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Jane Yang-D’Haene’s work often draws inspiration from traditional Korean ceramic forms, especially moon jars, which she reinterprets through expressive surfaces, sculptural gestures, and a raw, tactile aesthetic. The result is a body of work that balances historical references with a fresh, personal approach to material and form. Working with stoneware, D’Haene embraces imperfections and chance during firing, letting the process guide the final outcome. Her pieces balance tradition and experimentation, appearing both ancient and contemporary, functional and abstract. By pushing against the formal boundaries of ceramics, she creates work that is deeply personal yet universally resonant.