Gail Nichols: Atmosphere / Narek Galleries, Tanja, NSW, Australia
January 10 - February 24, 2014
Earth, air, fire and water are the essential elements in Gail Nichols’ vessels, both figuratively and metaphorically. The infinite landscape surrounding her home and studio at the base of Mt. Budawang near Braidwood not only inspires her strong, wheel thrown forms, it also provides the atmosphere that affects the soda vapour glaze firings. Moist air and damp earth will create a different firing result to days of low humidity.
HYPERCLAY: Contemporary Ceramics / Gladstone Regional Art Gallery & Museum, Gladstone, Australia
December 13, 2013 - March 2014, 2014
RoHYPERCLAY: Contemporary Ceramics investigates the field of ceramics, focusing on new attitudes, techniques and technologies that are being embraced by artists in the 21st century. Walter Auer, Roderick Bamford, Stephen Bird, Jacqueline Clayton, Andrea Hylands, Addison Marshall, Pip McManus and Paul Wood all ignite the imagination with the potential of clay through their work. As the prefix ‘hyper’ suggests, HYPERCLAY presents clay-based work where the medium has been amplified, extended and intensified to produce work that will delight, provoke and surprise. New technologies, the process of making, and the re-purposing of materials to create new forms are the delicate threads that bind the works in HYPERCLAY together.
Containment: 2012 Cicely & Colin Rigg Contemporary Design Award / The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia
November 23, 2012 - July 21, 2013
The theme of ‘containment’ will be explored by fourteen Victorian artists for the 2012 Cicely & Colin Rigg Contemporary Design Award.
The Award focuses on contemporary design practice in Victoria and is arguably the most prestigious offered to a contemporary practitioner in Australia with a prize of $30,000 provided through the Cicely & Colin Rigg Bequest, managed by ANZ Trustees.
anim(us) exhibition / Stella Downer Fine Art, Sydney, Australia
21 February – 17 March 2012
Opening recepetion on Saturday 25 February, 3-5 pm
Curated by Sarah Vandepeer.
Tanya Chaitow, Lynda Draper & Jacqui Hudson explore the relationship between emotion and creativity, producing uncanny works that teeter between the beautiful and the strange. Animal references found in the artists’ work made might be interpreted as manifestations of the animus ego, as defined by Carl Jung. The anima or animus is an anthropomorphic archetype that we only experience fleeting glimpses of in dreams and it is a powerful source of creative ability.
Ambiguity and whimsy are important elements in Tanya Chaitow’s work and her fanciful paintings and drawings blur past and present, fact and fiction, internal and external reality. By adopting a naïve style, she is able to work intuitively and her works are emotionally charged. In her work the deer appears as an archetype of the self. This susceptible figure floats through the tangled branches of Chaitow’s surreal dreamscapes, leaving us with a poignant sense of vulnerability. Born in Johannesburg, South Africa, Tanya Chaitow immigrated to Australia in 1978. She completed her Masters of Fine Art at the College of Fine Arts, University of New South Wales at the end of 2007. She is regularly selected for the Dobell Prize for Drawing and her work is represented in both public and private collections in Australia, South Africa and the USA.
Lynda Draper fashions ethereal sculptures from stoneware, using opaque white surfaces to evoke a sense of faded memories and nostalgia. Draper’s work is based on a belief that our interpretation of the world is drawn from a well of personal memories and experiences. Christian iconography, infantile animal shapes and strange organic growths all appear across her oeuvre, blended into quirky configurations that beguile or repel.