Melissa Stern: The Talking Cure / Smart Clothes Gallery, New York
Opening Reception: November 8, 6-9 PM.
Smart Clothes Gallery and its founder Paul Bridgewater are pleased to present “The Talking Cure,” by Melissa Stern, a multi-media art exhibition integrating sculpture, original contemporary literature, and audio technology.
The Talking Cure, takes its name from Sigmund Freud’s original description of psychoanalysis. The exhibition consists of twelve mixed material sculptures by Melissa Stern, each accompanied by an interactive audio track created by a literary collaborator. Stern asked twelve writers- poets, novelists, screenwriters, and playwrights- to each chose a sculpture to which they relate most intimately. Each has written his or her imagined monologue of the goings on in the sculpture’s mind. The written work was then transformed into audio recordings by actors. A QR tag accompanies each sculpture. When the viewer points a Smartphone, Blackberry or iPhone reading device at the QR tag it triggers audio to hear the inner voice of the sculpture.
"I have long been fascinated by what goes on in people’s minds when they look at art," said Stern. "What stories do they tell themselves? What emotions and memories are triggered?" In this project we will have a chance to hear what others think goes on in the minds of these sculptural people. Viewers will also have the opportunity to record their own imagined interior monologue for each sculpture.
The exhibition will also feature twelve drawings to accompany the sculptures. These pieces address psychological states and experiences in a non- narrative, image based way. They are the dreams that accompany the sculptures.
David Gallagher's profile on Ceramics Now Magazine - View his works
David Gallagher is a ceramic artist from Philadelphia who completed his undergraduate work at the Tyler School of Art-Temple University. He is currently pursuing his Masters of Fine Arts at Kansas State University in Manhattan, Kansas.
In our current epoch of ever more rapid invention it becomes paramount to analyze our relationships to the technology we produce. Systems are created on the foundations of existing technology and are tied to the accepted modes of history and the present. These technologies mediate our experiences with the physical world. We no longer have hundreds of years to determine appropriate uses for the technology we create. In many cases this time frame can be compressed to months or even weeks, with the only criteria for its evaluation being its novelty. These tools we create enter our perception with singularity of purpose, and yet cause repercussions though out our whole cultural existence.
The primary focus of my artistic practice is the systems we create to manage our society. I am constantly investigating our understanding of the physical and psychological environments we construct. Humanity is driven to invent; to create tools that aid in the managing of society’s existence. Our instinctual proclivity to transcend what exists, to constantly refine and redefine our own existence is the central idea that drives my research. My work is a simulation and examination of systems that function within the constructs of social environments. These systems provide a framework for the investigation of the possibilities of context, specific iterations of conventional relationships.