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special feature

SPECIAL FEATURE: Romanian Contemporary Ceramics

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SPECIAL FEATURE: Romanian Contemporary Ceramics
Written review of Romanian contemporary ceramics through interviews with internationally-renowned and emerging Romanian artists.

In December 2011 we have witnessed the rebirth of Romanian contemporary ceramics through the opening of Galateea Gallery, Bucharest, the first gallery in Romania that promotes contemporary ceramics. The exhibition was titled “Ceramic rendez-vous”, poiting out the fact that it brought together fourteen artists from all over the country: Arina Ailincăi, Bianca Boeroiu, Cristina Bolborea, Adela Bonaţ, Vasile Cercel, Gherghina Costea, Georgiana Cozma, Marta Jakobovits, Romana Mateiaş, Aniela Ovadiuc, Monika Pădureţ, Cristina Popescu Russu, Ioana Şetran and Simona Tănăsescu.

With just two days ahead of the opening day of “Ceramic rendez-vous”, in December the 9th, 2011, Ceramics Now organized the opening day of the first Ceramics Now Exhibition in the city of Cluj-Napoca, Romania. The exhibition marked the launch of the magazine by exhibiting works of fifteen artists from eight countries. The third edition of Ceramics Now Exhibition is being held at Galateea Gallery, Bucharest, between 8-26th of November 2012, and presents the works of 22 world renowned contemporary ceramic artists, including three Romanian artists.

ROMANIAN CERAMIC ARTISTS - Read all the interviews:
Arina Ailincăi - by Vasi Hîrdo
Marta Jakobovits - by Ileana Surducan and Alexandra Mureşan
Romana Cucu Mateiaş - by Andra Baban
Aniela Ovadiuc - by Vasi Hîrdo
Oriana Pelladi - by Vasi Hîrdo
Eugenia Pop - by Alexandra Mureşan and Vasi Hîrdo
Cristina Popescu Russu - by Alexandra Mureşan
Bogdan Teodorescu - by Vasi Hîrdo

The feature is an ongoing project developed by Ceramics Now Association in collaboration with the Romanian Fine Arts Union, the University of Arts and Design Cluj-Napoca and the National University of Arts Bucharest.

Above: Oriana Pelladi, Emptiness, 2007, Ceramics, Video projection.

  • SPECIAL FEATURE: Keiko Gallery - Japanese artists

    Keiko Gallery - Special feature on Japanese artists - Ceramics Now Magazine

    SPECIAL FEATURE: Keiko Gallery - Japanese artists, October 2011

    In partnership with Keiko Gallery
    Written review of “Keiko Gallery” through interviews with represented Japanese artists who work in ceramics, lacquer, textiles and jewelry.

    Keiko Gallery is one of the most appreciated art galleries in the United States that focuses on Japanese art, from ceramics to the innovative lacquer art, textiles, jewelry and painting. Founded in 2003 in Boston, MA, the gallery organized numerous exhibitions of world-recognized Japanese artists.

    The special feature includes interviews with 10 artists represented by Keiko Gallery, and lots of images with their works. We took this opportunity because we want to introduce the Japanese contemporary art and craft to a larger audience around the world. It is an excellent chance for our readers to learn more from Japanese artists, to see how they think and how they imagine their works.

    KEIKO GALLERY - JAPANESE ARTISTS
    View images / Read all the interviews:
    Niisato Akio, Ceramics - View his works
    Kawabata Kentaro, Ceramics - View his works
    Takeuchi Kouzo, Ceramics - View his works
    Hayashi Shigeki, Ceramics - View his works
    Tanoue Shinya, Ceramics - View his works
    Fujita Toshiaki, Lacquer art - View his works
    Murata Yoshihiko, Lacquer art - View his works
    Jorie Johnson, Textiles - View her works
    Takeda Asayo, Textiles - View her works
    Mariko Husain, Jewelry - View her works

    The feature was presented on Ceramics Now in October 2011, and was published in Ceramics Now Magazine - Issue One. Keiko Gallery has now closed its physical space in Boston and it is relocating all the activity online. The new email address is keikogallery@gmail.com

    Above: Kentaro Kawabata, SOOS: Cao-Col, 2012, Porcelain, Silver, 25 x 18 x 40 cm.

  • SPECIAL FEATURE: Overthrown: Clay Without Limits (Denver Art Museum)

    Overthrown: Clay Without Limits special feature for The Denver Art Museum - Ceramics Now

    SPECIAL FEATURE: Overthrown: Clay Without Limits, July 2011

    In partnership with The Denver Art Museum
    Written review of “Overthrown: Clay Without Limits” exhibition at The Denver Art Museum through interviews with exhibiting artists and the curator.

    The twenty-five artists in Overthrown: Clay Without Limits took on adventurous challenges to make the works in this exhibition. Most were made especially for Overthrown and many are in direct dialogue with our dynamic Daniel Libeskind-designed architecture; they move beyond the pedestal to the wall, the floor, and even the ceiling. A few extend beyond the Anschutz Gallery, across the entire museum complex. They break boundaries that are physical, technological, conceptual, and spatial.

    Working in all scales, from architecturally expansive to almost impossibly small, the artists in Overthrown employ twenty-first-century technology hand-in-hand with standard modeling and molding techniques. They use digital cameras, computers, laser cutters, 3-D printers, and computer-controlled mills along with more traditional tools.

    Some push the forms of functional objects. Others push the limits of fragility. They take risks that draw on material chemistry and maverick kiln techniques. Some of their works include not only clay, but also found objects such as metal, plastic, and abandoned industrial materials. Overthrowing our expectations of ceramic art—its size, its context, its methods, and its meaning—these artists show us new ways of using this versatile and timeless material.

    OVERTHROWN: CLAY WITHOUT LIMITS
    View images / Read all the interviews:
    Gwen F. Chanzit, Curator
    Katie Caron and Martha Russo
    John Roloff
    Clare Twomey
    Paul Sacaridiz
    Linda Sormin
    Del Harrow
    Mia Mulvey
    Benjamin DeMott

    The feature was presented on Ceramics Now in July 2011, and was published in Ceramics Now Magazine - Issue One. The “Overthrown: Clay Without Limits" exhibition was on view at The Denver Art Museum June 11 through September 18, 2011.

    Above: Linda Sormin, Mine (i hear him unclip me / blood runs cold), 2010–11. Glazed ceramic; souvenir kitsch; and studio remnants from Tim Berg, Gerit Grimm, Nathan Craven, Robyn Gray, and Ted Yoon. Photo by Jeff Wells.

  • » Ceramics Now Magazine Newsletter - Special feature: Overthrown

    Special feature for the Overthrown: Clay Without Limits exhibition, July 2011 - http://eepurl.com/eTpMo

    The feature includes interviews with some of the exhibiting artists plus images from the exhibition. The Overthrown: Clay Without Limits exhibition is on view June 11 through September 18, 2011 and is part of Marvelous Mud: Clay Around the World, which includes eight exhibitions, live artist demonstrations, and hands-on programming. For details on individual exhibitions, see listings here.

    Interview with Gwen F. Chanzit - The curator of the exhibition.
    Interview with Katie Caron and Martha Russo
    Interview with John Roloff
    Interview with Clare Twomey
    Interview with Paul Sacaridiz
    Interview with Linda Sormin
    Interview with Del Harrow
    Interview with Mia Mulvey
    Interview with Benjamin DeMott
    Interview with Marie T. Hermann (will be published at the end of July)

    /Overthrown - Images from the exhibition (in High Quality).
    /Overthrown_Interviews - Interviews with 10 of the exhibiting artists.
    /tagged/nameofthe_artist (ex: /Clare_Twomey) - Images with the works of the artist you’re looking for.

    Subscribe to our monthly newsletter and like our Facebook page if you want to stay in touch with us.

  • » Overthrown: Clay Without Limits exhibition feature

    This month we’re making a special feature for the Overthrown: Clay Without Limits exhibition, which is on view June 11 through September 18, 2011 at the Denver Art Museum.

    It’s the first feature made by Ceramics Now Magazine, and includes images from the Overthrown exhibition and interviews with 10 of the exhibiting artists, plus with the curator of the exhibition. At the end of July, we will also send a special newsletter. Subscribe here to our monthly newsletter.

    NAVIGATION (HOW TO):

    About Overthrown - About the Overthrown feature on Ceramics Now Magazine
    /Overthrown - Images from the exhibition (in High Quality).
    /Overthrown_Interviews - Interviews with 10 of the exhibiting artists.
    /nameofthe_artist (ex: /Linda_Sormin) - Images with the works of the artist you’re looking for.

    Interviews (many will be published at the end of July):

    Gwen F. Chanzit - The curator of the exhibition.

  • Overthrown: John Roloff, The Sea Within the Land/Laramide, Landscape Projection, Seascape Structure 31

  • » Coming this month: interviews with world-recognized artists

    This month we’re making a special feature for the Overthrown: Clay Without Limits exhibition at the Denver Art Museum, and these days we’re preparing the interviews with 10 of the exhibiting artists. 

    We will also make a special newsletter with this occasion. To receive it, you must subscribe to our monthly newsletter. All news regarding the feature will be tagged with /Overthrown.

    /Overthrown

  • Overthrown: Works by Marie T. Hermann

    - You are my weather #A, #B, 2011. Stoneware fired in oxidation. Courtesy of Matin Gallery, Culver City.
    - Liminal #1, #2, 2011. Stoneware and thread. Courtesy of Matin Gallery, Culver City.
    - Liminal # 3, 2011. Stoneware fired in oxidation. Courtesy of Matin Gallery, Culver City.
    (photo by Jeff Wells)

  • Overthrown: Works by Del Harrow

    - Wedgewood Black Hive/Hole, 2011. Slip-cast black porcelain.
    - Links, 2011. Earthenware, glaze, and platinum luster.
    - Copper Fade, 2011. Earthenware and glaze.
    (photo by Jeff Wells)

  • Overthrown: Works by John Roloff and Jeanne Quinn

  • Overthrown: Works by Neil Forrest, Kim Dickey, Jeanne Quinn, Martha Russo and Katie Caron

  • Interview with Gwen F. Chanzit - Special feature for The Denver Art Museum, July 2011

    Interview with Gwen F. Chanzit, the curator of Overthrown: Clay Without Limits exhibition at The Denver Art Museum, July 2011

    This is the first interview we’ve made for the special Overthrown feature. The special feature for The Denver Art Museum covers more interviews with artists exhibiting at the Overthrown: Clay Without Limits, which is on view June 11 through September 18, 2011. Subscribe here to receive the special edition of our newsletter.

    Ceramics Now Magazine: How did you find the artists for Overthrown: Clay Without Limits exhibition? Was it hard or you already had their names in mind?

    Gwen F. Chanzit: I spent many months researching, talking with artists in the field, and visiting artists in their studios.  I also participated in symposia at the Victoria and Albert Museum in London and in Santa Fe, New Mexico, where I was introduced to the work of additional artists.

    From well over 100 file folders with research on the work of individual artists, I narrowed my selections by reviewing these regularly, moving the folders into piles that grew into “yes,”  “maybe,” and “no.”  I was particularly interested in showing the breadth of work that ceramic artists are accomplishing today.  Sometimes when I made a studio visit to see one artist, I discovered another artist or two.


    Ceramics Now Magazine: What are the criteria on which you selected the artists for this exhibition?

    Gwen F. Chanzit: I look for quality, inventiveness, and artists who are pushing the limits to develop new methodologies. 

    Working in all scales, from architecturally expansive to almost impossibly small, the artists in Overthrown employ twenty-first-century technology hand-in-hand with standard modeling and molding techniques. They use digital cameras, computers, laser cutters, 3-D printers, and computer-controlled mills along with more traditional tools. Some push the forms of functional objects. Others push the limits of fragility. They take risks that draw on material chemistry and maverick kiln techniques. Some of their works include not only clay, but also found objects such as metal, plastic, and abandoned industrial materials. Overthrowing our expectations of ceramic art —its size, its context, its methods, and its meaning—these artists show us new ways of using this versatile and timeless material.

    Ceramics Now Magazine: Did the exhibition space offered many obstacles? How did the artists adapt to the space?

    Gwen F. Chanzit: The exhibition space is a dynamic Daniel Libeskind design with angular walls and interesting spaces that are wonderful for exhibiting three-dimensional work. The soaring ceilings provide particularly good opportunities for large scale work. Each artist was encouraged to utilize these exciting spaces—which they did.

    Most of the works were made especially for this exhibition, and many are in direct dialogue with the site—they move beyond the pedestal to the wall, the floor, and even the ceiling. A few extend across the entire museum complex. They break boundaries that are physical, technological, conceptual, and spatial.

    Ceramics Now Magazine: On what principles do you guide on preparing an exhibition like this, with more than 20 artists participating?

    Gwen F. Chanzit: It’s important to show each artist’s work with integrity, to enable the work to have enough space to show itself well.  It was a particular goal for each work in this exhibition to be seen independently—-with the added bonus of long vistas across the gallery from work to work.


    Ceramics Now Magazine: Do you have any guidelines for the artists? How long ago did you contact and proposed them to exhibit at the Denver Art Museum?

    Gwen F. Chanzit: I encouraged each of the 25 artists to be very ambitious—not to be hindered by cost of materials or limitations of space.  Most artists had just over a year to prepare the work—a very short time in the world of these ceramic installations where challenges of materials and techniques had to be resolved.  In some cases, kilns had to be built..

    Ceramics Now Magazine:  Significant support was provided by different foundations and citizens. What is DAM’s relationship with foundations and donors?

    As most non-profits, the Denver Art Museum appreciates the significant support received by foundations and donors.

    Ceramics Now Magazine:  What part or what limits of this exhibition you find yourself connected to?

    I am connected to all parts of the exhibition.

    Ceramics Now Magazine: What expectations do you have from this exhibition?

    Gwen F. Chanzit: I very much hope this exhibition will overthrow some expectations of what ceramics might be.  It is a versatile and timeless material that is being used in new inventive ways in the 21st century.

    ——————————————————————-

    Gwen Chanzit is curator of modern and contemporary art and the Herbert Bayer Collection and Archive, Denver Art Museum. She has organized many DAM exhibitions including Bonnard, Matisse from the Baltimore Museum of Art, Martha Daniels Grotto, Vance Kirkland: The Late Paintings and Color as Field, as well as numerous exhibitions on Herbert Bayer. Her rotation in the modern and contemporary art galleries for Marvelous Mud is Focus: Earth and Fire.

    Among her many publications, Chanzit has authored two books on Herbert Bayer; contributed essays to DAM exhibition catalogs, RADAR: Selections from the Collection of Vicki and Kent Logan and The View From Denver; served as editor and authored essays for the 2009 exhibition catalog, Embrace!; and published an essay in the Austrian exhibition catalog, Ahoi, Herbert: Bayer und die moderne (2009). 

    For Marvelous Mud, Chanzit is curating Overthrown: Clay Without Limits, an exhibition in the Anschutz Gallery that features new work by 25 contemporary artists—most of whom work very large scale. She is also preparing a catalog and organizing a related symposium in September 2011.

    Chanzit is a frequent lecturer locally, nationally and internationally. She often serves as juror for art competitions and exhibitions and has been a guest curator at the Aspen Institute and the University of Denver. Chanzit holds a Ph.D. in art history and contributes to the future generation of museum professionals as director of the graduate program in museum studies at the University of Denver’s School of Art and Art History.

    Visit the Modern and Contemporary Art Collection's web page on the Denver Art Museum website.

      

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    → Read more interviews with ceramic artists and search through our featured artists.

    Interview by Vasi Hirdo - Editor of Ceramics Now Magazine

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