Ryan Blackwell: Untitled (Red Rectangle), details, 2012, Table Top, Clay, Oil, Acrylic, Curtain Wire, 41 x 28 x 2 in.
Ryan Blackwell: Untitled (Red Rectangle), 2012, Table Top, Clay, Oil, Acrylic, Curtain Wire, 41 x 28 x 2 in.
Ryan Blackwell: Untitled (White Shelf), 2012, Shelf, Clay, Oil, Acrylic, Resin, Wood Glue, Hardware, 43.25 x 10.25 x 2 in.
Melissa Stern: The Talking Cure / Smart Clothes Gallery, New York
Opening Reception: November 8, 6-9 PM.
Smart Clothes Gallery and its founder Paul Bridgewater are pleased to present “The Talking Cure,” by Melissa Stern, a multi-media art exhibition integrating sculpture, original contemporary literature, and audio technology.
The Talking Cure, takes its name from Sigmund Freud’s original description of psychoanalysis. The exhibition consists of twelve mixed material sculptures by Melissa Stern, each accompanied by an interactive audio track created by a literary collaborator. Stern asked twelve writers- poets, novelists, screenwriters, and playwrights- to each chose a sculpture to which they relate most intimately. Each has written his or her imagined monologue of the goings on in the sculpture’s mind. The written work was then transformed into audio recordings by actors. A QR tag accompanies each sculpture. When the viewer points a Smartphone, Blackberry or iPhone reading device at the QR tag it triggers audio to hear the inner voice of the sculpture.
“I have long been fascinated by what goes on in people’s minds when they look at art,” said Stern. “What stories do they tell themselves? What emotions and memories are triggered?” In this project we will have a chance to hear what others think goes on in the minds of these sculptural people. Viewers will also have the opportunity to record their own imagined interior monologue for each sculpture.
The exhibition will also feature twelve drawings to accompany the sculptures. These pieces address psychological states and experiences in a non- narrative, image based way. They are the dreams that accompany the sculptures.
David Gallagher: Inputs - Output, 2011, Handbuilt ceramics, mixed media
Bharti Kher / Parasol unit foundation for contemporary art, London
September 14 – November 11, 2012
Preview: 13 September 2012, 6.30 – 9 pm.
Parasol unit foundation for contemporary art is delighted to present works by Bharti Kher in her first solo exhibition held in a public art institution in London. The exhibition is composed of a selection of works from the recent past, with an emphasis on the artist’s sculptural works.
Known for her extensive use of everyday, found objects and imaginatively transforming their identity, Kher empowers her often otherworldly creations to present themselves unabashedly as if they were a natural part of our culture and environment. Kher’s work often explores the notion of the self as a multiple, open to interpretation and shape-shifting. Her art practice is intimately intertwined with her life, not only because she borrows motifs and artifacts for her work, but also because she has an inquisitive mind and a strong desire to understand sociological issues. Such characteristics endow Kher’s work with a narrative quality and fascinating interiority of things that frequently contradict her practice of addressing more global and collective concerns. This tension is precisely what leads us more deeply into Kher’s work and world and prompts us to reposition our own relationship to her individual pieces.
Kher is perhaps best known for her elaborate and stunning bindi dot paintings: abstract, swirling constellations of colourful bindis glued to flat surfaces that create unique imagery somewhere between being illusory and hyper-realistic. But in recent years her artistic creations have become increasingly bold and unrestrained, several examples of which are on show in the exhibition. The phenomenal, life-size elephant that is The skin speaks a language not its own, 2006, made of fibreglass and covered with serpent - or sperm-shaped white bindis, bears a symbolism that leaves viewers uncertain about the animal’s condition. The title of the work, always an important component of Kher’s works, suggests that physical appearance and inner values are often in conflict.
Jenni Ward is a sculptor, art instructor and owner of Earth Art Studio in Aptos CA. In 2005, she opened Earth Art Studio; a sculpture studio offering clay and mixed media sculpture classes and workshops for children, teens and adults. Throughout her teaching career she has worked extensively with many youth and senior art programs. She is also the creative engine behind the humanitarian group; HOPE Art which brings art to the youth of Haiti. In addition to teaching, she has been creating, showing and selling her own sculptures since graduating from University of Hartford-Hartford Art School with a Bachelor of Fine Arts degree in 1998. She exhibits her sculptures locally and nationally.
“My work focuses on how organic forms interact and engage with the space they encompass. I create abstract arrangements reflecting the biological world of seeds, pollens, bones, shells and entomology.
My pieces explore the tensions of opposing forces with results that evoke contrary feelings of unshackled captivity, organized randomness and the density of negative space. At times I work in multiples; the forms are often configured in simple geometric compositions to counter their organic nature. Using clay as my primary medium, I develop these pieces with commonalities of shape, color, texture and movement. The results are a series of work that strive to achieve a sense of beauty in their asymmetrical balance.” Jenni Ward
Melissa Stern: The Talking Cure / Fetherston Gallery, Seattle, USA
March 9 – April 7, 2012
Artist Reception: Thursday, March 29, 5.00 – 8.00 pm
The Fetherston Gallery is proud to present “The Talking Cure” exhibition, by New York artist Melissa Stern, a groundbreaking interactive art exhibition integrating sculpture, contemporary literature, online audio and Smartphone technology.
Smartphone Meets Sculpture
“The Talking Cure” exhibition consists of ten of Stern’s sculptures each accompanied by an interactive audio track created by one of ten literary collaborators. Stern’s sculptures, fabricated figures combining mixed materials and found objects, with deeply drawn surfaces, possess an abundance of personality. Stern has collaborated with ten contemporary writers - poets, novelist, screenwriters, and playwrights - to each choose a sculpture and write his or her monologue of the goings on in the sculpture’s mind. The monologues are transformed into audio recordings, stored “in the cloud,” and triggered via a QR tag imbedded in the sculpture. When the viewer points a Smartphone, Blackberry or I-Phone at the QR tag it will trigger audio to hear the inner voice of the sculpture.
Interactive Multimedia in the Manner of Sigmund Freud
The viewer will also have the opportunity to record his or her own imagined monologue for the sculpture. These recording will be available for playback, creating an added interactive dimension to the work. Viewers will be creators as well as receivers of the back-story for each sculpture; the exhibition takes its title from Sigmund Freud’s original name for the practice of psychoanalysis.
Melissa Stern has worked in both sculpture and drawings for over twenty years, living and exhibiting in California, Europe, and New York City. Her work is featured in a number of prominent corporate and museum collections including Dow Jones, JP Morgan, The Arkansas Art Center and the Kohler Corporation, where she was an artist-in-residence. She has also had residences at the Serenbe Institute outside of Atlanta Ga. and at The Washington School of Glass in Washington DC. Her artwork was has been featured in Trans- Ceramic Art, 500 Figures in Clay, and American Illustration 26 – The Best American Illustrations of 2007.
Annie Woodford: Slice, 2010, Porcelain nylon monofilament, 16x12x20cm.
Kwok-Pong ‘Bobby’ Tso: Kappa, Industrial landscape Series, 2010, White earthenware, underglazes, wood, hobby paper, metal, latex paint, enamel, H 12 1/4, W 15, D 13 1/2
Kwok-Pong ‘Bobby’ Tso: Qoppa, Industrial landscape Series, 2011, White earthenware, wood, hobby paper, latex paint, H 18, W 20, D 15