Join the annual Scandinavian Ceramics Conference in Hjørring, Denmark, for panels, lectures, exhibitions and demonstrations by outstanding ceramic artists and professionals from Scandinavia and around the world. Registration is available online.
Presenters: Karin Andersson, Stefan Andersson, Polly Beach, Clive Bowen, Nato Eristavi, Ann-Louise Gustafsson, Susanne Hangaard, Hbyba Harrabi, Janne Hieck, Ayumi Horie, Ane Fabricius, Anna Johansdottir, Henning Jørgensen, James Kasper, Michael Maguire, Susan Maguire, Gregory Hamilton Miller, Sheri O’Connor, Steve Mattison, Catherine Orrantia, Anders Ruhwald, Markus Rusch, Bernt Petersen, Waleed Qaisi.
▬ Ceramic Artist Residencies: Centers and Programs
What kind of opportunities are there for ceramic artists to work in new contexts around the world? How do we find these programs, and what can we access there? How do these ceramic work centers and institutions develop, how are they funded, and who do they provide resources for? How do artists apply for a residency, and what kind of projects get accepted? How can an artist residency fit with your career, whether you’re a student, young professlonal, or world renowned artist.
Mette Blum Marcher (DK), Steve Mattington (Hungary/Wales)
▬ Earthenware and slip
Earthenware clay is one of the most common minerals on earth, and can be found in almost every country in the world. In combination with other clay slip materials, and metal oxides, it makes up one of the most common material ranges of the ceramic pallet. During the conference, we’ll have presentations about English Slip Ware, Slip trailing in England and Japan, and different slip applications to Earthenware ranges. In addition, we’ll be discussing new developments in low temperature glazes that do and don’t contain lead, borate, and other low temperature fluxes, exploring the fit and fitness of these various glaze options.
Clive Bowen (UK), Waleed Qaisi (Iraq/Qatar)
▬ Trends in Scandinavian Ceramics
What’s happening now in Scandinavian Ceramics? Who are the emerging and expanding voices in the ceramic field, and what are they working on, and burning for? Where did they study, and how did they get moving in our field? Are you one of them? Would you like a place to tell about your work at ScanCeram? We’ve made one for you! If you’re a student or faculty in Ceramics, we’ve got special opportunities this year for you to present about your work, your school, or your institution. Together with the Vendsyssel Art Museum, we’ve also arranged our first museum level exhibition of NY NORDIC KERAMIK September 11th to October 21st, 2012, with an opening reception and gallery talks Friday, September 21st by involved artists, curators, and organizers.
Ane-Fabricius Christiansen (DK), Ann-Louise Gustafsson (SE), Susanne Hangaard (DK)
▬ Ceramic Institutions: Education
What kind of ceramic education institutions exist in the world today? In Germany, the Ceramic School in Landshut offers programs in apprenticeship, journeymen, and masters level ceramics, while still being engaged with studio art practices, an extension of a guild system. How does this compare with ceramic educations in the USA, which focus on Bachelor and MFA programs, or Australian ones, or those in for example, Georgia? Which of these educations are relevant for what career paths? What skills do they develop, what communities do they participate in and develop? How do these institutions collaborate with each other more broadly nationally and internationally?
Michael Maquire (USA), Nato Eristavi (Georgia), Sheri O’Connor (USA)
▬ Internet and Online Marketing
Should you be selling your work on Etsy? Do you have a commercial Facebook Site? Who do you follow on Twitter? And how do you get these activities to result in actual sales of your work? These, and many other important techniques for marketing your work and yourself online, are an important focus of this years conference. With experienced professionals presenting and leading the discussion, we’ll work up guidelines and suggestions for current activities, and try to anticipate future directions to move in. Beyond that, what are the minimal basic activities that we need to invest in to have a presence online, that is time and economically efficient.
Ayumi Horie (USA), Stefan Andersson (SE), Polly Beach (USA)