Galerie Perrotin, Hong Kong, is pleased to present “Fireworks” by Johan Creten. Born in Sint-Truiden, Belgium, Creten has been working on the move for 25 years, from Mexico to Rome, from Miami to Amsterdam. He currently lives in Paris, France, but the sculptures exhibited in Hong Kong have been specially made during the past two years at Struktuur 68 in Den Haag, the Netherlands.
Animals have been used in stories as metaphors and analogues for human experiences and feelings for ages. Their representations are a source of comfort, protection, wisdom, tragedy, and sorrow. In reality, we manipulate, control, use, and abuse these very same animals for our own benefit. The sculptures I create stem from this dichotomy.
This series focuses on specific issues we learn about when we are children, and how we react to these same issues as we age based on the way we were taught. Some of the issues I have explored within this series are gender roles, sexuality, and women’s rights.
Children are like sponges and what we learn or are exposed to will effect our ideas as adults, sometimes in rejection of but usually in adherence to the ideals we were taught. The children I sculpt are often pensive or somber and confront the viewer with their gaze. Their expressions are captured in a psychological portrait that solemnly expresses the enormity of their journey ahead.
I have developed a process utilizing my knowledge of various casting methods and glaze, chemistry to create forms made entirely glaze. The color and texture is appealing and repulsive at the same time. When viewed through a magnifying glass the surface resembles Scanning Electron Micrographs of cancer cells. The fragile and fleeting appearance of these pieces symbolizes the transient nature of human life. This series of glaze, casted hands represent the genetic passing of disease from generation to generation. It is my fear that my family’s history with cancer is somehow genetic.
Vessels is a collection of work that explores the idea of vessels, both as containers and as metaphors for people and their emotions. My artwork is often about thinking and reflecting – in this case, investigating the different meanings and connotations of vessels. For example, I am interested in the psychoanalytic idea of caregivers as emotional containers, who can hold and re-interpret strong feelings. I am also fascinated by alchemy and particularly the use of vessels in alchemy as sites of transformation.
Alexandra Lerman: Immediate Release / Tina Kim Gallery, New York May 1 - June 28, 2014
Tina Kim Gallery is pleased to present Alexandra Lerman’s first solo exhibition, Immediate Release.
A coincidence of the calendar becomes a critical frame. The first of May commemorates May Day, an ancient folk festival meant to awaken the wintering body through conviviality, dance, and song, also, International Workers’ Day, the 20th century’s concession to the solidarity of laboring bodies in almost every country of the world. The 1st of May saw the opening of Immediate Release, the new exhibition of multi-media artist Alexandra Lerman.
Almine Rech Gallery is pleased to announce ‘The Lovers’, the first solo exhibition by William J. O’Brien in France.
Prior to a major survey exhibition of the young American artist at the Museum of Contemporary Art in Chicago, this exhibition brings together a series of ceramic sculptures made between 2008 and 2013, and a series of new works on paper. This exhibition reflects the diversity of mediums and themes found in O’Brien’s work for almost ten years.
Yeesookyung: The Meaning of Time / Locks Gallery, Philadelphia February 7 - March 15, 2014
Locks Gallery is pleased to present The Meaning of Time, the first solo exhibition in the United States by the Korean artist Yeesookyung, on view February 7 through March 15, 2014. This exhibition is intended to be a contemporary perspective in dialogue with the nationally touring exhibition of Korean Joseon Dynasty artifacts that will be on view at the Philadelphia Museum of Art on March 2, 2014.