Interview by Vasi Hîrdo for Ceramics Now Magazine - Issue Two
You hold functions such as curator, associate editor and columnist for different magazines, and you recently initiated a contemporary art platform titled Anti-Utopias. Since you don’t have any formal art education, how did you become interested in contemporary art?
Art has always been one of my main interests, ever since I was a kid, and though I did not follow any formal art education, I did follow an MA in philosophy and culture where some of the major topics we discussed have been Art, Institutions and Cultural Policies, The Artist’s Statute in Post-Modern Culture, or Contemporary Perspectives Upon Culture. I also follow a PhD with a thesis on the future of museums, in terms of art, policies, architecture. Throughout the years I’ve kept a close contact with art in my readings and references, and I think coming from the “outside” is actually an advantage because it allows me to view art in a broader context and integrate its discourse differently. At the same time, I am also aware of the two perils with philosophers discussing art: on the one hand, they run the risk of subsuming art to a philosophical speech; on the other hand, they can feed art with concepts that only deepen the dilemmas of contemporary art and thus contribute to its fractures. When I started Anti-Utopias, my main concern was to create a thematic platform bearing in mind these two perils precisely, but also the theoretical abundance where art in general claims itself from.