Interview with Bente Skjøttgaard

Interview with Bente Skjøttgaard / Featured now
By Andra Baban
Published in Ceramics Now Magazine Issue 2

As a Danish ceramic artist, do you consider the living climate an important influence in your work?

I think it’s fair to say that my works have a certain Nordic nature component. Danish nature is not wild and magnificent – more one that offers quiet experiences: a misty morning over the ploughed fields; an old, dead tree; rainy weather that starts as dark streaks on the horizon; the weather clearing up after rain. Danish weather is changeable and often a cold, clammy affair, but this makes one more keenly aware of the light and small shifts in nuance.

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Interview with ceramic artist Ken Eastman

Interview with Ken Eastman / Featured now
By Ileana Surducan
Published in Ceramics Now Magazine Issue 2

Ken Eastman’s work is on the cover of Ceramics Now Magazine Issue 2

Why did you choose the vessel as the central element of your art? Was there a transition from functional vessels to sculptural ones?

I have been working in ceramics continually since 1980. There have been periods when I have moved away from the vessel, but really it has been at the core of my work for most of the time since then. I do not make functional pots, but rather use the vessel as a subject - to give meaning and form to an expression. For a long time now I have realized that my overriding interest is making new coloured clay forms. This seems for me to be the essence of pottery- to make shapes which occupy and contain space and to decorate those shapes. By decorate, I mean to paint slip or glaze, to draw, to make image or line across the skin of the clay.

Ken Eastman Ceramics

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