Anne Wenzel: The Opaque Palace / TENT Rotterdam

Anne Wenzel The Opaque Palace at TENT Rotterdam

Anne Wenzel: The Opaque Palace / TENT Rotterdam
February 6 - May 5, 2014

Opening reception: Thursday, February 6th, from 8 pm.

The Opaque Palace transforms the exhibition spaces of TENT into an installation in which the monumental sculptures of Anne Wenzel (DE, lives and works in Rotterdam) provide a coherent representation of the major themes in her work – power, destruction, heroism, history – and a new series of sculptures are introduced. Daria de Beauvais, from Palais de Tokyo, Paris, has curated the exhibition. With Anne Wenzel’s solo exhibition, her largest yet, TENT celebrates the re-opening of its newly renovated building.

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Tim Rowan Ceramics:

Untitled #11A90, 2011, Wood-fired native clay, 18x19x9 inches
Untitled #11A92, 2011, Wood-fired native clay, 12x21x8 inches
Untitled #11A91, 2011, Wood-fired native clay, 14x29x8 inches

Turn, Weave, Fire, and Fold: Vessels from the Forrest L. Merrill Collection / SFO Museum, San Francisco

Vessels from the Forrest L Merrill Collection at SFO Museum, San Francisco

Turn, Weave, Fire, and Fold: Vessels from the Forrest L. Merrill Collection / SFO Museum, San Francisco
January 25 - June 1, 2014

New exhibition presents an exploration of the vessel in work by Bob Stocksdale, Kay Sekimachi, June Schwarcz, and James Lovera.

Collector Forrest Merrill has an affection for the vessel. Its form, sometimes alluding to the sensuous curves of a human body, holds irresistible appeal for him. So too does its familiar scale, which allows a vessel to be cradled in the palms of one’s hands. Forrest’s first art acquisition was in 1950 at a clay and glass exhibition in Pasadena, California, that he attended with his high school art club. With forty dollars earned from cutting neighbors’ lawns the previous summer, Forrest purchased a slumped-glass salad set by Glen Lukens, a pioneer in studio crafts then teaching at U.S.C. in Los Angeles.

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Ceramics Now Magazine announces open Call for Papers (Issue 3)

Ceramics Now Magazine announces open Call for Papers, Issue 3

Ceramics Now Magazine is pleased to announce an open Call for Papers, for consideration in Issue 3
Deadline for submissions: March 7, 2014

We welcome contemporary ceramics-related research papers that are lively and engaged with current ideas and debates. The call for papers is open to any author, and any original text involving ceramic art criticism, history or theory will be considered for publication. We would also welcome all submissions that enter the following categories: exhibition, book or project reviews, and conversations.

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Being Here & Being Thus. Sculpture, Object & Stage / Frankfurter Kunstverein, Frankfurt

Being Here Being Thus. Sculpture, Object, Stage exhibition at Frankfurter Kunstverein

Being Here & Being Thus. Sculpture, Object & Stage / Frankfurter Kunstverein, Frankfurt
January 23 - April 13, 2014

Opening reception: Thursday, January 23, 2014, from 8 pm.

The world of things seems to be dissolving. Due to digitalization, our living environment is rapidly becoming more and more immaterial—despite the unlimited amount of consumer items that we encounter on a daily basis. At the same time, it is possible to observe a growing interest in the lost and changing materiality of the world around us. Recently the cultural and social sciences announced a “material turn.” One is discovering the material aspects of knowledge production and social practices as well as the material aspects of communication processes and aesthetic production.

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David Hicks: Nucleus / Cross MacKenzie Gallery, Washington DC

David Hicks: Nucleus at Cross MacKenzie Gallery, Washington DC

David Hicks: Nucleus / Cross MacKenzie Gallery, Washington DC
January 10 - February 28, 2014

Cross MacKenzie Gallery is pleased to present “Nucleus” an exhibition of new ceramic sculpture by the prolific and compelling California based artist, David Hicks. This is his third solo show at our gallery.

“I am still digging in the dirt to understand my attraction to the agricultural,” the artist says of this new body of work. Though Hicks continues in these botanic and organic themes, his compositions have opened up and become less dense – no longer hanging down with the force of gravity from vertical wires. The new work is metaphorically blossoming.

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Gareth Mason: More is more / Jason Jacques Gallery, New York

Gareth Mason More is more at Jason Jacques Gallery, New York

Gareth Mason: More is more / Jason Jacques Gallery, New York
January 22 - February 22, 2014

We are very excited to invite you to our newest exhibition with our first contemporary master ceramicist Gareth Mason. Following a show at the American Museum of Ceramic Art and an exhibition at the Korea Cultural Center in London. Gareth will be having his second solo exhibition at Jason Jacques Gallery. We are Publishing a 200 page catalog of Gareth’s work and the first publication of a series of letters between Gareth Mason and Ceramics collector Richard Jacobs which is a discourse of the nature of art and ceramics collecting. We are planning a series of lectures between Gareth Mason and his favorite Collector Richard Jacobs more information in the new year.

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Tim Rowan:
Untitled #12246, 2012, Wood-fired native clay, 7x15x4 inches
Untitled #12247, 2012, Wood-fired native clay, 9x10x5 inches