1. “Natural Great Piece” is an intricate, intimate, communal performance in the medium of clay. Like a dance or a concert, it is more overtly bound to time than most sculptural artwork, and it ends dissolved into the past.
2. Cybele Rowe and Lauren Ari make a large and detailed clay sculpture. It emerges from an improvisational score fed by their combined 60 years of art making experience. Passersby are invited to create self-portraits in clay to be incorporated into the artwork. Its surfaces become covered with these figures, which are painted with underglaze.
Ryan Blackwell: Mother’s Bad Dreams, 2011, Ceramic, Human Teeth, Resin, Metal, Wood 3 x 7 x 6 in.
Ryan Blackwell: Untitled (Red Rectangle), 2012, Table Top, Clay, Oil, Acrylic, Curtain Wire, 41 x 28 x 2 in.
Francesco Ardini: Porcelain Skin, 2012, Porcelain mixed with paper, Organic reagent, Plastic structure with tie rods, 1300°C
Ellen Schön: Vortex, 2012, Smoke-fired clay, 13” x 20” x 20”
Ellen Schön: Nargila Pod, 2011, Smoke-fired clay, 16.5” x 21” x 21”
Francesco Ardini: Bacteria Proliferation, 2012, Ceramic, Different glazes, Maximum D25 cm. each
Francesco Ardini: VASEBOOK (Communication), 2012, Ceramic, glazes, Tall H40,5 x D20,5 cm, Big H38,5 x D28 cm, Bowl H17 x D30,5 cm, Mini H9 x D15 cm.
David Gallagher: Out Of Place, 2012, Ceramic, Wood, Cement, Audio, Video, Interactive Digital Projection
David Gallagher is a ceramic artist from Philadelphia and completed his undergraduate work at the Tyler School of Art-Temple University. He is currently pursuing his Masters of Fine Arts at Kansas State University in Manhattan, Kansas.
“I work with clay to create an array of graceful, sensuous, organic forms. These pieces are made through a variety of hand-building methods such as slab-building, coiling, pinching, and forming with molds. Rarely relying on glaze, I use textures, stains, and colored clay to add visual and tactile interest. I am drawn toward neutral earth tones that complement rather than distract from my intricate sculptural vessels.
The curving lines and interplay of light and shadow in my work generate an illusion of movement, giving each piece an almost lifelike quality. A successful piece is one that begs to be touched as well as explored visually.” Elizabeth Shriver