William Holman Gallery is pleased to present Everyday Weapons by Gail Goldsmith and Times and Places by Richard Barnet, two concurrent solo exhibitions that are installed at the gallery through mid-March.
Featuring eight clay sculptures, Gail Goldsmith’s Everyday Weapons series reflects on death and mourning. Made in the aftermath of her husband’s suicide twenty-five years ago, the sculptures are cathartic, revealing how his death altered everyday objects in Goldsmith’s life. From a series of broken bottles to an ominous corkscrew lying next to a pair of women’s shoes, these quotidian objects reverberate with pain and anger, seeming ominous as thinly-veiled weapons. With the distance of time since their creation, Goldsmith has come to see these sculptures as theatrical; each work is an archetype, both personal and universal.
Anat Shiftan: Stilled Life / Vessels Gallery, Boston, USA May 4 – May 27, 2012
Vessels Gallery is pleased to present Stilled Life, a solo exhibition of the new ceramic work of Anat Shiftan. Born in Israel, and with a degree from Hebrew University in English Literature and Philosophy, Shiftan received her MFA in Ceramics from the Cranbrook Academy of Art and Design. In 2003, the artist joined the faculty at the State University of New York at New Paltz, School of Fine and Performing Arts, where she finds teaching essential to her creative process. She has participated in group exhibitions both nationally and internationally and was featured in the 3rd, 4th and 5th Biennale for Israeli Ceramicsas well as in the 4th Annual Jingdezhen Contemporary International Ceramics Exhibition, in Jingdezhen, China.
Shiftan is philosophically absorbed by nature and itsre-creation in art. She writes, “Looking at nature is a springboard for my artistic expression…” She is drawn in by the beauty of nature, the fluctuation between its symmetry and imbalance, its order and disarray. More importantly, however, she has become fascinated by the “packaging” of this nature as an art object throughout history. Shiftan is captivated by the human engagement with nature,by man’s desire to artistically capture what has been seen, andfinally by the process of doing it. This conversion from outside to inside, is just as much part of the subject matter as the clay itself.The artist works primarily in porcelain, and her pieces are markedly delicate and alluring, sometimes with sharp edges and coarse surfaces which may invite the viewer to look but not to touch.
Stilled Life continues Shiftan’s exploration of this dual role: nature in its own setting and nature domesticated. In her own words: “I contemplate the role of nature in artistic history, and I wonder if it is at all accessible to us today as a reality.”