 11” x 11”

Jenni Ward: Nest Series I, 2010, ceramic, 10” x 11” x 11”

Annie Woodford: Pointed Binder, 2009, Porcelain, nylon monofilament, 35x20x8 cm.

Annie Woodford: Pointed Binder, 2009, Porcelain, nylon monofilament, 35x20x8 cm.

Kimberly Cook: Divided Kingdom, variable, porcelain, copper, electrical wire, 2011

Kimberly Cook: Divided Kingdom, variable, porcelain, copper, electrical wire, 2011

Kimberly Cook: Trophy, detail

Kimberly Cook: Trophy, detail

Kimberly Cook: Harbinger, 17” x 10” x 4”, ceramic, mason stain, underglaze, gold luster, 2010

Kimberly Cook: Harbinger, 17” x 10” x 4”, ceramic, mason stain, underglaze, gold luster, 2010

MODERN TALKING, Museum of Art Cluj-Napoca, Romania

MODERN TALKING group exhibition, Museum of Art Cluj-Napoca, Romania

MODERN TALKING, Museum of Art Cluj-Napoca, Romania
February 15 - April 15, 2012

The Museum of Art in Cluj-Napoca is hosting the group exhibition entitled “Modern Talking”, featuring contemporary artists whose works are challenging the conventions of painting and its legacy. Through the work of the invited artists, the visitor will be able to re-conceptualize the traditional acception of painting, which is no longer restricted to the oil-on-canvas formula, but offers a multitude of other alternatives. Fabric, metal, found objects, conceptual statements, flamboyant actions, installations and sculptures, all of these are putting forward an extended understanding of the medium; today, painting is expanded, painting is overall.

Artists:
Sonia Almeida (PT); Mark Barrow (US); Baldur Geir Bragason (IS); Vittorio Brodmann (CH); Ana Cardoso (PT); Aline Cautis (US); Radu Comşa (RO); Ann Craven (US); Francesca DiMattio (US); Ida Ekblad (NO); Enzo Giordano (IT); Heather Guertin (US); Davíð Örn Halldórsson (IS); Ingunn Fjóla Ingþórsdóttir (IS); Jacob Kassay (US); Gilda Mautone (IT); Florin Maxa (RO); Dan Măciucă (RO); Elizabeth Neel (US); Ylva Ogland (SE); Paloma Presents [Urs Zahn & Roman Gysin] (CH); Zak Prekop (US); Jo Robertson (UK); Małgorzata Szymankiewicz (PL); Patricia Treib (US); Daniel Turner (US); Garth Weiser (US).

Special project by Sarah Ortmeyer (DE).

Organizers: Nicola Trezzi and Daria D. Pervain, in collaboration with Ewa Gorządek, Helena Kontova, and Giancarlo Politi.

Debra Fleury: Ice, 2011. Dark Stoneware, Porcelain and glass. Fired to cone 6 (neutral atmosphere), (wall installation). Dimensions variable, average size per individual piece is approximately 5 cm x 5 cm x  7 cm

Debra Fleury: Ice, 2011. Dark Stoneware, Porcelain and glass. Fired to cone 6 (neutral atmosphere), (wall installation). Dimensions variable, average size per individual piece is approximately 5 cm x 5 cm x  7 cm