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Interviews and Articles
New Aesthethics Influenced by the Culture of Consumption. Interview with Karin Karinson
Clay, readymades, glass, glaze and dust are all mixed to form your sculptures. Why do you combine these materials and how do you select them? I build sculptures of hard objects, readymades that are given to me by friends or...
A visit to the studio of Jono Pandolfi. Photography essay by Spencer Wells
Spencer Wells, a New York City-based photographer, filmmaker and writer, visited and photographed Jono Pandolfi's ceramics studio a few months...
Following Lost Memory in Matter: on Roy Maayan’s No Added Preservatives
Article by Erez Maayan Five Formica tables, the kind found in almost every (Israeli) kitchen through the mid-1980s, on top...
Expansive Visions Drawn From the Land and Reaching Beyond
By Laetitia Wilson Once in a while a ceramics exhibition reaches breathtaking proportions by defying expectations and ambitiously expanding the...
Unlocking the Memory of Clay. An interview with Ken Mihara
It can be said about your work that it embraces significant change every three to four years. Where do you...
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