Georges Jeanclos: Dormeurs couple
Georges Jeanclos: Urne 11
Georges Jeanclos: Arbre Adam et Eve #2
Georges Jeanclos: Arbre Adam et Eve
Georges Jeanclos: Arrêtez
Georges Jeanclos: Bas Relief
Right now, on display at the Nancy Margolis Gallery are Eva Hild’s aluminum outdoor sculptures.
“Hild, known for her white and dark ethereal flowing ceramic forms, has ventured to another material and process. Hild’s new sculpture is made of aluminum, may be installed outdoors, is similar in design to her elegant white and dark sculpture, however the process is quite different.”
“Hild builds the initial model for the sculpture, and the skilled technicians at the foundry prepare the mold from the model. After the casting is completed it is coated with a sealer to protect the surface from erosion. Hild also has made very large scale public sculptures that are installed in Boras, Sweden where she lives and works, and in other locations in Sweden.”
~~ JJ (via)
Tim Andrews: Quills sculpture
Tribute to George Jeanclos - Clay and bronze
Georges Jeanclos (1933-1997) is one of France’s great twentieth-century sculptors. His œuvre is rooted in the traumatic events of the Second World War. To escape the round-ups that threatened French Jews, his family was forced to hide in the woods ; Jeanclos, barely ten at the time, had several close brushes with death. When the country was liberated, he saw the corpses of former collaborationists strung up from lampposts ; shortly thereafter, he discovered the skeletal bodies of camp survivors. Decades later, Jeanclos would respond to these seminal events : not by locking himself away in his own experience but by opening up to universality and paying attention to all forms of suffering, past and present ; not by representing horror, but by finding within himself the strength to create beauty.
Jeanclos’ choice medium was clay. He transformed it into thin sheets with which he then shaped human figures. Simultaneously children and adults, men and women, their faces are almost identical. Some are dormeurs resting beneath a coverlet of clay ; others are hidden within urns bearing Hebrew letters drawn from the Kaddish; others are boat travellers bound for the Beyond; still others are kamakuras, meditating bonzes lost in contemplation of the soul’s gardens. To all these, Jeanclos would later add Pietas, amorous Adams and Eves, couples tenderly grazing or stroking one another other. His images reveal both the undeniable weakness of human beings and the invincible strengh of love ; by the simple fact of their existence, they help us to live.
The present show consists of some sixty works in clay and bronze, representing all the periods of Jeanclos’ career. (Tzvetan Todorov)
Exhibition space: Grenier de Villâtre, 18330 Nançay, France
T.: +33.(0)18.104.22.168.22 / firstname.lastname@example.org / http://www.galerie-capazza.com/
Capazza Gallery, a superbly restored place of historic interest (from the XVIIth century), connected with the castle of Nançay, is located in the heart of the Sologne, about 90 minutes from Paris and close to the Loire Valley. In exceptional surroundings of 2000 m², you can admire the works of 80 artists with international reputation. These artist represent contemporary art in the most important fields of Fine Arts.
Georges Jeanclos' profile - View his works
Georges Jeanclos: Bas Relief
Interview with ceramic artist Cynthia Lahti - Spotlight- Recognized artist, April 2011
Cynthia Lahti: I am working on several ideas right now: people wearing disguises, busts of elegant women, and male/ female couples. These are all subjects that have always interested me but that I have never fully explored.
I am also continuing to use some of the broken piece from my discarded sculptures that I have saved. This idea started in 2010 with he creation of the sculpture Vault Alarm that was composed of broken sculptures. In my current exploration of this idea, I am experimenting with combining the broken pieces together to form a new figure. This idea came from realizing that when I destroying unsuccessful sculptures, body pieces that remained were often extremely interesting to me and I could not discard them. I am finally inspired to see how they look combined together and I have been very excited by the results.
Socks - View her works
In what technique do you usually work and what materials do you use?
I am focusing on hand-built ceramic sculptures of human and animal figure(s). I like to use a wide variety of clay bodies, my favorite being porcelain. I have used all types of firing techniques to achieve the final surface treatment on the pieces. I am most excited but the results I have been getting from cone 10 soda and salt firings and low fire raku.
What was the starting point in your investigation?
I start by finding images of figures that intrigue me in older books and magazine, I then do drawing of the images and finally sculptures, inspired by these drawings, are create out of clay.
My art is influenced by human artifacts from ancient times to the present, as well as by my personal experiences and emotions. Like the varied objects and images I draw on for inspiration - from 1940s knitting catalogs and outsider art, to Native American cedar carvings and Degas’ sculptures of dancers—my artworks force an explanation of reality and compel viewers to connect to a larger human experience. Currently I am focusing on ceramic sculpture based on expressive images of the figure I find in a variety of source materials.
“Forms are classical yet contemporary defined by crisp elegant lines and flowing shapes; inspired by ancient Greek pottery and Japanese as well as the art and architecture of South East Asia. The Highland landscape is a constant, ever changing influence in my work, drawing inspiration from the light, space and reflective qualities this vast landscape offers.
Contrast is an important aspect to my work the interplay between control and unpredictability, traditional and contemporary, solid but with a feeling of lightness. Despite these contrasting qualities I always aspire to create something that is both beautiful and complete. I enjoy the interplay of more organic and fortuitous surfaces applied to these controlled forms which create a distinct finish to the work. Work that combines ceramic and bronze materials provide an innovative exploration of the two mediums I am most passionate about. I am beginning to explore the experience of how a thrown form can then be adapted to become a piece of sculpture in its own right.” Daniel Kavanagh
Arlene Shechet: The Sound Of It
Arlene Shechet: Even and Perhaps Especially (detail)
Keith Schneider: Fernando (Figurative Sculpture)