Vincent Leroy exhibition / Galerie NeC nilsson et chilglien, Hong Kong
March 15 - April 27, 2013
Opening reception with the artist: March 14, 2013, from 6 pm.
Moving under the influence of Japanese pop culture and New Realism. Kinetic artist Vincent Leroy forms poetry with his technology. Movement and repetition redefine natural order and commanded creation. Electric Flowers absorbs a haunting and fascinating rhythm that reinforces the endless repetition of motifs. Thus this field of mechanical flowers whose petals turn tirelessly on their rolling pins becomes an unlikely ode to the fragility of nature.
Born in 1968, into a farming family in Avranches, in France’s Normandy region, Vincent Leroy graduated from the Ecole Nationale Superieure de Creation Industrielle in 1995. In his work as an industrial engineer, he maintains an overall perspective on the manufacturing process slecting shapes, materials, colors and technical properties. Active on the international contemporary art scene, Vincent Leroy is among those artists who refuse to be categorized.
“Creating an object usually starts with finding the right materials, but the starting point for my work is kinetics. I play around with the speed and the way actions have casting effects. Movement was the basis for my piece I created in London for The Sketch, the restaurant and gallery space developed by Mourad Mazouz. I installed a flexible geometrical shape powered by two large motors between two mirrored walls. The material used is made to ripple, and the movement is reflected infinitely in The mirrors. Similarly, in Berlin I showed three balls made of translucent material that were made to move completely independently. I installed a tiny camera inside one of them, to give visitors a random, unimpeded perspective, with no vertical reference points, a little like astronauts in the weightlessness of space, when they’re moving around the shuttle. I wanted to let the public experience the phenomenon with just the bare minimum of technological resources.
Simple movements still remain the basis of my work. Ten years ago my sculpture was more mechanically focused, the technology was present, more visibly a subject matter. Today the movement in my work is more fluid, and natural. I’m at a happy medium with this balance of nature verses machine, or nature as machine. We must come to mix and not oppose. My creative process is driven by a natural need to experiment. To question, guess, try, play, solve, function. Even if it is as basic as a piece of cardboard, glue and a toolbox. I am always surprised with the magic that emerges from these unexpected moments.
I think my audience is primarily people who are on top of the latest trends in art and in music, who are found in major cities. It’s also companies like Arkema and Renault, Nissan and Canal+ I’ve had the opportunity to work with. In many cases it’s an audience that doesn’t judge the work on the basis of whether it’s consistent with some artistic movement. They’re people who are capable of being won over or astonished by what they see. It gives me great pleasure to be able to reach such a wide audience.” Vincent Leroy