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> Ceramic artists list 97. Ryan Blackwell 96. Ellen Schön 95. Francesco Ardini 94. David Gallagher 93. Elizabeth Shriver 92. Jason Hackett 91. Patricia Sannit 90. Bente Skjøttgaard 89. Steve Belz 88. Ruth Power 87. Jenni Ward 86. Liliana Folta 85. Kira O'Brien 84. Annie Woodford 83. Kwok-Pong Bobby Tso 82. Bogdan Teodorescu 81. Kimberly Cook 80. Paula Bellacera 79. Debra Fleury 78. Cindy Billingsley 77. David Gilbaugh 76. Teresa & Helena Jané 75. Marianne McGrath 74. Suzanne Stumpf 73. Deborah Britt 72. Kathy Pallie 71. Els Wenselaers 70. Kjersti Lunde 69. Brian Kakas 68. Marie T. Hermann 67. Mark Goudy 66. Susan Meyer 65. Simcha Even-Chen 64. Barbara Fehrs 63. Shamai Gibsh 62. Natalia Dias 61. Bethany Krull 60. Amanda Simmons 59. Arthur Gonzalez 58. Chris Riccardo 57. Akiko Hirai W 56. Johannes Nagel 55. Rika Herbst 54. Liza Riddle 53. Chang Hyun Bang 52. Virginie Besengez 51. Jasmin Rowlandson 50. Chris Wight 49. Wim Borst 48. Rafael Peréz 47. Guðný Hafsteinsdóttir 46. Cathy Coëz 45. Merete Rasmussen 44. Carol Gouthro 43. JoAnn Axford 42. David Carlsson 41. Margrieta Jeltema 40. David Roberts 39. Patrick Colhoun 38. Abigail Simpson 37. Signe Schjøth 36. Katharine Morling 35. Dryden Wells 34. Antonella Cimatti 33. Cynthia Lahti 32. Carole Epp 31. Blaine Avery 30. Ian Shelly 29. Jim Kraft 28. Wesley Anderegg 27. Connie Norman 26. Arlene Shechet 25. Young Mi Kim 24. Jason Walker 23. Peter Meanley 22. Shane Porter 21. Jennifer McCurdy 20. Yoichiro Kamei 19. Debbie Quick 18. Ian F Thomas 17. John Shirley 16. Grayson Perry 15. Vivika & Otto Heino 14. Georges Jeanclos 13. Daniel Kavanagh 12. Nagae Shigekazu 11. Matthew Chambers 10. Tim Andrews 9. Claire Muckian 8. Adam Frew 7. Maciej Kasperski 6. Roxanne Jackson 5. Keith Schneider 4. Celeste Bouvier 3. Tim Scull 2. Kim Westad 1. Sara Paloma

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UN declares famine in Somalia

UN declares famine in Somalia - Drought Crisis in the Horn of Africa

UN declares famine in Somalia, guardian.co.uk

The UN has officially declared two parts of Somalia to be in famine amid the worst drought in east Africa for 60 years.

Mark Bowden, humanitarian co-ordinator for Somalia, said on Wednesday that famine conditions now existed in the Bakool and Lower Shabelle regions of the country.

He warned: “If we don’t act now, famine will spread to all eight regions of southern Somalia within two months, due to poor harvests and infectious disease outbreaks.

“We still do not have all the resources for food, clean water, shelter and health services to save the lives of hundreds of thousands of Somalis in desperate need.”

He added that the lack of resources is alarming. “Every day of delay in assistance is literally a matter of life or death for children and their families in the famine-affected areas.”

UN humanitarian agencies have welcomed the recent statement by al-Shabaab, Islamist insurgents affiliated to al-Qaida, requesting aid in southern Somalia, but said the inability of food agencies to work in the region since early 2010 has prevented the UN from reaching the very hungry – especially children – and has contributed to the current crisis. The Bakool and Lower Shabelle regions are understood to be controlled by al-Shabaab. The UN refugee agency, the UNHCR, said it was seeking further security guarantees from the rebel group that it can deliver greater amounts of assistance in the area to prevent more hungry people from becoming refugees.

The drought in east Africa has left an estimated 11 million people at risk, but Somalia has been the worst hit country as it is already wracked by decades of conflict. The most affected areas of Somalia are in the south, particularly the region of Lower Shabelle, Middle and Lower Juba, Bay, Bakool, Benadir, Gedo and Hiraan, where the UN says an estimated 310,000 now suffer from acute malnutrition.

The Food Security and Nutrition Analysis Unit (FSNAU) said the crisis represented the most serious food insecurity situation in the world today, in terms of scale and severity.

“Current humanitarian response is inadequate to meet emergency needs,” it said. “Assuming current levels of response, evidence suggests that famine across all regions of the south will occur in the coming one to two months. A massive multisectoral response is critical to prevent additional deaths and total livelihood/social collapse and, most immediately, interventions to improve food access and to address health/nutrition issues are needed.”

Andrew Mitchell, the UK’s international development secretary, said: “In Somalia, men, women and children are dying of starvation. The fact that a famine has been declared shows just how grave the situation has become.

“It is time for the world to help but sadly the response from many countries has been derisory and dangerously inadequate. Britain is playing its part, with help for more than 2 million people across the Horn of Africa. Now others must do the same.”



A famine is measured by rates of hunger, malnutrition and deaths, but the key to it is that it must be widespread.

Technically, a famine is a mortality rate of more than two people per 10,000 per day; acute malnutrition reaching more than 30%; water consumption becoming less than four litres a day; and intake of kilocalories of 1,500 a day compared with the recommended 2,100 a day.

Hundreds of thousands of people have fled Somalia due to the drought and conflict, and refugees are dying of causes related to malnutrition either during the journey or very shortly after arrival at aid camps. On Sunday, the UNHCR began emergency airlift flights in Nairobi to help hundreds of thousands of Somalis who have taken refuge in neighbouring countries.

A giant cargo jet chartered by UNHCR landed in Nairobi with 100 tonnes of tents for the Dadaab refugee camp complex near the Kenya-Somalia border.

The UN says nearly half of the population in Somalia is facing a humanitarian crisis and in urgent need of aid. The number of people in crisis has increased by more than 1 million in the last six months. More than 166,000 Somalis have fled the country since the start of the year, with more than 100,000 of those leaving since May.

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  • Green Days Workshop Cluj-Napoca, Fabrica de Pensule

    Green Days Workshop Cluj-Napoca Fabrica de Pensule/ The Paintbrush Factory 2011

    Green Days Workshop Cluj-Napoca (Fabrica de Pensule/ The Paintbrush Factory), July 19th-21st 2011

    Fabrica de Pensule invites you to the Green Days workshop in Cluj-Napoca, Romania, an urban exploration in various spaces of the city. The workshop will include bike tours in the city, parks, green spaces, meetings and discussions with artists, arhitects, urbanists, sociologists, with guests from Italy, Belgium and England.

    Green Days is an international multidisciplinary project that proposes a reflection on the relations between urban environment and nature and offers the context of larger dabates on the way we can learn from nature and apply nature-inspired models, schemes and concepts in art, urban space and science.

    The Green Days workshop will be organized as an urban exploration in different areas of the city – parks (Parcul Feroviarilor, the Central Park), markets (Abator Market, Mihai Viteazu Market), the river banks, Mărăști and Mănăștur neighbourhoods, green spaces like the Botanical Garden, Hoia Forest. The workshop is a process of exploring not only the urban geography, but also an attempt to map different themes connected to urban ecology, green activism and the role that green spaces play in the urban and social tissue. At the end of the urban exploration, there will be a film projection session at Fabrica de Pensule, on the theme of biomimicry, as well as the Future Forecast
    workshop, conducted by István Szakáts.

    Participation at the workshop is open to anybody who will subscribe by sending an email at corina@fabricadepensule.ro (please mention your name and the part of the workshop that you would like to participate at). The tours in the city will be on bikes; there is a possibility to use the bikes offered for free by the Green Revolution Association, through the national bike-sharing program I’Velo (please mention in the email if you would like to use a bike).

    The detailed programme is available on: greendaysproject.tumblr.co​m
    Contact: corina@fabricadepensule.ro​, 004 0725 530 105

    Green Days Workshop Cluj event on Facebook.

    Organizer: Fabrica de Pensule (www.fabricadepensule.ro)
    Partners: neoncampobase (IT), AAA - Audiovisual Artists Anonymous (BE), Radar (UK)
    Financed by: European Cultural Foundation (www.eurocult.org)
    Supported by: Green Revolution Association (www.greenrevolution.ro)

  • Will Do by TV On The Radio, official music video / Watch the live performance at Glastonbury 2011


  • Listen to Coldplay live at Glastonbury Festival 2011, June 25

    0.23.08 - Yellow
    0.25.30 - In My Place
    0.30.26 - Major Minus
    0.33.56 - Lost!
    0.37.50 - The Scientist
    0.43.56 - Shiver
    0.48.45 - Violet Hill
    0.52.22 - God Put A Smile Upon Your Face

    Watch the last performance on their set list - Every Teardrop is a Waterfall

    Coldplay at BBC Glastonbury Festival 2011

  • ‘I will not lose my culture. I will never leave my culture. Even if I am given clothes, I will still be a Mursi.’

    This picture is available as a greetings card, with all profits going to Survival’s campaigns.
    Picture © Joey L

    Pictures from Ethiopia’s Omo Valley by award-winning photographer Joey L. A massive hydro-electric dam, Gibe III, is under construction on the Omo. When completed it will destroy a fragile environment and the livelihoods of the tribes, which are closely linked to the river and its annual flood.

  • Opening Gala of Transilvania International Film Festival - TIFF 2011 / Photo by Cosmin Ignat
    more photos on tiff.ro and Facebook.

  • Transilvania International Film Festival (TIFF 2011), ready to kick-off

    TRANSILVANIA INTERNATIONAL FILM FESTIVAL - TIFF 2011 (10th edition)
    3-12 JUNE 2011, CLUJ-NAPOCA // 15-19 JUNE, SIBIU

    The tenth edition of Transilvania International Film Festival is ready to welcome its guests and audience, with only one day left before the start of the most anticipated Romanian film event. In addition to the 200 films, TIFF 2011 presents its public with a generous offer of special events: the concerts, exhibitions and theater performances are only some of the events that make this year’s edition an unmissable one.

    For the second consecutive year, Unirii Square will host the opening ceremony of the festival, which will take place on Friday, June 3, from 8.30 p.m.  Starting this evening, the heart of Cluj-Napoca will undergo an impressive transformation, turning into a spectacular TIFF open-air venue.

    This year, the opening ceremony has set an impressive surprise in store for the public in Cluj. The French group of artists from the famous Compagnie des Quidams will bring to Ursus Open Air a performance full of magic and light: Herbert’s Dream. The show’s protagonists are extraordinary characters which evolve, depending on theatrical situations. From long, white figures on stilts, the audience will discover creatures from a strange, transforming world. Deformed and grandiose at the same time, clumsy and ethereal, as coming from another planet, with their heads light up they gather round a brilliant star to perform a magic ritual which will help the star ascend to heavens. The show was performed in over 100 cities, on several continents. Moreover, it opened various international events, such as the Dance Biennale in Lyon, the 1998 Football World Cup, Euro 2000 and Euro 2004.

    The film opening the festival’s anniversary edition is Potiche, an entertaining comedy written and directed by Francois Ozon, one of the best-rated French directors at this time. The film is an adaptation of the eponymous theatre play by Pierre Barillet and Jean-Pierre Grédy, and had its world premiere in the official competition of Venice Film Festival 2010. A contemporary social satire, the film is set in the context of the economic crisis afflicting the entire world. The action centers on Robert Pujol, the tyrannical head of the umbrella factory he has inherited from his father-in-law. The inhumane work conditions determine the workers to go on strike, ending with Robert being taken hostage. Suzanne, his wife, steps in and, with the help of her ex lover and present town mayor, tries to free the hostage and end the protest. In the end, Suzanne will take the reins of the factory, managing to restore an almost bankrupt business, to the great surprise of her husband, who is not willing to give up his position as factory director. Francois Ozon brings together a stellar cast, with some of the most important names from French cinema: Catherine Deneuve, recipient of the Lifetime Achievement Award offered to an Outstanding Personality of the European Cinema at TIFF 2008, Gérard Depardieu and Fabrice Luchini.

    The TIFF 2011 opening ceremony will not lack important names, personalities from Romanian and international film industry, officials and representatives of foreign press.

    Directors Matias Bize (La vida de los pesces), Michael Madsen (Into Eternity), Fernando Léon de Aranoa (Amador), Miruna Coca-Cozma (Our School) are some of the special guests present, alongside Tudor Giurgiu – Festival President, host of the TIFF opening ceremony, Mihai Chirilov –TIFF’s Artistic Director and Sorin Apostu – Cluj-Napoca’s mayor.

    The male basketball team U Mobitelco BT Cluj, winner of the National Basketball Championship, will also be present at the event.

    The theatre performance series Theatre at TIFF starts on Friday, June 3, with the play 9 degrees in Paris, by Peter Kerek, which will be played at the Hungarian Theater starting 7.30 p.m.

    TIFFashion, the series of events meant to connect the two worlds of film and fashion, also starts at Hotel Continental – the new home of fashion dedicated events, with the exhibit Dressing the Story: Film & Theatre Costumes by Doina Levintza, which can be admired until June 9.

    The first day of the festival is also the first day of screenings at Mănăştur Open Air, a new festival venue, which invites the public living in Mănăștur district, on every TIFF evening. The access to all screenings at Mănăştur Open Air is free.

    +++ Ceramics Now Magazine is proudly supporting Theater at TIFF (EN/RO) programme, organized by ColectivA Association.

  • Tribute to George Jeanclos - Clay and bronze / Exhibition - Galerie Capazza, Nançay, France

    Tribute to George Jeanclos - Clay and bronze

    Georges Jeanclos (1933-1997) is one of France’s great twentieth-century sculptors. His œuvre is rooted in the traumatic events of the Second World War. To escape the round-ups that threatened French Jews, his family was forced to hide in the woods ; Jeanclos, barely ten at the time, had several close brushes with death. When the country was liberated, he saw the corpses of former collaborationists strung up from lampposts ; shortly thereafter, he discovered the skeletal bodies of camp survivors. Decades later, Jeanclos would respond to these seminal events : not by locking himself away in his own experience but by opening up to universality and paying attention to all forms of suffering, past and present ; not by representing horror, but by finding within himself the strength to create beauty.

    Jeanclos’ choice medium was clay. He transformed it into thin sheets with which he then shaped human figures. Simultaneously children and adults, men and women, their faces are almost identical. Some are dormeurs resting beneath a coverlet of clay ; others are hidden within urns bearing Hebrew letters drawn from the Kaddish; others are boat travellers bound for the Beyond; still others are kamakuras, meditating bonzes lost in contemplation of the soul’s gardens. To all these, Jeanclos would later add Pietas, amorous Adams and Eves, couples tenderly grazing or stroking one another other. His images reveal both the undeniable weakness of human beings and the invincible strengh of love ; by the simple fact of their existence, they help us to live.

    The present show consists of some sixty works in clay and bronze, representing all the periods of Jeanclos’ career. (Tzvetan Todorov)

    19 March - 26 June 2011
    Galerie Capazza / Nançay / France

    Exhibition space: Grenier de Villâtre, 18330 Nançay, France
    T.: +33.(0)2.48.51.80.22 / contact@capazza-galerie.com / http://www.galerie-capazza.com/

    Capazza Gallery, a superbly restored place of historic interest (from the XVIIth century), connected with the castle of Nançay, is located in the heart of the Sologne, about 90 minutes from Paris and close to the Loire Valley. In exceptional surroundings of 2000 m², you can admire the works of 80 artists with international reputation. These artist represent contemporary art in the most important fields of Fine Arts.

    Georges Jeanclos’ profile - View his works

  • Iceland’s volcano Grimsvötn began erupting on Saturday, May 21, for the first time since 2004. (photo by Jón Ólafur Magnússon) - Watch the video on Vísir.is

  • Marvelous Mud: Clay Through the Ages - Exhibition, The Denver Art Museum

    The Denver Art Museum (DAM) takes a closer look at the medium of clay in its summer exhibition Marvelous Mud: Clay Around the World. Celebrating the prolific and diverse material, Marvelous Mud reveals how clay has shaped culture, creativity, science and industry over time and around the globe. The museum-wide exhibition explores one major medium and illustrates its diversity and history through fascinating stories that span time and geographic location. Marvelous Mud is on view June 11 through September 18, 2011, and offers a different way for visitors to experience the DAM’s programs and collections.

    Marvelous Mud features seven exhibitions throughout the Hamilton and North buildings, hands-on and live programming with artists and experts and indoor and outdoor creation stations that allows visitors to discover the medium.

    The exhibition kicks off with a weekend of celebration. Saturday and Sunday will feature lively onsite activities. Ceramic artist Bob Smith will perform a demonstration of raku firing on the plaza. This visual pyrotechnic firing process takes pots from the kiln at maximum temperatures. The pots are then put into containers of sawdust that produce a thick black smoke that adds to the finish of the vessel. Families can also explore the Mud Studio hands-on activity area and participate in artmaking projects at new in-gallery Hotspots.

    Marajó: Ancient Ceramics at the Mouth of the Amazon, located in the Martin and McCormick Gallery on level two of the Hamilton Building, focuses on the elaborately decorated red, white and black earthenware ceramics from the people who occupied the Brazilian island of Marajó from A.D. 400 to 1300. Much of the island is flooded each year by rising river waters, so its inhabitants built large artificial mounds to support dwellings, ceremonial spaces and cemeteries. Adorned in an ornate style with modeled, carved and painted human faces and figures, reptiles, snakes and birds, Marajó ceramics were used for feasting, ceremonial life and funerary offerings. Despite their artistic sophistication, ancient Amazonian ceramics are largely unknown to the public. Marajó is the first exhibition devoted to this topic in the United States. Curated by Margaret Young-Sánchez.

    Overthrown: Clay Without Limits, located primarily in the Anschutz Gallery on level two of the Hamilton Building, brings together regional, national and international artists who push the boundaries of clay to create large-scale installations that respond to the dynamic architecture of the Daniel Libeskind-designed Hamilton Building. The majority of the 25 participating artists will create site-specific artworks. Highlights include a large-scale ceramic and found object sculpture by Linda Sormin that utilizes the colossal slanted wall in the Hamilton Building atrium; an installation of clay flakes, each around 300 pounds, by Neil Forrest; a 23-foot chandelier by Jeanne Quinn; and a tiled enclosure with freestanding elements by Anders Ruhwald. Overthrown also includes a sampling of smaller ceramic objects that acknowledges that other means, besides size, can challenge expectations of the material. Curated by Gwen Chanzit.

    Blue and White: A Ceramic Journey, located in the William Sharpless Jackson Jr. Gallery on level five of the North Building, conveys the popularity of blue-and-white pottery throughout the centuries in different parts of the world. The technique of creating blue-and-white ceramics was a great innovation of Chinese ceramic history and they became a vital component of China’s export trade. The exhibit will feature objects from early periods of blue-and-white ceramic production to present day examples.

    Dirty Pictures, located in the Delisa and Anthony Mayer Gallery on level seven of the North Building, shows the varied ways photographers have depicted mud in their work. Whether as media for photographic construction, as the substance of metaphor or as a mark of human interaction with the earth—mud, clay, dirt and soil have made prominent appearances in the work of many photographers in the past 35 years. Featuring pieces by artists including Dieter Appelt, Zeke Berman, Jungjin Lee and Joel Sternfield, this exhibition aims to both examine these differences and draw connections between the varied uses of these materials in contemporary photography.

    Focus: Earth and Fire, located primarily on level four of the Hamilton Building, showcases ceramic work in the DAM’s modern and contemporary art collection, as well as paintings that respond to earth and fire. In recognizing that there are as many ways of responding to earth and fire as there are creative ventures, our presentation takes the widest approach to this theme and celebrates the myriad of artistic responses to rugged mountains, powerful mudslides and volcanoes, blazing forest fires and even the hot sunlight pouring down from billions of miles away. Work by Colorado artist Vance Kirkland will be featured in the third level Chambers and Grant Gallery, showing the artist’s early watercolor scenes from nature, as well as his late paintings that responded to the sublime energy of heat, fire and the great mysteries of space. Curated by Gwen Chanzit.

    Mud to Masterpiece: Mexican Colonial Ceramics, located on level four of the North Building, explores the era of global trade and its effect on traditional Mexican earthenware, Chinese porcelain and Mexican majolica. Between 1521 and 1821, the ancient Mexican ceramic art of unglazed, low-fired earthenware was exported to Spain where it became quite fashionable. In return, Spanish artists introduced the potter’s wheel and high-fired hard glazes to Mexico, producing a pottery known as majolica. Trade brought Chinese porcelain to Mexico and its decorative motifs influenced both native earthenware and Mexican majolica. More than 30 pieces of Chinese porcelain, Mexican earthenware and Mexican majolica will be exhibited alongside Mexican colonial paintings that depict the use of ceramics in daily life. Curated by Donna Pierce.

    Potters of Precision: The Coors Porcelain Company, located on level two of the North Building, displays porcelain labware produced by the Golden, Colo., company. The Coors Porcelain Company, now known as CoorsTek, creates specialized scientific forms—crucibles, beakers, evaporating dishes—that have remained virtually unchanged since their earliest iteration. Beauty and function exist simultaneously in vessels that serve scientists’ precisely stated needs. Curated by Darrin Alfred.

    Marvelous Mud is organized by the Denver Art Museum. Exhibition support is provided by the Adolph Coors Foundation Exhibition Endowment Fund, the citizens who support the Scientific and Cultural Facilities District and the generous donors to the Annual Fund Leadership Campaign. Promotional support is provided by 5280 Magazine, CBS4 and The Denver Post.

    The Denver Art Museum is located on 13th Avenue between Broadway and Bannock Streets in downtown Denver. Open Tuesday–Thursday and Saturday Sunday 10 a.m.–5 p.m., Friday 10 a.m.–8 p.m.; closed Mondays, Thanksgiving and Christmas. General admission for Colorado residents: $10 adults, $8 seniors and students, $3 for visitors 6-18, free for children 5 and younger. Admission for non-Colorado residents: $13 for adults, $10 for seniors and students, $5 for visitors 6-18, free for children 5 and younger. The Cultural Complex Garage is open; enter from 12th Avenue between Broadway and Bannock or check the DAM website for up-to-date parking information. For information in Spanish, call 720-913-0169. For more information, visit http://www.denverartmuseum.org/ or call 720-865-5000.

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