Articles and interviews
Translate: L’Ofici Ceramista – Two artists, a defunct factory, a museum and an archive
By Brigit Connolly In 2022, Anne-Laure Cano and Jim Gladwin – two artists who work with clay – began working together towards an exhibition at the Museu d’Esplugues in response to, or translating from, the historical remains of the Pujol...
Tontouristen Kollektiv: What can be found in the gap between the different clay narratives?
By Tontouristen Kollektiv A contemporary and popular idea about clay and ceramics is of a romantic character. It is associated...
Sharif Farrag: Hybrid Moments at Jeffrey Deitch
By Cammy Climaco By the time Covid protocols were over in 2021, Ceramics was at its height of popularity. More...
Transitional Connections: The 8th Vilnius Ceramic Art Biennial
By Rita Mikučionytė I believe the acronym TARP, chosen by the organisers of last year’s ceramic art biennial, is a...
Collecting in Context: The Fred Marer and Forrest L. Merrill Collections
By Nancy M. Servis “The point of art is not to make maps but to adventure.”Jim Ede, in Laura Freeman,...
