Dryden Wells: Movement Stack #6
Antonella Cimatti: Optical fibers #2
Antonella Cimatti: Optical Fibers Installation
Antonella Cimatti: Lampada 1 (optical fiber)
Cynthia Lahti: Vault Alarm
Ceramic sculptures on wooden base (created for the Bellevue Arts Museum Biennial 2010)
Cynthia Lahti: Pink Swimsuit
Cynthia Lahti: Puzzle
Carole Epp: Ass kissing angels
Carole Epp: Southern Ice Porcelain series #3
Carole Epp: One too many was never enough
Carole Epp: A successful merger
Grayson Perry (born in 1960) is an English artist, known mainly for his ceramic vases and cross-dressing. He works in several media. Perry’s vases have classical forms and are decorated in bright colours, depicting subjects at odds with their attractive appearance, e.g. child abuse and sado-masochism. There is a strong autobiographical element in his work, in which images of Perry as “Claire”, his female alter-ego, often appear. He was awarded the Turner Prize in 2003 for his ceramics, receiving the prize dressed as Claire.
Perry’s work refers to several ceramic traditions, including Greek pottery and folk art. He has said, “I like the whole iconography of pottery. It hasn’t got any big pretensions to being great public works of art, and no matter how brash a statement I make, on a pot it will always have certain humility… For me the shape has to be classical invisible: then you’ve got a base that people can understand”. His vessels are made by coiling, a traditional method. Most have a complex surface employing many techniques, including “glazing, incision, embossing, and the use of photographic transfers”, which requires several firings. To some he adds sprigs, little relief sculptures stuck to the surface. The high degree of skill required by his ceramics and their complexity distances them from craft pottery. It has been said that these methods are not used for decorative effect but to give meaning. Perry challenges the idea, implicit in the craft tradition, that pottery is merely decorative or utilitarian and cannot express ideas.