Beverly Mayeri / Duane Reed Gallery, Saint Louis

Beverly Mayeri at Duane Reed Gallery, Saint Louis

Beverly Mayeri / Duane Reed Gallery, Saint Louis
April 11 - May 10, 2014

Beverly Mayeri is a studio artist living in the Bay Area with over 30 years experience as an established ceramic sculptor. She earned a BA from the University of California, Berkeley, and an MA in sculpture at San Francisco State University.

Mayeri works with refined and elegant heads and figures often using meticulously patterned details that allude to the inner life of emotions, thoughts and human frailties. The pieces are painted in washes of acrylic paint. Mayeri’s figures “evoke a richly complicated human presence,”and often “bridge the psychological, the political and the sensuous within one hybrid form.” Her work has been shown extensively in numerous museums and galleries, and is included in many public and private collections. She has received 2 NEA grants, and a Virginia Groot Grant, and has lectured and taught many workshops throughout the U.S.

Since its opening in 1994, the Duane Reed Gallery has represented and exhibited nationally recognized contemporary artists working in the fields of painting, photography, and sculpture. This program itself has been committed to showcasing innovative, established and emerging artists working both figuratively and abstractly in a variety of mediums that also include ceramics and glass. Works of gallery artists can be found in major public and private collections that include the Metropolitan Museum of Art, MOMA, The Museum of Arts and Design, Smithsonian Museum of American Art, Carnegie Museum, Philadelphia Museum, LA County Museum, Victoria and Albert, and the Musee des Arts Decoratifs, Paris, to name a few.

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Cindy Billingsley: On the prowl cheetahs, 2009, 15” x 22” x 22”, raku clay, hand built solid, hollowed for firing, low fired, cold finish acrylic and wax

Cindy Billingsley: On the prowl cheetahs, 2009, 15” x 22” x 22”, raku clay, hand built solid, hollowed for firing, low fired, cold finish acrylic and wax

Cindy Billingsley: Koala, 2007, 25” x 27”x 15”, raku clay, hand built solid, hollowed for firing, low fired, cold finish acrylic and wax

Cindy Billingsley: Koala, 2007, 25” x 27”x 15”, raku clay, hand built solid, hollowed for firing, low fired, cold finish acrylic and wax

Susan Meyer: Together, 2008, Laser cut acrylic, H-O scale figures, wood, video and sound, dimensions variable

Susan Meyer: Together, 2008, Laser cut acrylic, H-O scale figures, wood, video and sound, dimensions variable

Chris Riccardo

Chris Riccardo's profile on Ceramics Now Magazine - View his works

Chris Riccardo received his BFA in sculpture from the College of Fine Arts at Boston University.

In 1995, Chris opened his own commercial bronze casting foundry, RDK Studios in West Palm Beach, FL. A few years later, he began teaching figurative sculpture at the Armory Art Center. Shortly after he decided to sell his foundry and concentrate on his work and teaching. In 2007, Chris was named the Director of the Sculpture Department and Foundry Manager. He set up a small foundry at the Armory and began teaching the fine art of bronze casting.

For a number of year his work dealt with the figure in bronze.  Recently, he has started to work less in bronze and more in clay. His figures are one of a kind, fired clay with underglazes. For years his color palette was that of the limited bronze patina finishes. Working in clay has opened up new doors to his work with the unlimited color palette available with glazes.
He is currently represented by the Mindy Solomon gallery in St. Petersburg, FL.

“They point and laugh, tease and ridicule all the while unaware of the consequences.
As important as play is to our development as adults, what effect does play have on those who cannot participate in the traditional sense of the word?
Consequences comments on the epidemic of childhood obesity in our country and how the disease affects our children’s ability to play, leading to low-self esteem, inability to interact and work with others and possible future psychological abnormalities.
It is these abnormalities that have been the focus of my recent work, starting with my series entitled: Mugz: American Heroes. The pieces in Mugz are taken from police blotter mug shots and the accused crimes are woven into their portraits. Consequences takes this idea one step further and explores the idea of how these people end up in front of the authority’s camera.” Chris Riccardo

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