Susan Meyer: Shaft, detail, 2010, laser cut acrylic, H-O scale figures and aluminum, 50” x 14” x 14”
Modern Art Oxford presents Teacher of Dance, the first major UK exhibition of the Seoul- and Berlin-based artist Haegue Yang. Yang has developed a distinctive practice of colourful and sensorial installations and sculptures that seek to occupy the spaces where public and private meet and contend with one another. Through her work, Yang discloses narratives, individual portraits and her own sentiments, reflecting the balance of research and intuitive enquiry that underlies her practice. She predominantly uses materials drawn from the domestic realm, yet employs an abstract language to free the work from any narratives that influenced her production process. (via)
“In each stage of the processes of my creating, new ideas and concepts seem to reveal themselves, bringing a new life to my work. Working devoutly in clay, I continue to be challenged and seduced by the medium. The manipulation of the material is what excites me, whether I am working big or small, loosely or precisely.
Interior and exterior spaces are primary oppositions that I use in my work both formally and conceptually. Using animal forms as a subjects for my process and vehicles for my content, I am able to address these spaces literally and metaphorically. The animal form allows me to juxtapose other distinct opposites such as life and death, positive and negative. I feel that through this synthesis I am presenting questions and concerns which are not necessarily answered in the work.
Recently, I am interested in creating forms or sculptures through the use of multiples. The multiples I am using are specifically segments of animals made with both hand-built and mold made forms. By fragmenting and stacking them, I am trying to obscure the initial subject and capture the evidence of a space and motion. I work and build both intuitively and analytically in an attempt to contrast these formal characteristics and to push my concepts.” Dryden Wells
Dryden Wells, originally from St. Louis, Missouri, first completed a BFA in Ceramics and a BSED (K-12) at Missouri State University in Springfield, MO. In the Fall of 2005, Wells moved to Lubbock, Texas, to pursue an MFA degree in Ceramics at Texas Tech University, which he completed Spring of 2008. Wells, having previously been a resident artist at the Pottery Workshop: An Experimental Sculpture Factory in Jingdezhen, China, during the summers of 2006 and 2007, has recently been hired as the Design Studio Manager of The Pottery Workshop to assist in the maintenance and development of the Design Studio as well as to continue the development of his own work.
“My goal is to create works of art that resonate with honesty and reflect the beauty and chaos of the world. My art is influenced by human artifacts from ancient times to the present, as well as by my personal experiences and emotions. Like the varied objects I draw on for inspiration—from 1940s knitting catalogs and outsider art, to Native American cedar carvings and Degas’ sculptures of dancers—my artworks force an explanation of reality and compel viewers to connect to a larger human experience. I work in various media, including drawing, collage, and sculpture.
Currently I am focusing on ceramic sculpture based on expressive images of the figure I find in a variety of source materials. There are so many figures out there in the world, wearing so many poses and costumes; I find those that resonate and interpret them in clay. Each sculpture expresses an intense inner psychological state, its surface effecting a fluctuating quality, part beautiful, part grotesque.
I grew up in Portland, Oregon and continue to live and work here.” Cynthia Lahti
Georges Jeanclos: Le sacrifice d’Abraham
Georges Jeanclos: La Vierge et l’enfant
Georges Jeanclos: Arbre 106
Georges Jeanclos: Dormeurs 103
Georges Jeanclos: Jacob et l’ange 101
Georges Jeanclos: Etude 114