Barbara Fehrs: Four Tumblers
“I am inspired by the urban landscapes around me, the architecture of the North and by the austere aesthetic of Flemish still-life. I like plain clay, monochrome compositions. I shape my pieces and accumulate them according to an imaginary plan, to create installations in search of the perfect balance.
I have a feeling for everyday objects, for the physical relationship we have with them (the closeness we have to them) for the way they wear out.
My work on pans enable me to confront the apparent solidity of the piece which hits the collective subconscious, with the fragility of clay.” Virginie Besengez
Virginie Besengez draws her inspiration from nature. She is interested in the movement, repetition in the landscapes that are constantly changing with the wind and the light. ‘Like a photographer I would like to capture a moment in time by creating forms and curves similar to those found in nature. The texture of the surfaces of my vessels achieved by polishing, grinding and also raku firing is very important to me.’
“I divide my time between teaching and working in my studio. I am a teacher and I’ve emphasised on texile and history in my profession. I believe my current works are inspired by and reflect my educational backdrop. My objects often carry a historical and ethnical connotation.
My inspirations are gathered from all over; my environment, the newspapers, books, fashion and the people around me. My students too are a source of inspiration because of their joyful and ingenuous worldview.
As a ceramist I have specialised in casted forms and the recycling of glass. I especially use old bottles, for which I create a new context and give a new usage. The glides is a design serie I’ve been developing the last few years. I gather their basic structure from gutter- and drainpipes. The serie consists of cups, small containers, candleholders and wall/table vases in various forms and sizes.” Guðný Hafsteinsdóttir
“Guðný Hafsteinsdóttir is a ceramic artist whose medium is not limited to clay. As her works show, her background is first and foremost Icelandic, but in addition to her studies at the Icelandic School of Art and Craft, Guðný has also studied and experienced ceramics in Denmark, Finland and Hungary.
Iceland has a great story-telling tradition and the works of Icelandic artists are often characterised by story-telling features. This also applies to Guðný’s work. Motifs of ancient traditional beliefs are reborn in her beautifully formed freedom stones. Such stones were traditionally used to help women during childbirth. Poems sometimes accompany her works, which make them more personal and add a level of sincerity. Heads of characters from the Viking era appear from glass bottles that have been given a new costume, and in similar works, Guðný flies the flag for Icelandic women. Contemporary recycling gets a new role through Guðný’s works.
But the feeling is far from one where the weight of history rests on the works. On the contrary, her newest works are characterised by lightness and gaiety. Guðný often looks to form in everyday life for inspiration for her craft works. So for example, roof gutters and raindrops are the inspiration for her newest line in cups, trays and breadboards. Here one can find both the form of raindrops and the colour of blue skies. Guðný’s work is characterised by imagination, variety, an awareness of the past and a sensitive perception of the present. Together, these qualities create colourful and thought-provoking art.” Ragna Sigurðardóttir
Ian Shelly: Pitcher