The Lattice receptacle series comprises artworks that use porcelain lattice structures as fundamental forms.
A piece is constructed by the accumulation of base units (cubic hollows), which are formed using a slip casting technique. From this production method of unit accumulation derives geometric and formative aesthetics that give space the capacity to exist in density. The internal space that is opened by the lattice structure becomes a device to receive light, and together with the permeability of porcelain it emphasizes the aspect of light and shadow.
Sakiyama Takayuki and Fukumoto Fuku / Joan B Mirviss, New York June 10 - August 22, 2014
Sakiyama Takayuki: Tidal Forms
Sakiyama Takayuki (b. 1958) continues to expound on his series: Chōtō - Listening to the Waves. Focusing now on the power of the ocean, the artist created these highly sculptural ceramic works to evoke the sublime nature of the waves and currents.
Sakiyama continues to mine the rugged coastline and beaches of his home on the Izu Peninsula for inspiration. The surfaces of his strikingly unique centrifugal forms give the appearance of having been made from sand. A special glaze that he developed highlights the intricate designs, which the artist achieves by carving the clay. Moving and receding across the surface, the texture also echoes raked Zen Gardens. These substantial double-walled vessels maintain true to their functional origins while conveying a highly sculptural quality.
In partnership with Keiko Gallery Written review of “Keiko Gallery” through interviews with represented Japanese artists who work in ceramics, lacquer, textiles and jewelry.
Keiko Gallery is one of the most appreciated art galleries in the United States that focuses on Japanese art, from ceramics to the innovative lacquer art, textiles, jewelry and painting. Founded in 2003 in Boston, MA, the gallery organized numerous exhibitions of world-recognized Japanese artists.
The special feature includes interviews with 10 artists represented by Keiko Gallery, and lots of images with their works. We took this opportunity because we want to introduce the Japanese contemporary art and craft to a larger audience around the world. It is an excellent chance for our readers to learn more from Japanese artists, to see how they think and how they imagine their works.
The feature was presented on Ceramics Now in October 2011, and was published in Ceramics Now Magazine - Issue One. Keiko Gallery has now closed its physical space in Boston and it is relocating all the activity online. The new email address is email@example.com
Above: Kentaro Kawabata, SOOS: Cao-Col, 2012, Porcelain, Silver, 25 x 18 x 40 cm.