SEATS 05: Sibylle Stoeckli, Christian Horisberger, Enzo Mari / Depot Basel, Switzerland

SEATS 05: Sibylle Stoeckli, Christian Horisberger, Enzo Mari at Depot Basel, Switzerland

SEATS 05: Sibylle Stoeckli, Christian Horisberger, Enzo Mari / Depot Basel, Switzerland
March 24 - May 6, 2012

On the 23rd March (17-20 pm), Depot Basel will opened its doors at their residence in Basel once again.

Depot Basel takes on the topic of SEATS for the prelude of the 2012 season. A regular chair consists of four legs and a backrest, however, according to demands, a chair can also have three legs, diverse dimensions, shapes and outlines. We will take a close look at the past, present and future – of how chairs take shape and how they have changed with time.

Sibylle Stoeckli and Christian Horisberger will re-interpret Enzo Mari’s “Do It Yourself” chairs from 1974. The workshop will be put into practice at Depot Basel together with the School of Design Basel – Renata Borer and Kuno Nussli.

The project “Take a seat” initiated by AEKAE for “Café Z am Park” shows Horgen Glarus’ Classic 1-380 chair re-designed by various designers. Additionally, we show the favourite chairs of people from Basel.

In co-operation with the Czech design collective OKOLO we will present an illustrated selection of unusual seating in the history of Modern Design in the form of a limited edition publication.

Last but not least, the initiators of “Leuchtturm Kreative Wirtschaft” will round off our programme with the first talk of their new lecture series titled “MILK – Design dialogue #1” starting at 8 pm on Saturday, March 23.

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Liliana Folta

Liliana Folta Contemporary Latin American Ceramics

Liliana Folta's profile on Ceramics Now Magazine - View her works

“The potential ability of the imagination has an important impact in our lives.  Minds have visual images that we collect through our lives.

These inner-images that represent my works are examinations of my existence. However, in this bank of memories I cherish every possible emotion; happiness, growing pains, family loss, first love, motherhood, sexuality, multicultural experiences, frustration, social-political issues and most importantly the celebration of life.

As an artist I like to work with different mediums, especially ceramics and acrylic paintings. Lately I have been experimenting with ceramic installations and mixed media. The freedom of expanding my work in another dimension makes me feel more connected with the viewers.
The process of my work mostly is very spontaneous. The rest comes along with what my subconscious has been saving in my bank of memories, throughout my life and the happening of the moment.” Liliana Folta

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Liliana Folta: An Abstract Poem of Freedom, 2009, (on going) traveling/interaction/installation: ceramic chain, bullets & bowl; white gesso, ink, wooden chair, white sheets, rug, soldier boots, paper, high temp wire, 3x7x2 ft.

Liliana Folta: An Abstract Poem of Freedom, 2009, (on going) traveling/interaction/installation: ceramic chain, bullets & bowl; white gesso, ink, wooden chair, white sheets, rug, soldier boots, paper, high temp wire, 3x7x2 ft.

Liliana Folta: An Abstract Poem of Freedom, detail 2. The ceramic bullets are signed by soldiers, veterans, and/or their families from different wars throughout history: WWI, WWII, Vietnam War, Islas Malvinas War, etc.

Liliana Folta: An Abstract Poem of Freedom, detail 2. The ceramic bullets are signed by soldiers, veterans, and/or their families from different wars throughout history: WWI, WWII, Vietnam War, Islas Malvinas War, etc.

Liliana Folta: Oíd el Ruido de Rotas Cadenas (Hear the Sounds of Broken Chains), 2010, Installation for the 1st Biennial of the Americas, unglazed ceramic chains, cotton canvas chains, wood, mirror, iron, high temp wire, 13ft. x 56in Diam.

Liliana Folta: Oíd el Ruido de Rotas Cadenas (Hear the Sounds of Broken Chains), 2010, Installation for the 1st Biennial of the Americas, unglazed ceramic chains, cotton canvas chains, wood, mirror, iron, high temp wire, 13ft. x 56in Diam.

Liliana Folta: Inhale-Exhale-Explode, 2009/10, ceramic installation, oxides, glazes, wood, high temp wire, 14x12x4in (each)

Liliana Folta: Inhale-Exhale-Explode, 2009/10, ceramic installation, oxides, glazes, wood, high temp wire, 14x12x4in (each)

Galerie Besson, Retrospective of a lifelong passion / Officine Saffi, Milan, Italy

Galerie Besson, Retrospective of a lifelong passion at Officine Saffi, Milan, Italy

Galerie Besson, Retrospective of a lifelong passion / Officine Saffi, Milan, Italy
March 22 - May 21, 2012

After the closure of the historic London gallery, Officine Saffi presents an exclusive anthology of the collection in a group show from March 22 to May 21, 2012. This exhibition is a tribute by Officine Saffi to Anita Besson, her inspiration and work, in the form of a retrospective exhibition of her collection.

The exhibition provides an opportunity to see art ceramic works by some important and influential international artists: Lucie Rie, Hans Coper, Claudi Casanovas and Jennifer Lee, alongside pieces by three Italian artists, Lucio Fontana, Nanni Valentini and Carlo Zauli.

Galerie Besson was founded in London in 1988, and it rapidly became an international point of reference for the greatest ceramic artists, hosting over 150 exhibitions featuring artists from all over the world.

Officine Saffi is an exhibition space in central Milan, very close to Santa Maria delle Grazie and Leonardo da Vinci’s Last Supper. The gallery is dedicated to all aspects of ceramics. As well as the exhibition space, there is a workshop complete with kilns, wheels and all other equipment needed for ceramics, including high-temperature processes. The ceramics magazine La ceramica in Italia e nel mondo, the only publication of this type in Italy, also has its editorial office at the location.

Anita Besson will be present at Officine Saffi for the opening, which will be held on Thursday, 22 March 2012 at 6.00 pm (Entrance by invitation only).

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Andrew Barton: Final Frontier / SODA, Istanbul, Turkey

Andrew Barton: Final Frontier exhibition at SODA Gallery, Istanbul, Turkey

Andrew Barton: Final Frontier / SODA, Istanbul, Turkey
March 1 - April 14, 2012

SODA is pleased to announce “Final Frontier”, the first solo show of internationally renowned sculptor Andrew Barton. The exhibit consists of space helmets from three major religions. The expanse of religion to our final frontier, space. Expressing a dystopian future of possible religious conflict in the heavens.

Andrew Barton was born in 1970 London, England. MFA from The Oslo National Academy of the Arts (KHiO).
Male fertility, non-loving sex, violence and cannibalism were reoccurring themes in Barton`s work from the end of the 90`s. Barton`s work then took a new direction focusing on the torso or body fragment in combination with a foreign object or abstract shape, dealing with bodily transformations and meditative states of being. His current work deals with industrial products from dystopian futures; space helmets designed for religious expansion in space, and bomb suits tailored for the mundane acts of shopping and child`s play in a future society gone bad.

SODA is a contemporary art and design space founded in Istanbul in January 2010. SODA focuses on artists and designers using different materials and medias from various disciplines and supports contemporary art jewellery, which is a globally rising trend. SODA presents artists and designers distinctive in their field and examples of contemporary movements to audiences that are open to innovation and aims to introduce a new perspective to collectors.

Gallery Hours: Monday to Saturday between 11am and 7pm.

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