• About us
  • Magazine
  • Submissions
  • Advertise
  • Contact
Wednesday, April 8, 2026
No Result
View All Result
Ceramics Now
Subscribe now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • 2026 Ceramics Calendar
    • Open call for ceramic artists
    • Ceramics job board
    • Pottery classes
Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • 2026 Ceramics Calendar
    • Open call for ceramic artists
    • Ceramics job board
    • Pottery classes
No Result
View All Result
Ceramics Now
Home Exhibitions

Théo Ouaki: Marginalia Fabulae at La peau de l’ours, Bruxelles

April 8, 2026
in Exhibitions

Théo Ouaki: Marginalia Fabulae is on view at La peau de l’ours, Bruxelles

March 15 – April 25, 2026

Marginalia refers to the figures and annotations that, in the Middle Ages, occupied the margins of manuscripts. Far from being merely decorative, they constituted a parallel space of reading, mobilizing symbols, beliefs, and secondary narratives to comment on the world from its edges, at the margins of the central text.

With Marginalia Fabulae, I reactivate this principle of lateral reading in order to approach contemporary mass and everyday life, understood as ensembles traversed by networks of signs and symbolic structures. The exhibition brings together exclusively ceramic sculptures, wall-mounted high reliefs and figures in the round conceived as material annotations of reality.

The high reliefs unfold as dense, compartmentalized surfaces, evoking systems of organization and circulation. The figures in the round extend this logic: although detached from the wall, they also appear caught within structures that exceed the individual. Together, the works compose a plastic vocabulary grounded in hybridity, proliferation, and the interweaving of bodies and forms.

The grotesque and fabulation, inherited from medieval marginalia, generate here an open symbolic language. Superstition is approached as a mode of thinking through resonance, without omen or univocal interpretation, leaving the viewer free to move between the signs.

Entirely made of ceramic, the works inscribe this fabulation within an archaic and irreversible material historically linked to use and ritual. Marked by gesture and accident, fired clay gives the forms an almost talismanic dimension, where the symbolic settles without ever closing upon itself.

Marginalia Fabulae thus proposes a lateral reading of the present, where the margin becomes an active space for the production of meaning, revealing the symbolic structures that traverse everyday life. These forms take shape within a daily studio practice, nourished by the repetition of gestures and by attention to minor narratives and discreet signs that persist at the edge of the visible.

Text by Théo Ouaki

Contact
info@lapeaudelours.net

La peau de l’ours
Rivoli Building
Rue Emile Claus, 55
1050 Ixelles
Belgium

Photos courtesy of the gallery

Tags: BruxellesLa peau de l'oursThéo Ouaki

Related Posts

Arina Antonova ceramics
Exhibitions

Arina Antonova: Shekel & Anubis Agency at Galerie Dix9 Hélène Lacharmoise, Paris

April 6, 2026
Heidi Bjorgan ceramics
Exhibitions

Out of the Blue: Heidi Bjørgan and Kari Dyrdal at Taste Contemporary, Geneva

March 20, 2026
Janny Baek ceramics
Exhibitions

Janny Baek: Life Forms at Joy Machine, Chicago

March 19, 2026
Janet Abrams ceramics
Exhibitions

Janet Abrams: Balancing Acts at Zane Bennett Contemporary Art, Santa Fe

March 18, 2026

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *



Latest Artist Profiles

Jeanne Rimbert ceramics
Artists

Jeanne Rimbert

March 26, 2026
Japheth Asiedu-Kwarteng ceramic artist
Artists

Japheth Asiedu-Kwarteng

March 25, 2026
Faye Papargyropoulou ceramics
Artists

Faye Papargyropoulou

March 24, 2026
Paolo Porelli ceramics
Artists

Paolo Porelli

February 9, 2026

Latest Articles

Frances Priest ceramics
Articles

The Language of Ornament: Frances Priest at Blackwell

by Ceramics Now
March 25, 2026
County Hall Pottery
Articles

Undergrowth: Ceramics, Ecology, and Alternative Futures

by Ceramics Now
March 12, 2026
Bees first ceramicists
Articles

The First Ceramicists: Ancient Clay Structures Built by Bees

by Ceramics Now
March 6, 2026
ceramic brussels 2026
Articles

Ceramic Brussels 2026 – Highlights From the Fair’s 3rd Edition

by Ceramics Now
March 5, 2026
Instagram Facebook LinkedIn
Ceramics Now

Ceramics Now is a leading independent art publication specialized in contemporary ceramics. Since 2010, we promote and document contemporary ceramic art and empower artists working with ceramics.

Pages

  • About us
  • Magazine
  • Submissions
  • Advertise
  • Contact

Subscribe to Ceramics Now Magazine

Join a vibrant community of over 25,000 readers and gain access to in-depth articles, essays, reviews, exclusive news, and critical reflections on contemporary ceramics.

SUBSCRIBE TODAY

© 2010-2026 Ceramics Now - Inspiring the next generation of ceramic artists.

  • Subscribe to Ceramics Now
  • News
  • Artist profiles
  • Articles
  • Exhibitions
  • Ceramic art
  • Interviews
  • Resources
    • Ceramics Now Weekly
    • Ceramics Calendar 2026
    • Open call for ceramic artists
    • Ceramics job board
    • Pottery classes
  • About us
    • Ceramics Now Magazine
    • Submissions
    • Advertise with Ceramics Now
  • Contact
No Result
View All Result

© 2010-2026 Ceramics Now - Inspiring the next generation of ceramic artists.