Michael Geertsen: Still Life, Still Lives / Jason Jacques Gallery, New York

Michael Geertsen exhibition at Jason Jacques Gallery

Michael Geertsen: Still Life, Still Lives / Jason Jacques Gallery, New York
May 21 - June 21, 2014

Jason Jacques Gallery is pleased to announce its second contemporary exhibition with contemporary ceramic master Michael Geertsen. Following a ceramic installation at the Victoria and Albert Museum in London and a show at Puls Ceramics in his native Denmark, Michael Geertsen has come back to show in New York. Geertsen is known for sleek ceramic works with alien-like sculptural bodies, and stacked sculptures of utilitarian objects like plates and cups. His whimsical and animated forms are executed with machine-like precision, thanks to his background in industrial ceramics. Michael claims American streamline design and Italian Futurism as his primary influences.

His most recent works have reinterpreted ancient Greek pottery, taking the classical forms and integrating them with modernist elements. He adds antlers, knobs and nipples in metallic gold and platinum. The gold and platinum protrusions create mirror like reflections which, when placed next to other works, distort the forms further, shifting perceptions of their form or shape.

Geertsen says his use of gold and silver is a nod to Western decadence. He started using these elements in his work while exploring Soviet constructivism where Gold and silver screamed hedonism, abundance and American kitsch. The use of gold and silver is also a reaction against 1960’s naturalistic pottery, making the works cheeky and stylized. The artist and scholar Edmond de Waals described his work as always “questioning the place that ceramics has inhabited, as well as the place that ceramics will inhabit in the future.” Michael’s most recent innovations have made that statement even more fitting.

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