Kira O’Brien: The Sleepers, 2011, white earthenware, black and colored slips, 1150 transparent glaze, 14cm
Kira O’Brien: The Meeting, 2011, white earthenware, black and colored slips, 1150 transparent glaze, 12x15x26cm
Kira O’Brien: The Conversation, 2011, white earthenware, black and colored slips, 1150 transparent glaze, 24cm
Kira O’Brien: The Attic, 2011, white earthenware, black and colored slips, 1150 transparent glaze, 40x8x8cm
Kira O’Brien: Onlooker, 2011, white earthenware, black and colored slips, 1150 transparent glaze, 35cm
Kira O’Brien: Bound, 2011, white earthenware, black and colored slips, 1150 transparent glaze, 34x10x10cm
Kira O’Brien: Blue Lady, 2011, Sgraffito, white earthenware, black and colored slips, 1150 transparent glaze, 40cm
Kira O’Brien: Anonymous, 2011, Sgraffito, white earthenware, black and colored slips, 1150 transparent glaze, 35cm
Kira O’Brien: Absent, 2011, white earthenware, black and colored slips, 1150 transparent glaze, 30x18x15cm
Kira O’Brien: The Night, 2011, Wall Platter, white earthenware, black and colored slips, 1150 transparent glaze, 35cm
Kira O’Brien: Apple, 2011, white earthenware, black and colored slips, 1150 transparent glaze, 20x8x12cm
Kwok-Pong Bobby Tso’s profile on Ceramics Now Magazine - View his works
“The concept of my recent work is about form, and it grows from my curiosity about space; it investigates the relationship between two objects and it questions how we should make the landscape to react to man-made object. In my work I aim to explore that joyful, interesting, and mysterious relationship between objects and to create compositions with complex configurations though simple and unexpected components.
It is my intention to trigger the viewer to look closer and rediscover the ordinary, yet unfamiliar relationships that exists everywhere within all objects and human beings. Through sensations, communication and exploration, both objects and humans are able to obtain appropriate space and attention. I hope my work is able to look into this perception of the relationships, but more importantly - to enrich this relationship and establish a sense of place.” Kwok-Pong Tso
Kwok-Pong ‘Bobby’ Tso: Kappa, Industrial landscape Series, 2010, White earthenware, underglazes, wood, hobby paper, metal, latex paint, enamel, H 12 1/4, W 15, D 13 1/2
Kwok-Pong ‘Bobby’ Tso: The View From Above Series No.2, Industrial landscape, 2012, White earthenware, cone 04 oxidation, sanded surface, plastic, metal, and wood, H 8, W 24, D 16
Kwok-Pong ‘Bobby’ Tso: Qoppa, Industrial landscape Series, 2011, White earthenware, wood, hobby paper, latex paint, H 18, W 20, D 15
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