Opening day of Ceramics Now Exhibition, Cluj-Napoca, Romania - December 6
Ceramics Now Exhibition, The Paintbrush Factory, Cluj-Napoca, Romania
December 9, 2011 - January 6, 2012
Ceramics Now Magazine has the pleasure to invite you to the first edition of Ceramics Now exhibition, held at the Paintbrush Factory, in Cluj-Napoca, Romania, from December 9, 2011 to January 6, 2012.
Opening reception on Friday, Dec 9, at 18:00.
The exhibition presents different approaches of contemporary ceramic art through the works of 15 artists from USA, Canada, United Kingdom, Italy, South Korea, Israel and Poland, and celebrates the launch of Ceramics Now Magazine’s first printed issue. The artists are also featured in the issue.
EXHIBITING ARTISTS: Chang Hyun Bang (SK), Antonella Cimatti (IT), Patrick Colhoun (UK), Carole Epp (CA), Simcha Even-Chen (IL), Shamai Gibsh (IL), Mark Goudy (US), Roxanne Jackson (US), Margrieta Jeltema (IT), Maciej Kasperski (PL), Jim Kraft (US), Cynthia Lahti (US), Claire Muckian (UK), Connie Norman (US), Liza Riddle (US).
The Paintbrush Factory (third floor)
Henri Barbusse nr. 59-61
Open Monday-Saturday, 14-20 pm, closed on Sundays, Christmas (Dec 24, 25, 26) and New Year (Dec 31, Jan 1). Free admission. With the kind support of SABOT Gallery and the Paintbrush Factory.
Media partners: Euronews, Art-Agenda, Radio Romania Cultural, TVR Cultural, RFI, ArtClue, Modernism, Slicker, Neaparat, ArtAct Magazine, Vernisaje.com, Zile si Nopti, 24FUN, Citynews, Ziua de Cluj, NCN, alternativ.ro, Welcome 2 Cluj, Evenimente in Cluj, QBOX.
Tel. +4 0748 311 663
On the eve of a major retrospective at Tate Modern, Gerhard Richter talks about his life and work with Nicholas Serota, Director of Tate. / 11.10.2011
Gerhard Richter: Panorama, Tate Modern
6 October 2011 – 8 January 2012
Spanning nearly five decades, and coinciding with the artist’s 80th birthday, Gerhard Richter: Panorama is a major retrospective exhibition that groups together significant moments of his remarkable career.
Since the 1960s, Gerhard Richter has immersed himself in a rich and varied exploration of painting. Gerhard Richter: Panorama highlights the full extent of the artist’s work, which has encompassed a diverse range of techniques and ideas. It includes realist paintings based on photographs, colourful gestural abstractions such as the squeegee paintings, portraits, subtle landscapes and history paintings.
Baldwin / Guggisberg, Beyond Glass and 20th Century Venetian Glass - Exhibitions at Ariana Museum, Geneva
Baldwin / Guggisberg, Beyond Glass Exhibition - Ariana Museum, Geneva
13 October 2011 - 25 March 2012
The internationally-renowned master glassmakers, Philip Baldwin and Monica Guggisberg have the techniques of glass to develop a fascinating aesthetic of forms and colors sublimated by a mastered articulation of light. The Musee Ariana is devoting a major exhibition to this artistic duo that explires their recent as well as earlier work in order to acknowledge a highly personal poetic universe combining two visions of an inner world.
20th Century Venetian Glass - a private Genevan collection
13 October 2011 - 8 April 2012
This Genevan collection brings together an ensemble of vases, bowls and dishes from the 1920s to the 1990s that illustrated the diversity and the quality of the Venetian glassmaking industry in the 20th century. The majority of the models presented were produces in their hundreds by the Murano glassblowers for companies such as Venini, Cappelin, Barovier, Martinuzzi, Seguso and Barbini. This multiplicity should not disguise the fact that all these pieces are unique.
And a gift from the Friends of the Musée Ariana:
an 18th century Nymphenburg porcelain rocaille pot-pouri vase
Musée Ariana - Musée suisse de la céramique et du verre
Avenue de la Paix 10
CH-1202 Geneva, Switzerland
Tel. +41(0)22 418 54 50
Fax. +41(0)22 418 54 51
DisGRAZIE by Bertozzi & Casoni, FaMa Gallery, Verona
1 October - 12 November 2011
Opening: Friday 30 September, hours 18.00-21.00
On 30th September 2011, from 6pm, FaMa Gallery in Verona holds the opening of the exhibition DisGRAZIE (DisGrace), an original exhibition project by Bertozzi & Casoni, who for the very first time will present a collection of new works investigating the relationship between art and nature and the expressive potential of matter in its multiple plastic and aesthetic meanings.
Through an experimental and conceptual reading of ceramic, a practice which has marked the research of the artists since 1980, the exhibition has two main sections:
The first consists of sods of earth containing different kinds of sedimentation, including waste and human and animal remains. These groups – where what we usually desire to remove has been buried -, are the humus prolifero from which sprout amazingly beautiful floral microcosms. The second section includes compressions of discarded waste recovered from the “rubbish dump” of the contemporary consumer society (tins, cans and scrap metal); from these heaps of waste emerge succulent plants, waterproof and robust enough to survive attack from the waste and to give it new vigour.
For the DisGrazie project at the FaMa Gallery, Bertozzi & Casoni “forge” an evocative and surreal setting in order to reveal the contradictions and chaos of postmodern life, addressing the recurring theme of vanitas with a unique, exuberant exhibition. All with the help of ceramic, a material that is fragile yet everlasting, which the artists manipulate in hybrid and polymorphous expressive ways with the strong desire to promote osmosis between art and life and to immortalise the transience of existence.
Notes on the artists:
Bertozzi & Casoni is a general partnership founded in 1980 in Imola. For thirty years artists have devoted themselves exclusively to ceramic as a possibility for painted sculpture, but in the second half of the 1990s a more conceptual aspect emerged in their work which would stimulate, towards the year 2000, a great turning point: Bertozzi & Casoni abandon the use of majolica to favour the use of ceramic materials of industrial origin. In 2004 they are invited to exhibit at the Tate in Liverpool (A Secret History of Clay) and in 2005 at the XIV Quadriennale in Rome. In 2007 they exhibit at Cà Pesaro, International Gallery of Modern Art in Venice, in 2008 at the Sforza Castle in Milan, in 2009 at the Italian Pavilion of the Venice Biennale, in 2010 at AVA All Visual Arts in London (Vanitas. The transience of Earthly Pleasures), at the Sperone Westwater Gallery in New York (Interval), at the Sperone Gallery in Sent and at the Arnaldo Pomodoro Foundation in Milan (Italian sculpture in the 21st century). In 2011 they exhibit at the Musée des Beaux Arts in Ajaccio (Réflection sur la mort) and are once again invited to the Italian Pavilion of the Venice Biennale.
Corso Cavour 25/27, 37121 Verona
Tel. +39 045 8030985
Fax +39 045 8011410
John Martin: APOCALYPSE exhibition, Opening 21 September at Tate Britain
John Martin (1789–1854) was a key figure in the nineteenth-century art world, renowned for his dramatic scenes of apocalyptic destruction and biblical disaster. While he was hugely popular, he remained something of an outsider, scorned by the art critics of his time.
Organised in partnership with the Laing, Newcastle, this major exhibition will be the first show dedicated to his paintings for over 30 years, and the largest display of his works seen in public since his death. Bringing together his most famous paintings from collections around the world, as well as previously unseen and newly-restored works, the exhibition will reassess this singular figure in art history, and reflect on the enduring influence of his apocalyptic art on painting, cinema and popular spectacle. The show will also examine how Martin’s populism fits into the story of British art, and how his work connects with the culture of today.
I’m Martin Myrone, the curator of the exhibition at Tate Britain, and I’ve been working on the show with the team here at Tate and our exhibition partners at the Laing Art Gallery, Newcastle and the Millennium Galleries, Sheffield for the last 2½ years on planning, researching, selecting and organising this exhibition. You may have seen the great version of the show which appeared at Newcastle and Sheffield earlier this year. The Tate show is even larger, with a total of over 120 works – major paintings, sketches and watercolours, and his mezzotints and engineering plans. This will be the biggest collection of his works ever seen, and a chance to reassess this fascinating and exciting nineteenth-century artist.
NURSE - A show of drawings and sculptures by Cynthia Lahti, PDX Contemporary Art
August 30, 2011 - October 1, 2011
“My goal is to create works of art that resonate with honesty and reflect the beauty and chaos of the world. My art is influenced by human artifacts from ancient times to the present, as well as by my personal experiences and emotions. Like the varied objects I draw on for inspiration—from 1940s knitting catalogs and outsider art, to Native American cedar carvings and Degas’ sculptures of dancers—my artworks force an explanation of reality and compel viewers to connect to a larger human experience. I work in various media, including drawing, collage, and sculpture.
Currently I am focusing on ceramic sculpture based on expressive images of the figure I find in a variety of source materials. There are so many figures out there in the world, wearing so many poses and costumes; I find those that resonate and interpret them in clay. Each sculpture expresses an intense inner psychological state, its surface effecting a fluctuating quality, part beautiful, part grotesque.” Cynthia Lahti
Hours: Tuesday - Saturday, 11 AM - 6 PM
Address: 925 NW Flanders, Portland, Oregon 97209
Overthrown: John Roloff, The Sea Within the Land/Laramide, Landscape Projection, Seascape Structure 31
Overthrown: Jeanne Quinn, You Are The Palace, You Are The Forest, 2011. Porcelain, glaze, lustre, wire, electrical hardware, and paint. Photo by Jeff Wells
Overthrown: Works by Del Harrow
- Wedgewood Black Hive/Hole, 2011. Slip-cast black porcelain.
- Links, 2011. Earthenware, glaze, and platinum luster.
- Copper Fade, 2011. Earthenware and glaze.
(photo by Jeff Wells)
Overthrown: Works by John Roloff and Jeanne Quinn