Marek Cecuła: SEEDS / Glass and Ceramics Gallery, Wrocław, Poland
September 13 - October 10, 2012
Opening reception: Thursday, September 13, 18.00 pm.
The modern reality evokes more and more catastrophic visions, not as much of the end of the world perhaps, but rather of the decline of the world as we know it. Last century’s escalating occurrence of natural disasters and the worryingly fast degradation of the environment are food for thought, resulting in the eco trends on the one hand, and growing speculation crowned with the prophecies of the demise of civilization on the other.
In this situation, we are more thorough in creating architecture which is resistant to the most severe disasters, buying insurance policies which will hypothetically safeguard our future. We assume optimistically that we will somehow survive and manage to preserve our civilization.
In his latest project entitled “Seeds – the art of survival”, Marek Cecuła goes a step further, envisaging the annihilation of humankind in his vision of the future. However, he assumes that it is possible to preserve the material which enables Rebirth, as well as substances and tools needed for further functioning. All which is needed to that end is finding a form, a capsule made of an ultra-resistant material guaranteeing the preservation of the survival substance. The nature suggests a solution – the “seeds” are based on actual plant seeds, while their outer texture brings to mind the exceptionally durable diamond. The material used by the artist to generate his “seeds” is ceramics, whose durability is proved by archaeological excavations, which allow us to track down the development of civilization from the prehistoric times, through antiquity, to the modern era.
The exhibition in Wrocław’s BWA Glass and Ceramics Gallery blends art and science. Building terror and suspense, Cecuła shows the viewers real materials from the sites of natural disasters, statistics and scientific data presenting the real picture of what we are threatened with, a detailed description of the material used in building the seeds, and finally the main hero, together with the contents guaranteeing – according to the artist – the survival of substances ensuring Rebirth. There is no space left for any valuable objects representing our culture or development of civilization, there are no technological gizmos. Cecuła refers to the sources of life, only intending to preserve the existence of live matter which would allow an evolutionary revival of the civilization. The exhibition presents twenty large and twenty small “seeds”. Each is composed of two airtight elements. In its final version, the project is planned to contain a hundred such forms to be distributed all over the planet in order to secure the ultimate survival. The design of the “seeds”, their aesthetic form, is supposed to evoke a sense of security and hope for Rebirth.