Michal Fargo

Michal Fargo Ceramics

Michal Fargo's profile on Ceramics Now - View the works

"In my work, I am driven by textures, materials and non-traditional working methods.

The main subject I deal with is the thin line between imitation and interpretation - My work portraits the contrast between an urban lifestyle and a remote admiration of nature. When I work, I use the most naive and (sometimes) barbaric techniques while facing industrial materials. I try to capture a longing for authentic nature and at the same time to celebrate its progress and many benefits, and perhaps combine both emotions into one.

If I had to sum my main ambition in my work I would say that I seek authenticity that comes from a personal aesthetic perception. The fine definitions of art, craft and design seem to me unnecessary in relation to my work. While working on a piece, it is not so much a ‘narrative’ that I’m after, but rather, visibility and the abstract feelings that may be summoned by viewing the form. 

As an artist I would like to think that I am a highly individual maker searching for an aesthetic vision that would be completely my own.” Michal Fargo

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Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, Variable dimensions. Photos by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, fired models technique, fired to cone 6 electric (Bronze Winner of the China Kaolin Prize 2013, part of Jingdezhen’s Ceramic Museum’s Collection), 23x18 cm. Photo by Mel Bergman.

Michal Fargo: Else, 2013, Porcelain, fired models technique, fired to cone 6 electric, 15x6 cm. Photo by Mel Bergman.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, Variable dimensions. Photos by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, fired mold technique, fired to cone 6 electric, 20x7 cm. Photos by Mel Bergman.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, 28x15 cm. Photo by Mathew Stanton.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, 28x15 cm. Photo by Mathew Stanton.

Michal Fargo: Else, 2012, Porcelain, fired mold technique, fired to cone 6 electric, 13x15 cm. Photo by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, fired mold technique, fired to cone 6 electric, 13x15 cm. Photo by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, fired models technique, fired to cone 6 electric, 9x7 cm. (yellow) and 7x6 cm. (whites). Photo by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, fired models technique, fired to cone 6 electric, 9x7 cm. (yellow) and 7x6 cm. (whites). Photo by Mel Bergman.

Michal Fargo: Else, 2013, Porcelain, fired models technique, fired to cone 6 electric (Bronze Winner of the China Kaolin Prize 2013, part of Jingdezhen’s Ceramic Museum’s collection), 30x17 cm. Photo by Mel Bergman.

Michal Fargo: Else, 2013, Porcelain, fired models technique, fired to cone 6 electric (Bronze Winner of the China Kaolin Prize 2013, part of Jingdezhen’s Ceramic Museum’s collection), 30x17 cm. Photo by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, fired models technique, fired to cone 6 electric, 30x18 cm. (white right), 24x21 cm. (white middle), 26x16 cm. (blue). Photo by Sasha Flit.

Michal Fargo: Else, 2012, Porcelain, fired models technique, fired to cone 6 electric, 30x18 cm. (white right), 24x21 cm. (white middle), 26x16 cm. (blue). Photo by Sasha Flit.

Michal Fargo: Else, 2013, Porcelain, fired mold technique, fired to cone 6 electric, 12x11 cm. Photo by Mel Bergman.

Michal Fargo: Else, 2012, Porcelain, metal ring, fired models technique, fired to cone 6 electric, 11x7 and 13x8 cm. Photo by Mel Bergman. The second work is sold to the collection of Holon’s Design Museum.