
Artist Reception: April 7, 3 — 6 pm.
From its beginning, Keiko Gallery has been committed to introducing contemporary Japanese lacquer art to the American public. We are pleased to announce the first solo exhibition by a gifted young lacquer artist, MURATA Yoshihiko, whose work relies heavily on the external play of light and shadow. His recent lyrical Silhouette focus on anthropomorphic forms whose lines twist and turn, swell and fade, like the sounds from a musical instrument. Simple, exquisite and profound, they share much in common with the brief poetic form, haiku.
Among the increasing number of well trained and gifted young Japanese lacquer artists, each of whose work is idiosyncratic, Murata Yoshihiko’s work relies distinctively on the external play of light that creates silhouettes which extend his forms and flow indistinguishably from the sculptural pieces themselves into their shadows.
Like his slender anthropomorphic forms, his occasional use of the contrasting brilliance of raden (mother-of-pearl) reflects his early fascination with the elaborate hair ornaments (kanzashi) once worn by oiran,* the high ranking goddesses of Japan’s traditional entertainment world. When he was a student in lacquer at Kanazawa College of Art — a city once famous for its entertainment quarter — he first discovered images of these courtesans whose extravagant attire and richly ornamented hair styles had captured the imaginations of most artists of Ukiyoe, the paintings and wood block prints featuring the demimonde of the Floating World. In studying these images he realized that many of the hair ornaments suggested creature-like aspects. This resulted in his exploration of small sculptures that evoked creatures of the wild.
Murata currently lives in the rural part of Japan’s Toyama Prefecture which is famous for its natural beauty and a wide variety of wild life. His encounters with the animals continually inspires his recent sculpted silhouettes.
Fujita Toshiaki: Layered Form 1, 2004, Urushi, gold leaf, earth powder, 10” x 10” x 10” (h)
/ Keiko Gallery - Japanese artists
Fujita Toshiaki: Layered Form 5, 2004, Urushi, gold leaf, earth powder, 10” x 10” x 10”(h), Photo: Takahashi, Noboru
/ Keiko Gallery - Japanese artists
Hayashi Shigeki: KOZO, type R, 2010, Glazed porcelain, 26” (H) x 15” (w) x 14 1/2” (D)
/ Keiko Gallery - Japanese artists
Kawabata Kentaro: Untitled, 2006, Glazed clay, Photo by Taku Saiki.
/ Keiko Gallery - Japanese artists
Kawabata Kentaro: The Mouth is the gate of the Evil, 2005, Glazed clay, Photo by Taku Saiki.
/ Keiko Gallery - Japanese artists
Tanoue Shinya: KARA-10: Fu- b, 2010, Glazed clay, 9 1/2” x 12 1/2” x 9” (h)
/ Keiko Gallery - Japanese artists
Tanoue Shinya: KARA 09: Kan, 2009, Glazed clay, 22” x 22 3/4” x 22” (h)
/ Keiko Gallery - Japanese artists
Tanoue Shinya: KARA-10 : Fu-1, 2010, Glazed clay, 7” x 7” x 12 1/2”
/ Keiko Gallery - Japanese artists
Takeuchi Kouzo: Modern Remains, 2006, Glazed porcelain
/ Keiko Gallery - Japanese artists
Murata Yoshihiko: Silhouette 02, 2010, Maple wood, lacquer, 8” x 2 3/4” x 1 1/2”
/ Keiko Gallery - Japanese artists
Murata Yoshihiko: Ornamental Creature 07, 2008, Maple wood, lacquer, 4” x 4” x 3/4” each
/ Keiko Gallery - Japanese artists
Murata Yoshihiko: Ornamental Creature, 8, 2008, Maple wood, lacquer, abalone, 18 1/2” x 3 1/2” x 3/4”
/ Keiko Gallery - Japanese artists
Niisato Akio: Luminous Vessel, 2010, Glazed porcelain, 9” x 9” x 8 1/2”
/ Keiko Gallery - Japanese artists
Niisato Akio: Black Tea Bowl, 2011, Glazed porcelain, 5” x 5” x 3”
/ Keiko Gallery - Japanese artists
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