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Works in Clay: Eiji Uematsu, 2023

October 12, 2023
in Ceramic art
Two persons, 2023
starry sky, 2023
water & clay, 2023
ash, 2023
Fluttering its Wings, 2011
Moon Jumping Rope, 2011
Stars in the Garden, 2020
Air, 2020
Clay Flower, 2012
fresh green, 2023
hanging flower vase, 2023
morning moon, 2023
Sky, 2020
smile, 2023

Works in Clay: Eiji Uematsu, 2023

Alison Bradley Projects is pleased to announce Works in Clay: Eiji Uematsu, featuring sixteen works by Eiji Uematsu in his first-ever New York exhibition.

Over the course of his five-decade long career, Eiji Uematsu has produced exceptional ceramic work with a deep sensitivity to the material and ontological qualities of clay, as well as a commitment to keen observation of the natural world. He first began experimenting with clay as a student in the early 1970s, taken by the materiality and possibilities of the medium. In 1975, Uematsu moved to Shigaraki, in the Shiga Prefecture of Japan, an important historical center of Shigaraki-ware ceramic production, later settling in his current home in Iga, Mie Prefecture, one of richest clay-mining deposits in Japan due to its location on the clay bed of the prehistoric Lake Biwa. In the artist’s own words, he frequently describes his process as not creating new forms, but drawing out shapes that have already existed in the earth from its beginning.

Central to Uematsu’s practice is his profound dedication to highlighting the material characteristics of clay itself: rather than taking the ornamental approach of imposing onto the clay as a vehicle for personal expression, Uematsu’s works center the highly-textured, visual variety of his clay composites, free of glaze. Their wide range of colors derive purely from thoughtful mixtures of clay and experimental variations in firing. Some of the artist’s forms evoke shapes resonant of earlier ceramics, such as those of the Jōmon or Haniwa periods, while others revel in the intrinsic materiality which he brings forward. The works on display exemplify Uematsu’s characteristic sense of playfulness, humor, and spontaneity, as well as the emotional depth and sense of memory that are core to his artistic lexicon.

Uematsu’s departure from popular ceramic frameworks derives from his firm rootedness in things experienced by and within the body. The work Stars in the Garden (2020), for example, sources its repeated spherical forms from Uematsu’s early childhood memories, rolling mud balls in the palms of his hands. Experiments in clay-building demonstrate Uematsu’s uninhibited relationship to earthen materials, for example, in the work Clay Flower (2012) in which the artist threw repeated lumps of clay slip onto the floor and fired the resulting form. Equally crucial to Uematsu’s practice is his approach to the element of fire, as both a collaborator and a source of creativity. This relationship is illustrated by Uematsu’s use of powdered clay on the surface of the work Sky (2020), allowing the heat of the kiln to leave dramatic and unusual cracks in its surface: lines drawn by flame. Both his experimental production and expressive capacity to breathe the world around him into the essential dialogue between clay and the artist’s hand has allowed his work to challenge traditional notions and forms of ceramics, and transcend categories of fine art and clay work.

The works in this exhibition present the artist’s journey through the last fifteen years, standing as totems to the elemental phenomena that enliven our natural world—from the sky, to the moon, to the stars, to fresh green leaves, to human life itself. Uematsu’s clay works seek to reveal fundamental qualities and textures of the world around us, reorienting our sensibilities to the geological and poetic rhythms of passing time, and declaring our place among them. Alison Bradley Projects is delighted to present this progression of enigmatic, contemplative, and joyful work in this exhibition.

Captions

  • Object Images
    Eiji Uematsu, Two persons, 2023, Clay, 4 7/8 x 4 1/8 x 2 1/2 in 12.5 x 10.5 x 6.5 cm © Sugimoto Reproduction
    Eiji Uematsu, starry sky, 2023, Clay, 4 x 4 1/8 x 3 1/2 in 10 x 10.5 x 9 cm © Sugimoto Reproduction
    Eiji Uematsu, water & clay, 2023 Clay 5 7/8 x 4 3/4 x 4 3/4 in 15 x 12 x 12 cm © Sugimoto Reproduction
    Eiji Uematsu, ash, 2023, Clay, 11 5/8 x 11 x 2 in 29.5 x 28 x 5 cm © Sugimoto Reproduction
    Eiji Uematsu, Fluttering its Wings, 2011, Clay, 5 1/4 x 15 x 7 7/8 in 13.5 x 38 x 20 cm © Sugimoto Reproduction
    Eiji Uematsu, Moon Jumping Rope, 2011, Clay, 8 1/4 x 7 7/8 in 21 x 20 cm © Sugimoto Reproduction
    Eiji Uematsu, Stars in the Garden, 2020, Clay, 9 3/4 x 7 3/8 x 7 3/8 in 24.7 x 18.7 x 18.7 cm © Sugimoto Reproduction
    Eiji Uematsu, Air, 2020, Clay, 13 3/4 x 10 3/8 x 1 1/8 in 35 x 26.3 x 3 cm © Sugimoto Reproduction
    Eiji Uematsu, Clay Flower, 2012, Clay, 19 3/4 x 14 1/8 x 1 5/8 in 50 x 36 x 4 cm © Sugimoto Reproduction
    Eiji Uematsu, fresh green, 2023, Clay, 11 3/4 x 7 7/8 x 1 3/8 in © Sugimoto Reproduction
    Eiji Uematsu, hanging flower vase, 2023, Clay, 12 5/8 x 1 in 32 x 2.5 cm © Sugimoto Reproduction
    Eiji Uematsu, morning moon, 2023, Clay, 18 1/4 x 12 5/8 x 1 in 46.5 x 32 x 2.5 cm © Sugimoto Reproduction
    Eiji Uematsu, Sky, 2020, Clay, 28 3/4 x 15 1/8 x 1 1/8 in 73 x 38.5 x 3 cm © Sugimoto Reproduction
    Eiji Uematsu, smile, 2023, Clay, 5 7/8 x 4 1/2 x 4 1/2 in 15 x 11.5 x 11.5 cm © Sugimoto Reproduction
  • Installation Images
    Works in Clay: Eiji Uematsu, gallery installation view, photo © Dario Lasagni
Tags: Alison Bradley ProjectsEiji Uematsu

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